{"id":1557,"date":"2011-05-16T17:53:20","date_gmt":"2011-05-16T21:53:20","guid":{"rendered":"https:\/\/www.bu.edu\/library\/music\/hcrl\/microform\/"},"modified":"2017-01-09T18:15:34","modified_gmt":"2017-01-09T23:15:34","slug":"microform","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/library\/music\/research\/specollm\/hcrl\/microform\/","title":{"rendered":"Inventory of Microform Items"},"content":{"rendered":"

H. C. Robbins Landon Collection<\/h2>\n

All items are for Joseph Haydn unless otherwise noted.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Film Number<\/th>\nDescription<\/th>\n<\/tr>\n<\/thead>\n
3<\/td>\nSymphony in C I:2; Auth. MS parts from the Furnberg Library; National Library, Budapest<\/td>\n<\/tr>\n
4<\/td>\nPiano Trio in E flat minor XV: 31. Aut. Mrs. Eva Alberman, London.<\/td>\n<\/tr>\n
5<\/td>\nSymphony in G I:18 MS parts.<\/td>\n<\/tr>\n
5<\/td>\n“Concerto in G for Violin. MS Parts. Ges. D. Musikfreunde Vienna (Hob. VII a:4). Concerto in D for Horn d:3. Aut. Ges. D. Musikfreunde Vienna. Concerto in E-flat for Trumpet. VIIe: 1. Aut. Ges. D. Musikfreunde Vienna.<\/td>\n<\/tr>\n
6<\/td>\nSymphony in E flat. I:36. MS parts. Milan conservatory.<\/td>\n<\/tr>\n
7<\/td>\nSymphony in C I:69. MS score 20th century. F.C. Adler, Vienna<\/td>\n<\/tr>\n
10a-d<\/td>\nAria: “Dice benisfimo(?) obi si marita” for Basso, 2 violins, 2 corni, viola and Double Bass by Haydn. Manuscript parts<\/td>\n<\/tr>\n
11<\/td>\n“Missa celensis” (“Maria-zellermesse”). Aut. Berlin State Library, West.<\/td>\n<\/tr>\n
12<\/td>\nArias in the 18th century. MS score for L’incontro improviso, Il ritorno di Tobia, etc.<\/td>\n<\/tr>\n
13<\/td>\nSei Sinfonia (overtures to various Haydn operas) in Authentic MS parts. British Museum, London.<\/td>\n<\/tr>\n
14<\/td>\nSymphonies I:22 in E flat; I:78 in C minor. MS parts–that of 78 authentic– Harburg Castle.<\/td>\n<\/tr>\n
15<\/td>\nSymphony in B(faded) I:25. MS parts. National Library, Budapest.<\/td>\n<\/tr>\n
16<\/td>\nSymphony in A I:21. Aut. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
17<\/td>\nSymphony in G I:23. Aut. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
18<\/td>\nPiano Trio in C Hob. Deest in version for piano alone XIV: c1. MS copy. National Library, Vienna.<\/td>\n<\/tr>\n
19<\/td>\nSymphony in C I:7. Aut. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
20<\/td>\nSymphonies 1-12, 41-49. Breitkopf and Hartel. Gesantausgabe, Serie I Bde 1 & 4.<\/td>\n<\/tr>\n
21<\/td>\nSame as 33<\/td>\n<\/tr>\n
22<\/td>\nSymphony in C I:20. MS parts, Berlin State Library (West).<\/td>\n<\/tr>\n
23<\/td>\nDivertimenti and Scherzandi in 18th century. MS Parts<\/td>\n<\/tr>\n
24<\/td>\nSymphony in D I:19. MS parts. Berlin State Library (West).<\/td>\n<\/tr>\n
25<\/td>\nSymphony in G I: 18. Auth. MS parts from Furnberg Coll. National Libr., Budapest<\/td>\n<\/tr>\n
26<\/td>\nDie Feuersbrunst (D. abgebrannte Haus) MS copy of the score by Traeg & Co. c.1799. Yale Un. Music Library<\/td>\n<\/tr>\n
27<\/td>\nSymphony in E flat I:43. MS parts. National Library Budapest.<\/td>\n<\/tr>\n
28<\/td>\nSymphony in C I:38. Auth. MS parts from Furnberg Coll. National Library, Budapest<\/td>\n<\/tr>\n
30<\/td>\nSymphony in B flat I:107. Auth. MS parts. Furnberg Coll. National Library, Budapest<\/td>\n<\/tr>\n
33<\/td>\nSymphony in G I:8. MS parts. Milan Conservatory. Also has slip for 21, which says, ” Symphony in G I:8. Ms parts Milan Conservatory.<\/td>\n<\/tr>\n
40<\/td>\nSymphony in C I:41. MS parts. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
41a<\/td>\nHaydn Sut? 4 and 15. Budapest<\/td>\n<\/tr>\n
41b<\/td>\nSymphonies I:4 & I:15, in D. Auth. MS parts. Furnberg Coll. Budapest<\/td>\n<\/tr>\n
43<\/td>\nSymphony in B flat I: 68. MS parts. Milan Conservatory.<\/td>\n<\/tr>\n
44a<\/td>\nSymphony in B flat I: 71. MS parts from the Kees coll. Ges. D. Musikfreunde, Vienna.<\/td>\n<\/tr>\n
44b<\/td>\nLook at description for 44a<\/td>\n<\/tr>\n
