New from
MFA
PUBLIC AT IO NS
A
STUDIO OF HER
OWN
WOMEN ARTISTS IN BOSTON , 1870- 1940
Erica E. Hirshler
"Hirshler has not only restored women to their proper place in
the history of Boston art; she has also restored a portrait of a
city"
(New York Times).
"Erudite and Original ... a major
contribution to our understanding of the period"
(Theodore
E. Stebbins, Jr.).
256
pages,
$40.00,
cloth, color and b / w illustrations
DETAILS OF THE WORLD
Sophie Ristelhueber
essay by Cheryl Brutvan
Ristelhueber's camera embraces the scars of human exis–
tence - whether the devastation of a war-torn landscape,
the furrows of a surured,body, or the hidden wounds of
childhood. The best introduction available to one of
France's most noteworthy contemporary artists.
"Prepare
to be seared"
(Vanity Fair).
304
pages,
$35.00,
cloth, color and b /w illustrations
I NT R O D UC I NG
SELECTED LETTERS, 1813-1863
Eugene Delacroix
edited and translated
by
Jean Stewart
with an introduction
by
Joh
11
Russell
432
pages,
$19.95,
paper,
b / w
illustrations
ApOLLINAIRE ON ART
ESSAYS AND REVIEWS , 1902- 1918
edited and introduced by LeRoy
C.
Breunig
with a new preface
by
Roger Shattuck
576
pages,
$19.95,
paper,
b / w
illustrations
FUTURIST MANIFESTOS
edited by Umbro Apollonio
with a new afterword
by
Richard Humphreys
240
pages,
$17.95,
paper,
b / w
illustrations
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MFA
PUlllle
\IIO,,"S
a division of the !\Iuseum of Fine Arts, Boston
tel.:
6r;
369 3418 '
fax:
61 ~
169 H59
