NOTES
AMOS OZ's latest collection of stories is
Where the Jackals Howl . ...
RONALD CHRIST conducts therapeutic writing workshops at Bellevue
Psychiatric Hospital ... . JOYCE CAROL OATES's most recent novel is
Angel of Ught . . ..
IGOR POMERANZEV left the Soviet Union in 1978
under pressure from the KGB and now lives In London . ... FRIEDRICH P.
on,
a professor of German at the University of Massachusetts, Boston,
is writing a monograph on Arno Schmidt .... ARNO SCHMIDT's
Evening
Edged in Gold,
translated by John
E.
Woods, won the P.E.N. and A.B.A.
translation prizes for 1981.
Scenes from the Ufe of
a
Faun
will be
published by Marion Boyars in 1982 .... LINDA BAMBER's
Comic
Women, Tragic Men: Gender and Genre in Shakespeare
will be published
by Stanford University Press . . .. CARL PLETSCH teaches intellectual
history at the University of North Carolina at Chapel Hill .... DICK
HOWARD teaches philosophy at Stony Brook and Is a Fellow at the Re–
search Institute on International Change at Columbia University ....
JOHN MASON is in the political science department at Bloomfield Col–
lege . . .. The work of GEORGE BRADLEY has appeared in the
New
Yorker, Poetry, Paris Review,
and elsewhere .... MARTIN CLORAN's
poem in this issue of Partisan Review is his first published work ... . The
latest book of CLAYTON ESHLEMAN's poetry is
Hades in Manganese
.... ANTHONY SOBIN is editor of the
Ark River Review
and the author of
the forthcoming volume of poems,
The Sunday Naturalist . ...
Author of
Shop Time,
FRANK CONROY teaches in the Writing Program at M.I.T.
. . . . MILLICENT BELL is a professor of English at Boston University . . . .
ELENA ZARUDNAYA LEVIN translated Trotsky's
Diary in Exile . . . .
In
1981 RICHARD KOSTELANETZ was DAAD artist in residence in Berlin.
Correction: The third from the last paragraph in Jonathan Baumbach's movie
chronicle in the last issue should read as follows:
The point-of-view character of the first half of the film, Dickinson is
replaced by a young
p~ostitute
(Nancy Allen) who witnesses the killing.
H aving seen the murderer , Allen inherits his/her enmity and pursuit, in–
herits Dickinson's role in the film. Allen's sexuality, like Dickinson's,
invites retribution . The implicit connection between the two women–
though mostly differen t, they are also sharers - holds
Dressed to K ill
as
narrative together.
The last line of Naomi Lazard's poem in the last issue should read: into the ordinary
light.
