{"id":5547,"date":"2022-05-20T22:12:34","date_gmt":"2022-05-21T02:12:34","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=5547"},"modified":"2022-05-20T22:12:34","modified_gmt":"2022-05-21T02:12:34","slug":"volume-3-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-3-issue-2\/","title":{"rendered":"volume 3, issue 2: OOPS"},"content":{"rendered":"

editors’ introduction<\/h4>\n

Sasha Goldman<\/a><\/p>\n

featured content
\n<\/a><\/h4>\n

Keep Hands Off Them\u2019: The Case of the Priapic Votives at the British Museum<\/a>
\nRoxanne Smith<\/p>\n

research spotlight
\n<\/a><\/h4>\n

A New Database of Muslim Women\u2019s Patronage: Proof of Concept<\/a>
\nChelsea Baumgartner<\/p>\n

Locating Adolf Loos\u2019s House for Josephine Baker<\/a>
\nBy Nicholas Pacula<\/p>\n

exhibition reviews
\n<\/a><\/h4>\n

Maurizio Cattelan: Not Afraid of Love<\/em><\/a>
\nMonnaie de Paris, Paris, France
\nSasha Goldman<\/p>\n

By the People: Designing a Better America<\/em><\/a>
\nCooper Hewitt, Smithsonian Design Museum
\nLydia Harrington<\/p>\n

The Mysterious Landscapes of Hercules Segers<\/em><\/a>
\nMetropolitan Museum of Art, New York
\nRachel Hofer<\/p>\n

Embodied Absence: Chilean Art from the 1970s to Now<\/em><\/a>
\nCarpenter Center for the Visual Arts, Harvard University, Cambridge, MA
\nDefne K\u0131rm\u0131z\u0131<\/p>\n

The Art of the Qur\u2019an: Treasures from the Museum of Turkish and Islamic Arts<\/em><\/a>
\nArthur M. Sackler Gallery, Washington D.C.
\nAriana Panbechi<\/p>\n

Dreamlands: Immersive Cinema and Art, 1905\u20142016<\/em><\/a>
\nWhitney Museum of American Art, New York
\nWilliam Schwaller<\/p>\n

Doris Salcedo: The Materiality of Mourning<\/a>
\nHarvard Art Museums<\/p>\n

symposium reflection<\/strong><\/h4>\n

Trashed: Rejection and Recovery in the History of Art and Architecture \u2013 The 33rd Annual Boston University Graduate Student Symposium in the History of Art & Architecture, March 24-25, 2017<\/a>
\nKelsey Gustin<\/p>\n

back matter
\n<\/a><\/h4>\n

Notes about Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

editors’ introduction Sasha Goldman featured content Keep Hands Off Them\u2019: The Case of the Priapic Votives at the British Museum Roxanne Smith research spotlight A New Database of Muslim Women\u2019s Patronage: Proof of Concept Chelsea Baumgartner Locating Adolf Loos\u2019s House for Josephine Baker By Nicholas Pacula exhibition reviews Maurizio Cattelan: Not Afraid of Love Monnaie […]<\/p>\n","protected":false},"author":17807,"featured_media":0,"parent":0,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5547"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/17807"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=5547"}],"version-history":[{"count":2,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5547\/revisions"}],"predecessor-version":[{"id":5554,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5547\/revisions\/5554"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=5547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}