{"id":57,"date":"2019-09-04T15:03:42","date_gmt":"2019-09-04T19:03:42","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=57"},"modified":"2025-06-15T21:22:37","modified_gmt":"2025-06-16T01:22:37","slug":"editorial-board","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/about-the-journal\/editorial-board\/","title":{"rendered":"editorial board"},"content":{"rendered":"
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isabella dobson, senior editor<\/h3>\n<\/div>\n

\"\"Isabella Dobson is a fourth year PhD student studying Renaissance and Baroque art. She is interested in women artists across time, but also how women\u2019s bodies express agency and pleasure in paintings and prints from the early modern period. Previously, she worked at the Johnson Museum of Art and the Gibson House Museum.<\/span><\/p>\n<\/div>\n

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megan horn, senior editor<\/h3>\n

\"\"Megan Horn is a third year PhD student. She studies twentieth century American photography and material culture. Her research focuses on the interrelationships between documentary photography, discarded items and scrap salvage, and the negotiated conceptions of national identity. Megan has previously held positions at the Museum of Modern Art and the Newport Art Museum.<\/p>\n<\/div>\n

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ada evans, junior editor<\/h3>\n<\/div>\n

A<\/span>da\"\"\u00a0Evans is a second year PhD student studying modern and contemporary art. Her work centers shifting ecologies and climate destabilization, especially in the American South and the Caribbean. Ada has previously worked at the National Museum of Wildlife Art and the Colorado Springs Fine Arts Center.<\/p>\n

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hamin kim, junior editor<\/h3>\n<\/div>\n

\"\"Hamin Kim is a second year PhD student studying modern and contemporary Korean art. Her research explores how national identity, cultural hybridity, and historical memory take shape in South Korean art. She has held positions at the Art Institute of Chicago, the National Museum of Modern and Contemporary Art, Korea (MMCA), and the Institute of Contemporary Art, Boston, among others.<\/span><\/p>\n<\/div>\n<\/div>\n

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emma lazerson, junior editor<\/h3>\n<\/div>\n

\"\"Emma Lazerson is a second-year PhD student, studying the art of the Italian Early Modern period, with a particular focus on women painters of the Cinque- and Seicento. She is interested in how post-colonial and global theories, social histories, and Marxist philosophies can be brought to bear on these women artists.
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jenna wendler, junior editor<\/h3>\n<\/div>\n

\"\"Jenna Wendler is a second-year PhD student studying Northern European early modern art. She is interested in portrayals of gender and intercultural exchange, particularly in depictions of domesticity and everyday life. Previously, she has worked at the Gund at Kenyon College, the Medici Archive Project, the ICA\/Boston, and the MFA Boston.<\/span><\/p>\n<\/div>\n<\/div>\n

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editors emeriti<\/p>\n

Emily Nootbaar, 2024-2025<\/strong><\/p>\n<\/div>\n

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Rachel Kline, 2023-2025<\/strong><\/p>\n

Kaylee Kelley, 2023-2025<\/strong><\/p>\n

Catherine Lennartz, 2023-2025<\/strong><\/p>\n

Hannah Jew, 2022-2024<\/strong><\/p>\n

Danarenae Donato, 2022-2024<\/strong><\/p>\n

Toni Armstrong, 2022-2024<\/strong><\/p>\n

Bailey Pekar, 2023-2024<\/strong><\/p>\n

Amy Malach, 2023-2024<\/strong><\/p>\n

Amy Delabruere, 2022-2023<\/strong><\/p>\n

Shannon Bewley, 2021-2023<\/strong><\/p>\n

Sybil F. Joslyn, 2021-2023<\/strong><\/p>\n

Sarah Horowitz, 2021-2022<\/strong><\/p>\n

Althea Ruoppo, 2020\u20132022<\/strong><\/p>\n

Juli\u00e1n Serna Lancheros, 2020\u20132022<\/strong><\/p>\n

Ateret Sultan-Reisler, 2021\u20132022<\/strong><\/p>\n

Colleen Foran, 2019\u20132021<\/strong><\/p>\n

Ikbal Zeynep Dursuno\u011flu, 2019\u20132021<\/strong><\/p>\n

Phillippa Pitts, 2019\u20132021<\/strong><\/p>\n

Bailey Benson, 2018\u20132020<\/strong><\/p>\n

Defne Kirmizi, 2018\u20132020<\/strong><\/p>\n

Kimber Chewning, 2017\u20132019<\/strong><\/p>\n

Lauren Graves, 2017\u20132019<\/strong><\/p>\n

Alison Terndrup, 2017\u20132019<\/strong><\/p>\n

Kelsey Gustin, 2017\u20132018<\/strong><\/p>\n

Joseph Saravo, 2016\u20132018<\/strong><\/p>\n

Lydia Harrington, 2016\u20132017<\/strong><\/p>\n

Erin McKellar, 2014\u20132017<\/strong><\/p>\n

Jordan Karney Chaim, 2015\u20132017<\/strong><\/p>\n

Sasha Goldman, 2015\u20132017<\/strong><\/p>\n

Steve Burges, 2014\u20132016<\/strong><\/p>\n

Ewa Matyczyk, 2014\u20132016<\/strong><\/p>\n

Beth Pugliano, 2013\u20132015<\/strong><\/p>\n

Martina Tanga, 2013\u20132015<\/strong><\/p>\n

Naomi Slipp, 2014\u20132015<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

isabella dobson, senior editor Isabella Dobson is a fourth year PhD student studying Renaissance and Baroque art. She is interested in women artists across time, but also how women\u2019s bodies express agency and pleasure in paintings and prints from the early modern period. Previously, she worked at the Johnson Museum of Art and the Gibson […]<\/p>\n","protected":false},"author":8848,"featured_media":0,"parent":26,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/8848"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":62,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":7467,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/57\/revisions\/7467"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/26"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}