{"id":2534,"date":"2017-12-01T00:00:56","date_gmt":"2017-12-01T05:00:56","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=2534"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-4-issue-1","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-4-issue-1\/","title":{"rendered":"volume 4, issue 1: open issue"},"content":{"rendered":"

 <\/p>\n

editors\u2019 introduction<\/h4>\n

Kimber Chewning and Kelsey Gustin <\/span><\/a><\/p>\n

featured content<\/h4>\n

La Marchande d\u2019Amour<\/span><\/i>: The Commodification of Flesh and Paint<\/span>
\n<\/span><\/a>Cortney Anderson Kramer<\/span><\/p>\n

Zapatista Embroidery as Speech Act in <\/span>Zapantera Negra<\/span><\/i>
\n<\/span><\/a>Madison Treece<\/span><\/p>\n

visual essay
\n<\/span><\/a><\/h4>\n

Am I doing this right?<\/span>
\n<\/span><\/a>Christopher Lacroix<\/span><\/p>\n

exhibition reviews
\n<\/span><\/a><\/h4>\n

Leisure and Luxury in the Age of Nero: The Villas of Oplontis Near Pompeii<\/span>
\n<\/span><\/a>Smith College Museum of Art, Northampton, MA<\/span>
\n<\/span>Bailey Benson<\/span><\/p>\n

Alma-Tadema: At Home in Antiquity<\/span>
\n<\/span><\/a>Leighton House Museum, Kensington, London<\/span>
\n<\/span>Daniel Healey<\/span><\/p>\n

EXO EMO<\/span>
\n<\/span><\/a>Greene Naftali, New York<\/span>
\n<\/span>Jeff Paul<\/span><\/p>\n

The Face of Battle: Americans at War, 9\/11 to Now<\/span>
\n<\/span><\/a>The National Portrait Gallery, Washington, D.C.<\/span>
\n<\/span>Jessica Rosenthal<\/span><\/p>\n

back matter
\n<\/span><\/span><\/a><\/h4>\n

Notes about Contributors<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  editors\u2019 introduction Kimber Chewning and Kelsey Gustin featured content La Marchande d\u2019Amour: The Commodification of Flesh and Paint Cortney Anderson Kramer Zapatista Embroidery as Speech Act in Zapantera Negra Madison Treece visual essay Am I doing this right? Christopher Lacroix exhibition reviews Leisure and Luxury in the Age of Nero: The Villas of Oplontis […]<\/p>\n","protected":false},"author":12490,"featured_media":0,"parent":0,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2534"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/12490"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=2534"}],"version-history":[{"count":33,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2534\/revisions"}],"predecessor-version":[{"id":5728,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2534\/revisions\/5728"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=2534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}