{"id":1066,"date":"2015-12-01T00:00:15","date_gmt":"2015-12-01T05:00:15","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?p=1066"},"modified":"2022-05-20T21:33:24","modified_gmt":"2022-05-21T01:33:24","slug":"notes-about-contributors-2-1","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/sequitur\/2015\/12\/01\/notes-about-contributors-2-1\/","title":{"rendered":"Notes about Contributors"},"content":{"rendered":"<p><strong>Jordan Karney Chaim<\/strong> is a doctoral student and Raymond and Margaret Horowitz Foundation Fellow in American Art at Boston University where her research focuses on intersections of contemporary American and Latin American art in California. Before attending Boston University, she was the Assistant Director at Mary Ryan Gallery in New York.<\/p>\n<p><!--more--><\/p>\n<p><strong>Erin McKellar<\/strong> is a doctoral candidate at Boston University specializing in twentieth-century architecture and design. Her\u00a0dissertation examines American and British wartime and postwar exhibitions of town planning,\u00a0domestic architecture, and home furnishings as interfaces that enabled skeptical yet curious non-professional audiences to understand ideas about modern planning, dwellings, and furniture.<\/p>\n<p><strong>Kelsey Gustin<\/strong> is the Raymond and Margaret Horowitz Fellow in American Art at Boston University where she is currently pursuing her Ph.D. Her broad interests in late 19<sup>th<\/sup> and early 20<sup>th<\/sup> century American art have resulted in projects ranging from Civil War genre paintings to WWII photography.<\/p>\n<p><strong>Elisa Germ\u00e1n<\/strong> is a Ph.D. student at Boston University specializing in 20<sup>th<\/sup> century Spanish prints and drawings produced in Spain between 1940 and 1960. She has held positions as the Morse Curatorial Research Fellow in the Department of Prints, Drawings, and Photographs at the Museum of Fine Arts, Boston and was a graduate intern at the former W.E.B. Du Bois Institute at Harvard University.<\/p>\n<p><strong>Lydia Harrington<\/strong> is a\u00a0second-year PhD student in the\u00a0Department of History of Art and Architecture at Boston University. She is interested in new institutions in the late Ottoman Empire,\u00a0the\u00a0display of Islamic art in museums, and categorization of art and architecture as &#8220;Islamic.&#8221;<\/p>\n<p><strong>Bryn Schockmel<\/strong> is a second-year doctoral student in History of Art and Architecture at Boston University, where she studies the Italian Renaissance with Professor Jodi Cranston. Bryn received her Masters in Art History from the Courtauld Institute of Art, with a focus on the Northern Renaissance.\u00a0This past summer Bryn participated in an archaeological excavation at the Etruscan site of Caere in Italy.<\/p>\n<p><strong>Steve Burges<\/strong> is a doctoral student in the History of Art and Architecture at Boston University with a focus in Classical art and archaeology. Primarily concentrated on Roman Italy, his research interests include urbanism, cross-cultural influence, depictions of lost epics, and art historiography. He has been known to write the occasional paper on Islamic textiles or cultural heritage management.<\/p>\n<p><strong>Annemarie Iker<\/strong> is a second-year M.A. candidate in the Williams College Graduate Program in the History of Art. She studies 19<sup>th<\/sup> century art, with a focus on intercultural exchange between the Spanish-speaking world, Europe, and the United States.<\/p>\n<p>Both an artist and linguist, <strong>Gabriel Sosa<\/strong> is currently pursuing an MFA at the School of the Museum of Fine Arts, Boston. He is originally from Miami, Florida.<\/p>\n<p>&nbsp;<\/p>\n<p><b>2015-2016\u00a0<i>Sequitur<\/i> Editorial Team<\/b><br \/>\n<span>Senior Editors:\u00a0Ewa Matyczyk, Steve Burges<\/span><br \/>\n<span>Junior Editors: Sasha Goldman, Jordan Karney Chaim, Erin McKellar<\/span><br \/>\n<span>Faculty Advisor: Professor Alice Tseng<\/span><br \/>\n<span>Special Thanks to Susan Rice and Chris Spedaliere<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jordan Karney Chaim is a doctoral student and Raymond and Margaret Horowitz Foundation Fellow in American Art at Boston University where her research focuses on intersections of contemporary American and Latin American art in California. Before attending Boston University, she was the Assistant Director at Mary Ryan Gallery in New York.<\/p>\n","protected":false},"author":10585,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/1066"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/10585"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=1066"}],"version-history":[{"count":6,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/1066\/revisions"}],"predecessor-version":[{"id":5531,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/1066\/revisions\/5531"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=1066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/categories?post=1066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/tags?post=1066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}