{"id":6035,"date":"2023-04-23T08:51:40","date_gmt":"2023-04-23T12:51:40","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=6035"},"modified":"2024-01-26T11:23:23","modified_gmt":"2024-01-26T16:23:23","slug":"volume-9-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-9-issue-2\/","title":{"rendered":"volume 9, issue 2: affectation"},"content":{"rendered":"<h4><span style=\"color: #d88245;\">editors\u2019 introduction<\/span><\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/editors-introduction-9-2\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #000000;\">Sybil F. Joslyn<\/span><\/a><\/p>\n<h4><span style=\"color: #d88245;\">feature essays<\/span><\/h4>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/a-fledgling-baroque-featherworks-from-new-spain-in-counter-reformation-europe\/\" style=\"color: #000000;\">A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Rachel Kline<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/?p=6026&amp;preview=true\" style=\"color: #000000;\">Performance and Imitation: Sofonisba Anguissola\u2019s <em>Self Portrait with Madonna and Child<\/em><\/a><br \/>\n<\/span><span style=\"color: #000000;\">Emma Lazerson<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/?p=6028&amp;preview=true\" style=\"color: #000000;\">The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Samuel Love<\/span><\/p>\n<h4><span style=\"color: #d88245;\">research spotlights<\/span><\/h4>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/fabricated-faces-obscured-self-portraiture-in-the-works-of-jo-spence-and-mary-sibande\/\" style=\"color: #000000;\">Fabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibande<\/a><br \/>\n<\/span><span style=\"color: #000000;\">Michaela Peine<\/span><\/p>\n<h4><span style=\"color: #d88245;\">exhibition reviews<\/span><\/h4>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/taylor-davis-selects-invisible-ground-of-sympathy\/\" style=\"color: #000000;\"><em>Taylor Davis Selects: Invisible Ground of Sympathy<\/em><\/a><br \/>\n<\/span><span style=\"color: #000000;\">Theodora Bocanegra Lang<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/philip-guston-now\/\" style=\"color: #000000;\"><em>Philip Guston Now<\/em><\/a><\/span><br \/>\n<span style=\"color: #000000;\">Ateret Sultan-Reisler<\/span><\/p>\n<h4><span style=\"color: #d88245;\">symposium reflection<\/span><\/h4>\n<p><span style=\"color: #000000;\"><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/symposium-reflection-9-2\" style=\"color: #000000;\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"text-decoration: underline;\">Adornment: The Mary L. Cornille (GRS\u201987) 39th Annual Boston University Graduate Symposium in the History of Art &amp; Architecture<\/span><\/a><strong><br \/>\n<\/strong><\/span><span style=\"color: #000000;\">Isabella Dobson<\/span><\/p>\n<h4><span style=\"color: #d88245;\">back matter<\/span><\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2023\/04\/21\/notes-about-contributors-9-2\/\"><span style=\"color: #000000;\">Notes about Contributors<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>editors\u2019 introduction Sybil F. Joslyn feature essays A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe Rachel Kline Performance and Imitation: Sofonisba Anguissola\u2019s Self Portrait with Madonna and Child Emma Lazerson The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask Samuel Love research spotlights Fabricated Faces: Obscured Self-Portraiture in the Works of [&hellip;]<\/p>\n","protected":false},"author":21123,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6035"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/21123"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=6035"}],"version-history":[{"count":18,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6035\/revisions"}],"predecessor-version":[{"id":6179,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/6035\/revisions\/6179"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=6035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}