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PARTISAN REVIEW
says, "It is already withering in the imitation of primitive art,
in
an
abstract academicism narrower than all previous academisms." (He
might have added that in its American phase, it is pursuing this path
of decline with a clamor of publicity and self-congratulation not easily
matched in the annals of art history.) But of this crisis, Mr. Berenson
knows nothing; everything after Cezanne is, for him, a parade of
"solemn puerilities," and he is startlingly unable to distinguish, say, be–
tween the great work of the Cubists and the decadent mannerisms of
the Surrealists. And this failure to make distinctions comes, I suspect,
from a fundamental lack of interest which Mr. Berenson ought to have
admitted at the start.
As Alfred Kazin remarked in his "Italian Journal" after a conversa–
tion with Mr. Berenson in Rome, "I miss that quality which alone makes
a thinker interesting, his commitment to the living." That sums it up
very well.
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GERARD ROSENTHAL
Mathias Lubeck, Ie poete assassine
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La politique demographique de. Soviets
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Derriere la
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