Arehfteet And
ScullJtor .ln
Cla••feal Greece
Bernard Ashmole
Th.
Wrighnm"" Lectures
Confined to a discussion of sculpture executed for
the
adornment
of architecture in the "Golden Age" of Greece, this volume
examines three buildings in particular: the temple of Zeus at
Olympia, the Parthenon at Athens, and the tomb of Mausolus at
Halicarnassus. Without attempting a comprehensive examination of
the three monuments. Professor
Ashmore
discusses general aspects
of temple building which have often been neglected, and the
disposition of sculpture on various parts of the building.
218 pages
SBN 8147·0553·7
220 plates
LC 72-76019
15.00
PafntfngAt COUrl
Michael Levey
T/le Wrightsman Lectures
This volume deals with types and styles of painting fostered- at
certain specific Western courts during some five centuries. Rather
than offering a generalized survey, it concentrates in particular on
six courts, varying in size, importance and geographical location,
attempting to convey the ethos of each court and period.
"Excitingly readable and yet in nature usable for reference, it is a
fTHJst for every library as its audience should reach far beyond
those
who have an interest in
art
history."
-
CHOICE
296 pages
8 color& 200 black &white plate.
SBN·B147·4950-X
llaIJhael
John Pope'Hennessy
The
Wrightsman Lectures
LC 75·124528
15.00
Mr. Pope·Hennessy proceeds from the assumption that Raphael's
reputation lies in the past, and that to us his work speaks less
directly than that of painters who were once looked upon as his
inferiors. The author explains how Raphael worked and why his
paintings should receive more sympathetic attention than is
current,
"The annual Wrightsman lecture series, representing fresh
approaches
by
wel/·known scholafi and published more or less
uniformly at
$15.00,
stand as one of the best book bargains
around."
-
CHOICE
310 pages
6 color and 200 black
&
white plate, LC 70·88138
SBN 8147·0476·X
15.00
The
Carn/Janfle
OJ
Florence Cathedral
ORDER DIRECTlYFroM:
"GIOTIQ'STOWER"
New
Marvin
L.
Trachtenberg
fffi
A preeminent monument, not only of Florence but of late medieval
YCO~f&
cutture, the fourteenth·century Campanile begun by Giotto, finally
receives the attention it merits. The approach is synoptic, treating
every aspect of the building's genesis. history and significance.
Un.
•
Comprehensive documentation of the tower's construction yields
t~~.tt)'
not only historical data, but a fresh insight into medieval building
practices.
iI.4.~IIPa.g.e.sllllllllll.24.0Ilill.u.st.ra.t.io.n.sIl7.c.O.IO.r.P.la.te.sll$4115
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