{"id":6222,"date":"2024-01-26T11:21:43","date_gmt":"2024-01-26T16:21:43","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=6222"},"modified":"2024-05-03T09:43:08","modified_gmt":"2024-05-03T13:43:08","slug":"volume-10-issue-1-threads","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-10-issue-1-threads\/","title":{"rendered":"volume 10, issue 1: threads"},"content":{"rendered":"<p><span style=\"color: #000000;\"><strong>editor\u2019s introduction <\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/editors-introduction-10-1\/\"><span style=\"color: #000000;\">Hannah Jew<\/span><\/a><\/p>\n<p><span style=\"color: #000000;\"><strong>feature essays<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/skeuomorphic-textiles-stitches-in-stone\/\">Skeuomorphic Textiles: Stitches in Stone<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Tracey Davison<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/folds-female-sexuality-in-artemisia-gentileschis-danae\/\">Folds: Female Sexuality in Artemisia Gentileschi\u2019s <\/a><em><span style=\"color: #000000;\">Dana\u00eb\u00a0<\/span><br \/>\n<\/em><\/span><span style=\"color: #000000;\">Isabella Dobson<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/a-piece-of-the-gold-blanket-gardiners-island-captain-william-kidd-and-the-gifting-of-family-history\/\">A Piece of the \u201cGold Blanket\u201d: Gardiner\u2019s Island, Captain William Kidd, and the Gifting of Family History<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Allison Donoghue<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/cut-with-the-tailor-scissors-hannah-hochs-textile-designs-and-the-development-of-photomontage\/\">Cut with the Tailor Scissors: Hannah H\u00f6ch\u2019s Textile Designs and the Development of Photomontage<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Iris Giannakopoulou<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/ties-that-bind-hairwork-as-family-portrait-in-the-nineteenth-century-united-states\/\">Ties That Bind: Hairwork as Family Portrait in the Nineteenth-Century United States<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Victoria Kenyon<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>exhibition reviews<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/2023-james-and-audrey-foster-prize-institute-of-contemporary-art-boston\/\">2023 James and Audrey Foster Prize<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Michelle Kelley<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0<\/span><span style=\"color: #000000;\"><strong>interviews<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/unraveling-the-artistic-threads-an-interview-with-snigdha-tiwari\/\">Unraveling the Artistic Threads: An Interview with Snigdha Tiwari<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Sakina Ahmad<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>visual and creative essays<\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/thread-as-measurement-of-the-distance-from-east-to-west-or-me-to-you\/\">Thread as Measurement of the Distance From East to West or Me to You<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Noah Greene-Lowe<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/11\/re-fuse-the-macro-ecologies-of-microfiber-waste\/\">Re-Fuse: The Macro-Ecologies of Microfiber Waste<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Adelaide Theriault<\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>back matter<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2024\/01\/10\/notes-about-contributors-10-1\/\"><span style=\"color: #000000;\">Notes about Contributors<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>editor\u2019s introduction Hannah Jew feature essays Skeuomorphic Textiles: Stitches in Stone Tracey Davison Folds: Female Sexuality in Artemisia Gentileschi\u2019s Dana\u00eb\u00a0 Isabella Dobson A Piece of the \u201cGold Blanket\u201d: Gardiner\u2019s Island, Captain William Kidd, and the Gifting of Family History Allison Donoghue Cut with the Tailor Scissors: Hannah H\u00f6ch\u2019s Textile Designs and the Development of Photomontage [&hellip;]<\/p>\n","protected":false},"author":21123,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6222"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/21123"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=6222"}],"version-history":[{"count":9,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6222\/revisions"}],"predecessor-version":[{"id":6574,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6222\/revisions\/6574"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=6222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}