{"id":5418,"date":"2022-05-05T19:22:33","date_gmt":"2022-05-05T23:22:33","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=5418"},"modified":"2023-02-03T11:30:01","modified_gmt":"2023-02-03T16:30:01","slug":"volume-8-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-8-issue-2\/","title":{"rendered":"volume 8, issue 2: nightfall"},"content":{"rendered":"<h4>editors\u2019 introduction<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/08\/editors-introduction-8-2\" target=\"_blank\" rel=\"noopener noreferrer\">Althea Ruoppo<\/a><a href=\"https:\/\/www.bu.edu\/sequitur\/2020\/07\/17\/editors-introduction-6-2\/\"><\/a><\/p>\n<h4>feature essay<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/12\/color-studies-bridging-the-works-of-j-m-w-turner-and-wallace-stevens\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">C<\/span>olor Studies: Bridging the Works of J.M.W. Turner and Wallace Stevens<\/a><i><span><br \/>\n<\/span><\/i><span style=\"font-weight: 400;\">Amy DeLaBruere<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/20\/bloody-vestiges-out-of-the-night-racialization-and-adolphe-yvons-genius-of-america\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">\u201cBloody Vestiges\u201d Out of the Night: Racialization and Adolphe Yvon\u2019s <\/span><em><span style=\"font-weight: 400;\">Genius of America<\/span><\/em><\/a><br \/>\nElizabeth Mangone<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/19\/la-maison-hantee-redons-identity-as-an-artist-cum-spiritist-medium-in-occult-circles\/\"><em><span style=\"font-weight: 400;\">La Maison hant\u00e9: <\/span><\/em><span style=\"font-weight: 400;\">Redon\u2019s Identity as an Artist-cum-Spiritist Medium in Occult Circles\u00a0<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Xiaoli Pan<\/span><\/p>\n<h4>research spotlight<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/23\/from-leon-spilliaerts-vertigo-to\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">From L\u00e9on Spilliaert\u2019s <\/span><em><span style=\"font-weight: 400;\">Vertigo<\/span><\/em><span style=\"font-weight: 400;\"> to\u2026?<\/span><\/a><br \/>\nJin Wang<\/p>\n<h4>exhibition reviews<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/23\/white-shadows-anneliese-hager-and-the-camera-less-photograph\" target=\"_blank\" rel=\"noopener noreferrer\"><em><i>White Shadows: Anneliese Hager and the Camera-less Photograph<\/i><\/em><\/a><br \/>\nRen\u00e9e Brown<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/23\/tomas-saraceno-particular-matters\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Tom\u00e1s Saraceno: Particular Matter(s)<\/em><\/a><br \/>\nSarah-Rose Hansen<\/p>\n<h4>symposium reflection<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/23\/underwater-the-mary-l-cornille-grs87-38th-annual-boston-university-graduate-symposium-in-the-history-of-art-architecture\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">(Under)Water<\/span><\/i><span style=\"font-weight: 400;\">: The Mary L. Cornille (GRS\u201987) 38th Annual Boston University Graduate Symposium in the History of Art &amp; Architecture<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Katherine Mitchell and Francesca Soriano<\/span><\/p>\n<h4>back matter<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2022\/05\/08\/notes-about-contributors-8-2\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">Notes about Contributors<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>editors\u2019 introduction Althea Ruoppo feature essay Color Studies: Bridging the Works of J.M.W. Turner and Wallace Stevens Amy DeLaBruere \u201cBloody Vestiges\u201d Out of the Night: Racialization and Adolphe Yvon\u2019s Genius of America Elizabeth Mangone La Maison hant\u00e9: Redon\u2019s Identity as an Artist-cum-Spiritist Medium in Occult Circles\u00a0 Xiaoli Pan research spotlight From L\u00e9on Spilliaert\u2019s Vertigo to\u2026? [&hellip;]<\/p>\n","protected":false},"author":17807,"featured_media":0,"parent":0,"menu_order":25,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5418"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/17807"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=5418"}],"version-history":[{"count":19,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5418\/revisions"}],"predecessor-version":[{"id":5769,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/5418\/revisions\/5769"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=5418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}