{"id":4088,"date":"2019-12-05T08:00:58","date_gmt":"2019-12-05T13:00:58","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=4088"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-6-issue-1","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-6-issue-1\/","title":{"rendered":"volume 6, issue 1: re\/vision"},"content":{"rendered":"<h4>editors\u2019 introduction<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/04\/editors-introduction_kirmizi\/\">Defne K\u0131rm\u0131z\u0131<\/a><\/p>\n<h4>feature essay<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/11\/30\/painting-photography-and-radical-depictions-of-gender-franz-gertsch-and-lissa-rivera\/\"><span style=\"font-weight: 400;\">Painting, Photography, and Radical Depictions of Gender: Franz Gertsch and Lissa Rivera<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Maria V. Garth<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/revisioning-the-dead-body-green-death\/\"><span style=\"font-weight: 400;\">Revisioning the Dead Body: Green Death<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Ecem Arslanay<\/span><\/p>\n<h4>research spotlight<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/living-inside-the-white-box-dweller-arranged-interiors-in-the-earliest-modern-mass-housing-developments\/\"><span style=\"font-weight: 400;\">Living Inside the White Box: Dweller-arranged Interiors in the Earliest Modern Mass-Housing Developments<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Stephen Kerr<\/span><\/p>\n<h4>visual essay<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/fauxssilles-for-the-future-cyanotype-expressions-on-plastic-waste\/\"><span style=\"font-weight: 400;\">Fauxssilles for the Future: Cyanotype Expressions on Plastic Waste<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Naz \u00d6nen<\/span><\/p>\n<h4>exhibition reviews<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/women-take-the-floor\/\"><span style=\"font-weight: 400;\">Women Take the Floor<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Museum of Fine Arts, Boston<\/span><br \/>\n<span style=\"font-weight: 400;\">Constanza Robles and Althea Ruoppo<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/lovelace_spolia\/\"><span style=\"font-weight: 400;\">Spolia: Transcripts of the Stones of the Little Metropolis<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">American School of Classical Studies at Athens<\/span><br \/>\n<span style=\"font-weight: 400;\">Chloe Lovelace<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/stowell_szapocnikow\/\"><span style=\"font-weight: 400;\">Alina Szapocznikow: To Exalt the Ephemeral, 1962-1972<\/span><\/a><br \/>\nHauser &amp; Wirth, New York City<br \/>\n<span style=\"font-weight: 400;\">Laura Stowell<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/a-west-that-never-was-david-levinthal-at-the-smithsonian-american-art-museum\/\"><span style=\"font-weight: 400;\">&#8220;A West That Never Was&#8221;: David Levinthal at the Smithsonian American Art Museum<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Smithsonian American Art Museum<\/span><br \/>\n<span style=\"font-weight: 400;\">Kimberly Windham<\/span><\/p>\n<h4>back matter<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/12\/03\/notes-on-contributors-2\/\">Notes About Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>editors\u2019 introduction Defne K\u0131rm\u0131z\u0131 feature essay Painting, Photography, and Radical Depictions of Gender: Franz Gertsch and Lissa Rivera Maria V. Garth Revisioning the Dead Body: Green Death Ecem Arslanay research spotlight Living Inside the White Box: Dweller-arranged Interiors in the Earliest Modern Mass-Housing Developments Stephen Kerr visual essay Fauxssilles for the Future: Cyanotype Expressions on [&hellip;]<\/p>\n","protected":false},"author":12162,"featured_media":0,"parent":0,"menu_order":17,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4088"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/12162"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=4088"}],"version-history":[{"count":12,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4088\/revisions"}],"predecessor-version":[{"id":5350,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/4088\/revisions\/5350"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=4088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}