{"id":2095,"date":"2016-12-02T00:00:28","date_gmt":"2016-12-02T05:00:28","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=2095"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-2-issue-2","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-2-issue-2\/","title":{"rendered":"volume 2, issue 2: LOL"},"content":{"rendered":"<div class=\"bu-slideshow-container 2.2-lol autoplay\" id=\"bu-slideshow-container-1724\" data-slideshow-name=\"2.2-lol\" data-slideshow-delay=\"5000\" style=\"width: auto; \"><div class='slideshow-loader active'><div class='loader-animation'><\/div><p>loading slideshow...<\/p><\/div><div class=\"bu-slideshow-slides\"><ul class=\"bu-slideshow transition-slide\" id=\"bu-slideshow-1724\"><li id=\"bu-slideshow-1724_0\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-right\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/matyczyk-burges-intro\"><img src=\"\/sequitur\/files\/2016\/04\/lhooq1.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-bottom-right\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/matyczyk-burges-intro\">Editors\u2019 Introduction<\/a><\/p><p class=\"bu-slide-caption-text\">Steve Burges &amp; Ewa Matyczyk<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_1\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/handler-ecce\/\"><img src=\"\/sequitur\/files\/2016\/04\/Ecce_Homo_cover1.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-bottom-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/handler-ecce\/\">\u201cGrotesque Irreverence: The Transformation of Ecce Homo\u201d<\/a><\/p><p class=\"bu-slide-caption-text\">Sophie Handler<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_2\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/schoenberger-tinguely\"><img src=\"\/sequitur\/files\/2016\/04\/Tinguely11.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-bottom-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/schoenberger-tinguely\">\u201cJean Tinguely\u2019s Cyclograveur: The Ludic Anti-Machine of Bewogen Beweging\u201d<\/a><\/p><p class=\"bu-slide-caption-text\">Janna Schoenberger<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_3\" class=\"slide \"><div class=\"bu-slide-container slide-caption-top-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/cho-waterston\"><img src=\"\/sequitur\/files\/2016\/04\/Filthy-Lucre.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-top-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/cho-waterston\">Peacock Room REMIX: Darren Waterston\u2019s \u201cFilthy Lucre\u201d<\/a><\/p><p class=\"bu-slide-caption-text\">Hyunjin Cho<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_4\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/lieberman_younger\/\"><img src=\"\/sequitur\/files\/2016\/04\/Untitled_Kawauchi-Rinko.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-bottom-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/lieberman_younger\/\">The Younger Generation: Contemporary Japanese Photography<\/a><\/p><p class=\"bu-slide-caption-text\">Shannon M. Lieberman<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_5\" class=\"slide \"><div class=\"bu-slide-container slide-caption-top-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/mckellar-alice\"><img src=\"\/sequitur\/files\/2016\/04\/Alice_Wonderland.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-top-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/mckellar-alice\">Alice in Wonderland<\/a><\/p><p class=\"bu-slide-caption-text\">Erin McKellar<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_6\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-right\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/saravo-bosch\"><img src=\"\/sequitur\/files\/2016\/04\/Bosch_Cover1.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-bottom-right\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/saravo-bosch\">Beyond Bosch: The Afterlife of a Renaissance Master in Print<\/a><\/p><p class=\"bu-slide-caption-text\">Joseph Saravo<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_7\" class=\"slide \"><div class=\"bu-slide-container slide-caption-top-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/oreilly-symposium\"><img src=\"\/sequitur\/files\/2016\/04\/Catherine_symposium.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-top-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/oreilly-symposium\">2016 Symposium Reflection<\/a><\/p><p class=\"bu-slide-caption-text\">Catherine O\u2019Reilly<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_8\" class=\"slide \"><div class=\"bu-slide-container slide-caption-top-right\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/brunel-badthings\"><img src=\"\/sequitur\/files\/2016\/04\/BadThings_Cover.