{"id":57,"date":"2019-09-04T15:03:42","date_gmt":"2019-09-04T19:03:42","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=57"},"modified":"2026-09-15T10:51:38","modified_gmt":"2026-09-15T14:51:38","slug":"editorial-board","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/about-the-journal\/editorial-board\/","title":{"rendered":"editorial board"},"content":{"rendered":"
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ada evans, senior editor<\/h3>\n
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A<\/span>da\"\" Evans is a third-year PhD candidate studying modern and contemporary art. Her work centers shifting ecologies and climate destabilization, especially in the American South and the Caribbean. Ada has previously worked at the National Museum of Wildlife Art and the Colorado Springs Fine Arts Center.<\/p>\n

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hamin kim, senior editor<\/h3>\n<\/div>\n

\"\"Hamin Kim is a third-year PhD candidate studying modern and contemporary Korean art. Her research explores how national identity, cultural hybridity, and historical memory take shape in South Korean art. She has held positions at the Art Institute of Chicago, the National Museum of Modern and Contemporary Art, Korea (MMCA), and the Institute of Contemporary Art, Boston, among others.<\/span><\/p>\n<\/div>\n<\/div>\n

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emma lazerson, senior editor<\/h3>\n<\/div>\n

\"\"Emma Lazerson is a third-year PhD candidate, studying the art of the Italian Early Modern period, with a particular focus on women painters of the Cinque- and Seicento. She is interested in how post-colonial and global theories, social histories, and Marxist philosophies can be brought to bear on these women artists.
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jenna wendler, senior editor<\/h3>\n<\/div>\n

\"\"Jenna Wendler is a third-year PhD student studying Northern European early modern art. She is interested in portrayals of gender and intercultural exchange, particularly in depictions of domesticity and everyday life. Previously, she has worked at the Gund at Kenyon College, the Medici Archive Project, the ICA\/Boston, and the MFA Boston.<\/span><\/p>\n<\/div>\n<\/div>\n

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isaline lefran\u00e7ois, junior editor<\/h3>\n<\/div>\n

\"\"Isaline Lefran\u00e7ois is a PhD candidate at Boston University studying the art and society of Romanesque Europe. Interested in the interrelation of art and politics, her research delves into the cult of relics and, more broadly, into the dissemination of ideas along pilgrimage routes. Isaline has previously worked on the Higgins Collection at the Worcester Art Museum and has held positions at several institutions in Switzerland.<\/span><\/p>\n

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hannah mcisaac, junior editor<\/h3>\n<\/div>\n

\"\"Hannah McIsaac studies 17th-century Dutch art, with a specific emphasis on still life, landscape, and animal painting. Her research explores representations of human-animal interaction, Early Modern conceptions of the environment, and the gendered aspects of Dutch bird painting. She is currently working on a cataloging project for Mass Audubon\u2019s Museum of American Bird Art.
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cyndy basil, editorial assistant<\/h3>\n
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\"\"Cyndy Basil is a second-year Master\u2019s student studying modern and contemporary art. Her research explores the relationships to modernity and spirituality expressed by artists from Mennonite and other Anabaptist communities. Cyndy is currently a digital archiving technician and has previously worked at Schmucker Art Gallery at Gettysburg College.
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editors emeriti<\/p>\n

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Isabella Dobson, 2024-2026<\/strong><\/p>\n

Megan Horn, 2024-2026<\/strong><\/p>\n

Emily Nootbaar, 2024-2025<\/strong><\/p>\n<\/div>\n

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Rachel Kline, 2023-2025<\/strong><\/p>\n

Kaylee Kelley, 2023-2025<\/strong><\/p>\n

Catherine Lennartz, 2023-2025<\/strong><\/p>\n

Hannah Jew, 2022-2024<\/strong><\/p>\n

Danarenae Donato, 2022-2024<\/strong><\/p>\n

Toni Armstrong, 2022-2024<\/strong><\/p>\n

Bailey Pekar, 2023-2024<\/strong><\/p>\n

Amy Malach, 2023-2024<\/strong><\/p>\n

Amy Delabruere, 2022-2023<\/strong><\/p>\n

Shannon Bewley, 2021-2023<\/strong><\/p>\n

Sybil F. Joslyn, 2021-2023<\/strong><\/p>\n

Sarah Horowitz, 2021-2022<\/strong><\/p>\n

Althea Ruoppo, 2020\u20132022<\/strong><\/p>\n

Juli\u00e1n Serna Lancheros, 2020\u20132022<\/strong><\/p>\n

Ateret Sultan-Reisler, 2021\u20132022<\/strong><\/p>\n

Colleen Foran, 2019\u20132021<\/strong><\/p>\n

Ikbal Zeynep Dursuno\u011flu, 2019\u20132021<\/strong><\/p>\n

Phillippa Pitts, 2019\u20132021<\/strong><\/p>\n

Bailey Benson, 2018\u20132020<\/strong><\/p>\n

Defne Kirmizi, 2018\u20132020<\/strong><\/p>\n

Kimber Chewning, 2017\u20132019<\/strong><\/p>\n

Lauren Graves, 2017\u20132019<\/strong><\/p>\n

Alison Terndrup, 2017\u20132019<\/strong><\/p>\n

Kelsey Gustin, 2017\u20132018<\/strong><\/p>\n

Joseph Saravo, 2016\u20132018<\/strong><\/p>\n

Lydia Harrington, 2016\u20132017<\/strong><\/p>\n

Erin McKellar, 2014\u20132017<\/strong><\/p>\n

Jordan Karney Chaim, 2015\u20132017<\/strong><\/p>\n

Sasha Goldman, 2015\u20132017<\/strong><\/p>\n

Steve Burges, 2014\u20132016<\/strong><\/p>\n

Ewa Matyczyk, 2014\u20132016<\/strong><\/p>\n

Beth Pugliano, 2013\u20132015<\/strong><\/p>\n

Martina Tanga, 2013\u20132015<\/strong><\/p>\n

Naomi Slipp, 2014\u20132015<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

ada evans, senior editor Ada Evans is a third-year PhD candidate studying modern and contemporary art. Her work centers shifting ecologies and climate destabilization, especially in the American South and the Caribbean. Ada has previously worked at the National Museum of Wildlife Art and the Colorado Springs Fine Arts Center.   hamin kim, senior editor […]<\/p>\n","protected":false},"author":8848,"featured_media":0,"parent":26,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/8848"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":63,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":7975,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57\/revisions\/7975"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/26"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}