THE UNMEDIATED VISION
• An Interpretation of Words1mJrth,
Hopkins, Valery, and Rilke
GEOFFREY H. HARTMAN
"Has the acuteness and intensity of
an original mind that trusts itself to
be humble . . . the separate studies
of the four poets move from a single
text into the full range of their
depths, and each of the essays tries
to sound new depths, to get at funda–
mental symbols ... they are brilliant
observations."
Yale R eview
$5.00
ELIZABETH BARRETT
TO MR. BOYD
Unpublished letters of Elizabeth
Barrett Browning
to
Hugh Stuart
Boyd
edited by
BARBARA
P.
MCCARTHY
"We must applaud equally the pre–
cision of her annotation, the judg–
ment and patience of her dealing
with technical problems, and the wit
and truth of her introduction."
Providence
J
oumal
$5.00
CONTRIBUTORS
J.
F. POWERS is the author of
Prince of Darkness. His stories ap–
pear frequently in the New Yorker
and other magazines.
JOSEPH KERMAN teaches in the
Department of Music at the Uni–
versity of California. His essay on
Mozart will form a part of his book,
Opera as Drama, to be published
soon by Knopf.
SELMA FRAIBERG lives in Detroit
where she practices psychiatry. Her
essay is part of a longer study to
be published in an anthology, Art
and Psychoanalysis, which Criterion
Books is bringing out.
WILFRED WATSON is a Canadian
poet whose first book of verse,
Friday's Child, Farrar, Straus
&
Cudahy are publishing this spring.
ARTHUR MIZENER, author of The
Far Side of Paradise, a biography
of Scott Fitzgerald, is teaching this
year at the University of London.
EDWIN HONIG teaches at Har–
vard, and has published poems,
criticism, and translations.
WILLIAM V. SHANNON is the
Washington correspondent for the
New York Post.
ARTHUR A. COHEN is the pub–
lisher of Meridian Books, and has
written on religion and philosophy
for a number of periodicals.
ZERO
EDITED BY
THEM ISTOCLES HOETIS
No. 7
I.
COMPTON·BURNETT
PAUL BOWLES
WALLACE STEVENS
GORE VIDAL
etc.
bookstands
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