{"id":4568,"date":"2021-01-14T01:00:42","date_gmt":"2021-01-14T06:00:42","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=4568"},"modified":"2022-05-12T14:14:34","modified_gmt":"2022-05-12T18:14:34","slug":"volume-7-issue-1","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-7-issue-1\/","title":{"rendered":"volume 7, issue 1: interiors"},"content":{"rendered":"

editors\u2019 introduction<\/h4>\n

\u0130kbal Dursuno\u011flu<\/a><\/a><\/p>\n

feature essays<\/h4>\n

An Alameda of One\u2019s Own: Race and Modern Subjectivity in a Portrait of Ramona Antonia Musit\u00fa y Valvide de Icazbalceta<\/a>
\nRachel Bonner<\/span><\/p>\n

Edward Krasi\u0144ski: Studio as Site of the Universal<\/a>
\nNadia Gribkova<\/span><\/p>\n

<\/a>BOXED IN: The Connection Between Wari Mortuary Complexes and Inka Textiles<\/a>
\nKatie Elizabeth Ligmond<\/p>\n

Between Spaces: The Domus Aurea, the Vatican Loggetta, and Foucault\u2019s Heterotopia<\/a>
\nTyler Rockey<\/span><\/p>\n

research spotlights<\/h4>\n

Memories and Connections: Remote Field Study of a Bodhisattva Hall in Sannohe, Aomori, Japan<\/span><\/a>
\nMew Lingjun Jiang<\/p>\n

Wohnseiten:<\/em> The Interior(s) of Home Journals<\/span><\/a>
\nRosanna Umbach and Amelie Ochs<\/p>\n

book reviews<\/h4>\n

Iter Criminis <\/em>and El Parque Horizontal: <\/em>Two Independent Art Catalogues in Cuba<\/span><\/a>
\nMar\u00eda de Lourdes Mari\u00f1o<\/span><\/p>\n

Marking Time: Art in the Age of Mass Incarcerat<\/em><\/span>ion<\/em><\/span><\/a>
\nMichael Rangel<\/span><\/p>\n

exhibition reviews<\/h4>\n

Jessica Burko<\/em> at Shelter in Place<\/span><\/a>
\nShannon Bewley<\/p>\n

at HOME<\/em> by Alice Quaresma<\/a><\/a>
\nJ. English Cook<\/span><\/p>\n

back matter<\/h4>\n

Notes about Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

editors\u2019 introduction \u0130kbal Dursuno\u011flu feature essays An Alameda of One\u2019s Own: Race and Modern Subjectivity in a Portrait of Ramona Antonia Musit\u00fa y Valvide de Icazbalceta Rachel Bonner Edward Krasi\u0144ski: Studio as Site of the Universal Nadia Gribkova BOXED IN: The Connection Between Wari Mortuary Complexes and Inka Textiles Katie Elizabeth Ligmond Between Spaces: The […]<\/p>\n","protected":false},"author":15902,"featured_media":0,"parent":0,"menu_order":19,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4568"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/15902"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=4568"}],"version-history":[{"count":10,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4568\/revisions"}],"predecessor-version":[{"id":5453,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4568\/revisions\/5453"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=4568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}