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-top-right\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/brunel-badthings\">\u201cbadthingshappen\u2026\u201d<\/a><\/p><p class=\"bu-slide-caption-text\">Nicole Brunel<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-1724_9\" class=\"slide \"><div class=\"bu-slide-container slide-caption-top-left\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/emily-quinn\/\"><img src=\"\/sequitur\/files\/2016\/04\/Quinn_Cover1.jpg\" alt=\"\" \/><\/a><div class=\"bu-slide-caption caption-top-left\"><p class=\"bu-slide-caption-title\"><a href=\"http:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/emily-quinn\/\">Emily Quinn: Visual Essay<\/a><\/p><\/div><\/div><\/li><\/ul><\/div><div class=\"bu-slideshow-navigation-container\"><ul class=\"bu-slideshow-navigation nav-icon\" id=\"bu-slideshow-nav-1724\" aria-hidden=\"true\"><li><a href=\"#\" id=\"pager-1\" class=\" active\" aria-hidden=\"true\"><span>1<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-2\" class=\"\" aria-hidden=\"true\"><span>2<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-3\" class=\"\" aria-hidden=\"true\"><span>3<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-4\" class=\"\" aria-hidden=\"true\"><span>4<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-5\" class=\"\" aria-hidden=\"true\"><span>5<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-6\" class=\"\" aria-hidden=\"true\"><span>6<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-7\" class=\"\" aria-hidden=\"true\"><span>7<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-8\" class=\"\" aria-hidden=\"true\"><span>8<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-9\" class=\"\" aria-hidden=\"true\"><span>9<\/span><\/a><\/li> <li><a href=\"#\" id=\"pager-10\" class=\"\" aria-hidden=\"true\"><span>10<\/span><\/a><\/li> <\/ul><\/div><\/div>\n<p><span>Volume 2, Issue 2, \u201cLOL,\u201d takes as its theme humor, play, and amusement of all kinds. In many ways creativity lies at the core of laughter and fun, and the scholarship presented here highlights how art and visual culture reflect and engage with humor, absurdity, and parody. Our contributors examine a range of material and approach the theme from various angles: they consider funny and amusing internet content both as source material for their own work and in relation to art history and online culture; they explore the ways in which artists deploy notions of play and humor in order to mount social critiques; and they meditate on the place of humor in the content and conception of current exhibitions. Ultimately, the scholarship and art assembled here highlight the close relationship between the realms of the creative and the comedic.<\/span><\/p>\n<p><em>Proceed to Page 2 for a <a href=\"https:\/\/www.bu.edu\/sequitur\/volume-2-issue-2\/2\/\">Table of Contents\u00a0<\/a>with links to all articles in list view.<\/em><\/p>\n<p><!--nextpage--><\/p>\n<p><strong>Sequitur, we follow art<\/strong><\/p>\n<p>Volume 2, Issue 2 \u2014 \u201cLOL\u201d<\/p>\n<p><strong><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/matyczyk-burges-intro\">Editors\u2019 Introduction<\/a><\/strong><br \/>\nSteve Burges &amp; Ewa Matyczyk<\/p>\n<p><strong>Featured\u00a0Content<\/strong><br \/>\n<a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/handler-ecce\/\" title=\"Grotesque Irreverence: The Transformation of \u2018Ecce Homo\u2019\">\u201cGrotesque Irreverence: The Transformation of <em>Ecce Homo<\/em>\u201d<\/a><br \/>\nSophie Handler<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/schoenberger-tinguely\">\u201cJean Tinguely\u2019s <em>Cyclograveur: <\/em>The Ludic Anti-Machine of <em>Bewogen Beweging<\/em>\u201d<\/a><br \/>\nJanna\u00a0Schoenberger<\/p>\n<p><strong>Exhibition Reviews<\/strong><br \/>\n<a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/cho-waterston\"><em>Peacock Room REMIX: Darren Waterston\u2019s \u201cFilthy Lucre\u201d<\/em><\/a><br \/>\nArthur M. Sackler Gallery, Washington, DC<br \/>\nHyunjin Cho<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/lieberman_younger\/\"><em>The Younger Generation: Contemporary Japanese Photography<\/em><\/a><br \/>\nJ. Paul Getty Museum, Los Angeles<br \/>\nShannon M. Lieberman<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/mckellar-alice\"><em>Alice in Wonderland<\/em><\/a><br \/>\nThe British Library, London<br \/>\nErin McKellar<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/saravo-bosch\"><em>Beyond Bosch: The Afterlife of a Renaissance Master in Print<\/em><\/a><br \/>\nHarvard Art Museums, Cambridge<br \/>\nJoseph Saravo<\/p>\n<p><strong>Symposium Reflection<\/strong><br \/>\n<a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/oreilly-symposium\">\u201cSerious Fun: Expressions of Play in the History of Art and Architecture\u201d<\/a><br \/>\nCatherine O\u2019Reilly<\/p>\n<p><strong>Visual Essays<\/strong><br \/>\n<a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/brunel-badthings\">Nicole Brunel<\/a><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/emily-quinn\/\">Emily Quinn<\/a><\/p>\n<p><strong>Back Matter<\/strong><br \/>\n<a href=\"https:\/\/www.bu.edu\/sequitur\/2016\/04\/29\/notes-about-contributors-2-2\/\" title=\"Notes about Contributors\">Notes about Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Volume 2, Issue 2, \u201cLOL,\u201d takes as its theme humor, play, and amusement of all kinds. In many ways creativity lies at the core of laughter and fun, and the scholarship presented here highlights how art and visual culture reflect and engage with humor, absurdity, and parody. Our contributors examine a range of material and [&hellip;]<\/p>\n","protected":false},"author":10585,"featured_media":0,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2095"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/10585"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=2095"}],"version-history":[{"count":5,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2095\/revisions"}],"predecessor-version":[{"id":5727,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/2095\/revisions\/5727"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=2095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}