{"id":1847,"date":"2016-12-02T00:00:07","date_gmt":"2016-12-02T05:00:07","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?page_id=1847"},"modified":"2022-06-25T13:36:16","modified_gmt":"2022-06-25T17:36:16","slug":"volume-3-issue-1","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/sequitur\/volume-3-issue-1\/","title":{"rendered":"volume 3, issue 1: self + portrait"},"content":{"rendered":"

 <\/p>\n

editors’ introduction<\/h4>\n

Sasha Goldman<\/a><\/p>\n

featured content
\n<\/a><\/h4>\n

Privately Public: D. Appleton and Co.\u2019s Artistic Houses (New York, 1883-4)<\/a>
\nKathryn Kremnitzer<\/p>\n

interview
\n<\/a><\/h4>\n

Martine Gutierrez in Conversation with Jordan Karney Chaim<\/a><\/p>\n

research spotlight
\n<\/a><\/h4>\n

Wrapped in Tin Foil: A Report from the Balkans<\/a>
\nEmily Watlington<\/p>\n

visual essay
\n<\/a><\/h4>\n

Elizabeth G\u00e1lvez<\/a><\/p>\n

exhibition reviews
\n<\/a><\/h4>\n

Megacities Asia<\/a>
\nMuseum of Fine Arts, Boston,
\nHannah Braun<\/p>\n

Doris Salcedo: The Materiality of Mourning<\/a>
\nHarvard Art Museums
\nJackson Davidow<\/p>\n

The Travelers: Voyage and Migration in New Art from Central and Eastern Europe<\/a>
\nZach\u0119ta National Gallery, Warsaw
\nEwa Matyczyk<\/p>\n

Engineering the World: Ove Arup and the Philosophy of Total Design<\/a>
\nVictoria & Albert Museum, London
\nErin McKellar<\/p>\n

Architecture as Evidence\/La preuve par l\u2019Architecture<\/a>
\nCanadian Centre for Architecture, Montreal
\nMagdalena Mi\u0142osz<\/p>\n

This Is a Portrait If I Say So: Identity in American Art, 1912 to Today<\/a>
\nBowdoin College Museum of Art
\nErin Hyde Nolan<\/p>\n

Della Robbia: Sculpting with Color in Renaissance Florence<\/a>
\nMuseum of Fine Arts, Boston
\nCatherine O\u2019Reilly<\/p>\n

Rosalyn Drexler: Who Does She Think She Is?<\/a>
\nRose Art Museum, Brandeis University
\nSarah Parrish<\/p>\n

back matter
\n<\/a><\/h4>\n

Notes about Contributors<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  editors’ introduction Sasha Goldman featured content Privately Public: D. Appleton and Co.\u2019s Artistic Houses (New York, 1883-4) Kathryn Kremnitzer interview Martine Gutierrez in Conversation with Jordan Karney Chaim research spotlight Wrapped in Tin Foil: A Report from the Balkans Emily Watlington visual essay Elizabeth G\u00e1lvez exhibition reviews Megacities Asia Museum of Fine Arts, Boston, […]<\/p>\n","protected":false},"author":10585,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/1847"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/10585"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=1847"}],"version-history":[{"count":11,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/1847\/revisions"}],"predecessor-version":[{"id":5725,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/pages\/1847\/revisions\/5725"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=1847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}