{"id":3767,"date":"2019-05-08T00:00:11","date_gmt":"2019-05-08T05:00:11","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=3767"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-5-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-5-issue-2\/","title":{"rendered":"volume 5, issue 2: crossing the line"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h4>editors\u2019 introduction<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/editors-introduction-5-2\/\">Bailey Benson<\/a><\/p>\n<h4>feature essay<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/smith_lankton\/\"><span style=\"font-weight: 400;\">Girl in Pieces: The Quasi-Subjectivity of Greer Lankton&#8217;s Dolls<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Evan Fiveash Smith<\/span><\/p>\n<h4>visual essay<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/szigethy-objects\/\"><span style=\"font-weight: 400;\">Processes as Objects<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Rebeka Sara Szigethy<\/span><\/p>\n<h4>interview<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/araujo-andrade\/\">Catarina de Ara\u00fajo interviews Jonathas de Andrade<\/a><\/p>\n<h4>exhibition reviews<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/laceste-botticelli\/\"><span style=\"font-weight: 400;\">Botticelli: Heroines + Heroes<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">Isabella Stewart Gardner Museum<\/span><br \/>\n<span style=\"font-weight: 400;\">Jillianne Laceste<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/esener-armenia\/\"><span style=\"font-weight: 400;\">Armenia!<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">The Metropolitan Museum of Art<\/span><br \/>\n<span style=\"font-weight: 400;\">Bihter Esener<\/span><\/p>\n<h4>book reviews<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/stepp-ikeda\/\">&#8216;The Politics of Painting: Fascism and Japanese Art During the Second World War&#8217;<\/a><br \/>\n<span style=\"font-weight: 400;\">Asato Ikeda<\/span><br \/>\n<span style=\"font-weight: 400;\">Sara Stepp<\/span><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/harper-schopp\/\">&#8216;L&#8217;Origine du monde: Vie du mod\u00e8le&#8217;<\/a><br \/>\n<span style=\"font-weight: 400;\">Claude Schopp<\/span><br \/>\n<span style=\"font-weight: 400;\">Amber Harper<\/span><\/p>\n<h4>symposium reflection<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2019\/05\/08\/hofer-symposium\/\">Rachel Hofer<\/a><strong>\u00a0<\/strong><\/p>\n<h4>back matter<\/h4>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/?p=3860&amp;preview=true\">Notes About Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; editors\u2019 introduction Bailey Benson feature essay Girl in Pieces: The Quasi-Subjectivity of Greer Lankton&#8217;s Dolls Evan Fiveash Smith visual essay Processes as Objects Rebeka Sara Szigethy interview Catarina de Ara\u00fajo interviews Jonathas de Andrade exhibition reviews Botticelli: Heroines + Heroes Isabella Stewart Gardner Museum Jillianne Laceste Armenia! The Metropolitan Museum of Art Bihter Esener [&hellip;]<\/p>\n","protected":false},"author":12162,"featured_media":0,"parent":0,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/3767"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/12162"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=3767"}],"version-history":[{"count":15,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/3767\/revisions"}],"predecessor-version":[{"id":5730,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/3767\/revisions\/5730"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=3767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}