{"id":832,"date":"2015-05-01T00:00:54","date_gmt":"2015-05-01T04:00:54","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=832"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-1-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-1-issue-2\/","title":{"rendered":"volume 1, issue 2"},"content":{"rendered":"

editors\u2019 introduction<\/h4>\n

Beth Pugliano<\/a><\/p>\n

featured content
\n<\/a><\/h4>\n

Outside the Gate: The Seduction of Belonging in the Charleston Works of Elizabeth O\u2019Neill Verner<\/a>
\nOlivia J. Kiers<\/p>\n

interview
\n<\/a><\/h4>\n

Creating Wonder: A Discussion about Technology in the Museum\u00a0with Kristi McMillan, Assistant Curator of Education for Visitor Engagement at the Birmingham Museum of Art<\/a>
\nCompiled and Edited by Amy Williamson<\/p>\n

exhibition catalogue review
\n<\/a><\/h4>\n

‘ZERO: Countdown to Tomorrow, 1950s-60s’<\/a>
\nSasha Goldman<\/p>\n

book reviews
\n<\/a><\/h4>\n

‘Red Kant: Aesthetics, Marxism, and the Third Critique’<\/a>
\nBakary Diaby<\/p>\n

‘Gothic Wonder: Art, Artifice, and the Decorated Style, 1290-1350’<\/a>
\nValentina S. Grub<\/p>\n

research spotlights
\n<\/a><\/h4>\n

Early Modern Funerary Portraits Painted on Metal and Stone Supports: Results of Field Work in Rome<\/a>
\nBradley J. Cavallo<\/p>\n

Research and Scholarship for the 21st Century: The 2015 Art+Feminism Wikipedia Edit-a-thon<\/a>
\nLydia Harrington<\/p>\n

symposium reflection
\n<\/a><\/h4>\n

2015 Symposium Reflection<\/a>
\nEwa Matyczyk<\/p>\n

back matter
\n<\/a><\/h4>\n

Notes about Contributors<\/a><\/p>\n

 <\/p>\n

\"greetings<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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