THE CICERONE
        
        
          at other tables as though in hope of succor or release, was a tone of
        
        
          unshakable, impolite disbelief. "Ah, I am not such a fool," his pretty
        
        
          face would almost angrily indicate
        
        
          if
        
        
          they told
        
        
          him
        
        
          that they had
        
        
          spent their morning in the castle-fort of the Sforzas, where beneath
        
        
          the ramparts bombed by the liberators, a troupe of Italian players
        
        
          with spotlights lent by the American army was preparing to do an
        
        
          American pacifist play. Every statement volunteered by the two friends
        
        
          broke on the edge of Mr. Sciarappa's contempt like the very thinnest
        
        
          alibi; parks and the public buildings they described to him became
        
        
          as transparent as falsehoods-anyone of any experience knew there
        
        
          were no such places in Milan. When they praised the wicked-looking
        
        
          Filippo Lippi Madonna they had seen
        
        
          in
        
        
          the Sforza Gallery, Mr.
        
        
          Sciarappa and his disaffected brother-in-law, who was supposed to
        
        
          speak no English, exchanged, for the first time, a fraternal, sidewise
        
        
          look: a masterpiece, indeed, their incredulous eyebrows ejaculated–
        
        
          they had heard that story before.
        
        
          That Mr. Sciarappa should question their professions of enthu–
        
        
          siasm was perhaps natural. His own acquaintance with Italy's artistic
        
        
          treasures seemed distant; they had had the reputation with
        
        
          him
        
        
          of
        
        
          being much admired by English and American tourists; the English
        
        
          and American air-forces, however, had quoted them, as he saw, at
        
        
          a somewhat lower rate. Moreover, it was as if the devaluation of the
        
        
          currency had, for Mr. Sciarappa's consistent thought, implicated
        
        
          everything Italian; cathedrals, pictures, women had dropped with the
        
        
          lira. He could not imagine that anyone could take these things at
        
        
          their Baedeker valuation, any more than he could imagine that anyone
        
        
          in his right mind would change dollars into lira at the official rate.
        
        
          The two friends soon learned that to praise any Italian product, were
        
        
          it only a bicycle or a child in the street, was an insult to Mr. Scia–
        
        
          rappa's intelligence. They would be silent-and eventually were–
        
        
          but the most egregious insult, the story that they had come to Italy
        
        
          as tourists, they could not wipe away.
        
        
          He felt himself to be the victim of an imposture, that was plain.
        
        
          But did he believe that they were rich pretending to be poor, or poor
        
        
          pretending to be rich? They could not tell. On the whole, it seemed
        
        
          as if Mr. Sciarappa's suspicions, like everything else about him, had
        
        
          a certain flickering quality;" the light in
        
        
          him
        
        
          went on and off, as he
        
        
          
            161