{"id":4885,"date":"2021-05-31T19:24:06","date_gmt":"2021-05-31T23:24:06","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?p=4885"},"modified":"2022-05-19T15:07:30","modified_gmt":"2022-05-19T19:07:30","slug":"notes-about-contributors-8-1","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/sequitur\/2021\/05\/31\/notes-about-contributors-8-1\/","title":{"rendered":"Notes about Contributors"},"content":{"rendered":"

Emily Beaulieu <\/b>is a second-year master\u2019s student in art history at Tufts University. She specializes in Italian Renaissance and Baroque art, with a particular interest in Caravaggio and art theory of the seventeenth century. Recently, Beaulieu has expanded her area of study to non-European art of the sixteenth and seventeenth centuries.<\/span><\/p>\n

Morgan J. Brittain <\/b>is a PhD student in American studies at William & Mary. He received his MA in art history from the University of Iowa in 2020. His research takes an ecocritical approach to historic and contemporary landscape traditions. His work has also been supported by a Newberry Library Consortium Grant and the Gilcrease Museum\u2019s Helmerich Center for American Research.<\/span><\/p>\n

Diane Dias De Fazio<\/b> is a first-year Master of Arts candidate in art history at Kent State University. Her research and practice centers on artist\u2019s books, alternative\/underground press, and work by women and BIPOC printers in Ohio and Western Pennsylvania. She holds masters\u2019 degrees from Columbia University and Pratt Institute.<\/span><\/p>\n

Drew Etienne<\/b> is an MFA candidate at the University of Iowa where he has been employing painting, printmaking, and sculptural modes of working. The goal of his art is to shift the viewer\u2019s focus away from the anthropocentric toward the micro- and macroscopic to aid in understanding scales of space and time that are not innately understood, as well as the effect of human behavior on ecosystems past, present, and future.<\/span><\/p>\n

Jillianne Laceste<\/b>\u00a0is a PhD candidate in the History of Art & Architecture at Boston University. Her research addresses cross-cultural connections of the early modern world with a particular focus on Italy and the Americas. Her dissertation examines the visual culture of Christopher Columbus and transatlantic exploration in seventeenth-century Genoa.<\/p>\n

Phillippa Pitts <\/b>is a PhD candidate and Horowitz Foundation Fellow for American Art at Boston University. Her research explores the ways in which visual rhetorics around expansion, immigration, and Indigeneity shape American culture from the long nineteenth century to the present. Pitts\u2019s work has been generously supported by the Center for Advanced Study in the Visual Arts, the Kress Foundation, the Center for American Art, and the University of Michigan.\u00a0<\/span><\/p>\n

Eric Rivera Barbeito <\/b>is a\u00a0Puerto Rican-born artist. His multimedia practice interrogates Puerto Rico\u2019s status as a United States colony. Rivera Barbeito received his BFA from the Maryland Institute College of Art and resides in Baltimore, Maryland.<\/span><\/p>\n

Stephen Rosser <\/b>is a doctoral research student at Birkbeck, University of London. His master\u2019s degree included a dissertation on \u201cnew architectural Tories,\u201d a group of late-twentieth century British architectural writers identified with the political right.<\/span><\/p>\n

Gabrielle Tillenburg<\/span> <\/b>(she\/her) is a MA\/PhD student studying modern and contemporary Caribbean and diasporic art at the University of Maryland. Her interests include artist activism in independence movements, interpretations of time in photographic media, and contemporary use of craft materials. From 2015 to 2020 she served as the exhibitions coordinator at Strathmore.<\/span><\/p>\n

Marina Wells<\/b> is a PhD candidate in the American & New England Studies Program at Boston University. She holds a BA from Colby College in art history and literature, and has held positions at various institutions including in the Health Humanities at BU and at the New Bedford Whaling Museum.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Emily Beaulieu is a second-year master\u2019s student in art history at Tufts University. She specializes in Italian Renaissance and Baroque art, with a particular interest in Caravaggio and art theory of the seventeenth century. Recently, Beaulieu has expanded her area of study to non-European art of the sixteenth and seventeenth centuries. Morgan J. Brittain is […]<\/p>\n","protected":false},"author":18909,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/4885"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/18909"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=4885"}],"version-history":[{"count":8,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/4885\/revisions"}],"predecessor-version":[{"id":5086,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/4885\/revisions\/5086"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=4885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/categories?post=4885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/tags?post=4885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}