45<\/td>\nSymphonies 28-40. Breitkopf & Hartel Gesamtausgabe Serie I Bd. 3<\/td>\n<\/tr>\n
46<\/td>\nSymphony in C I:90. Printed parts by Le Duc, Paris. Henry Watson library, Manchester, England<\/td>\n<\/tr>\n
47<\/td>\nArmida. 1784. Section of Aut. Harvard University.<\/td>\n<\/tr>\n
48<\/td>\nSymphony in D I:24. Aut. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
49<\/td>\nSymphony in E flat. I:84. Aut. MS parts. British Museum, London<\/td>\n<\/tr>\n
50<\/td>\nSymphony in C I: 30. Autograph. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
51<\/td>\nSymphony in D I: 1. MS parts from Lipnik, CSSR dated 1762. Brno.<\/td>\n<\/tr>\n
52<\/td>\nOrgan Concerto No. 2 in c XVIII: 8. MS parts. Berlin State Library (W).<\/td>\n<\/tr>\n
53a<\/td>\nLook at description for 53b<\/td>\n<\/tr>\n
53b<\/td>\nHaydn Bst Aut. Op. 54\/2. Tvro A(Vl. V. Vc.) L’infedelta delusa Ouv. II Satz.<\/td>\n<\/tr>\n
54<\/td>\nSymphony in C I: 90. Aut. Library of Congress, Washington, D.C.<\/td>\n<\/tr>\n
56<\/td>\nString Quartet in d-minor op. 42. III: 43. Autograph. Berlin (West)<\/td>\n<\/tr>\n
57a<\/td>\nSymphonies 38, 39, 40, 41 and var. divertimenti. Monastery of Lambach, Upper Austria.<\/td>\n<\/tr>\n
57b<\/td>\nLambach. 2. Cassatio, 3. Divertim. (illegible). 4. Sinf. 39, 38, 40, 41, illegible writing<\/td>\n<\/tr>\n
58<\/td>\nCantilena pro Adventu “Ein’ Magd, ein Dienerin”. MS parts. Stadtpfarrkirche, Eisenstadt.<\/td>\n<\/tr>\n
59<\/td>\nMusic to the play Alfred. Aut. Berlin State Library (illegible). Lied: “Der schlaue und dienstfertige Pudel”. Aut. Berlin (West)<\/td>\n<\/tr>\n
60<\/td>\nSymphony in D I:42. Symphony in C I:47. Autographs. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
61<\/td>\nPiano sonata in D XVI: 42. MS copy Biblioteca di S. Cecilia, Roma.<\/td>\n<\/tr>\n
62<\/td>\nL’isola disabitat. MS piano score 18th century. Berlin State L. (West).<\/td>\n<\/tr>\n
64<\/td>\nPiano Trio in G XV:41. MS parts. Monastery of Stams, Tyrol.<\/td>\n<\/tr>\n
65<\/td>\nSymphonies 66-68. Printed parts, by Hummel of Amsterdam & Berlin 1779. British Museum, London.<\/td>\n<\/tr>\n
67<\/td>\nCollection of wind band divertimenti MS parts, Kremsier Castle, CSSr. NB. Enlargements of the set are in this collection<\/td>\n<\/tr>\n
68a<\/td>\nPhilemon und Baucis. MS score by Traeg & Cc, c. 1799. Bibliotheque du Conservatoire, Paris<\/td>\n<\/tr>\n
68b<\/td>\nIl mondo della luna. The paris and Berlin autographs. Enlargements present in this collection<\/td>\n<\/tr>\n
69<\/td>\nConcerto for harpsichord & strings in F. XVIII:F2. MS parts, Kremsier Castle CSSR.<\/td>\n<\/tr>\n
71<\/td>\nSymphony in E flat I:99, Symphony in D I:101. Miniature scores by Ernst Eulenburg (20th Century).<\/td>\n<\/tr>\n
72<\/td>\nSymphony in G I:3. Auth. MS parts. Furnberg Coll, Nat. Library, Budapest.<\/td>\n<\/tr>\n
73<\/td>\nSymphony in C I:48. MS parts. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
74<\/td>\nSymphony in D I:72. MS parts. Schloss Harburg.<\/td>\n<\/tr>\n
75a<\/td>\nSame as above.<\/td>\n<\/tr>\n
75b<\/td>\nSymphonies 63, 66, 67, 69. MS scores 20th century. Breitkopf & Hartel Archives, Leipzig.<\/td>\n<\/tr>\n
76<\/td>\nTwelve minuets for the Redontensaal 1792. Aut. MS Parts by Johann Elssler<\/td>\n<\/tr>\n
77<\/td>\nSymphony in E flat I:43. MS parts. Heilig-Kreuz-Kirche Archives, Augsburg.<\/td>\n<\/tr>\n
78<\/td>\nCassatio in A IIA:1. MS parts from the Monastery of Raigern, Brno.<\/td>\n<\/tr>\n
79a<\/td>\nSame as above<\/td>\n<\/tr>\n
79b<\/td>\nOrlando Paladino. Duet “Quel cor”. Printed score by Corri & Dussek. Aria “Se tu mi sprezzi”. Aut. Esterhazy Archives, Budapest. Acide e Galathea. Bass aria. Aut. Esterhazy Archives, Budapest.<\/td>\n<\/tr>\n
81<\/td>\nvarious arias for voice and orchestra MS scores. Schloss Donaneschinger<\/td>\n<\/tr>\n
82<\/td>\nOrgan Concerto no. 3 in C XVIII: 5. MS parts. Raigern Monastery, Brno.<\/td>\n<\/tr>\n
83<\/td>\nConcerto for harpsichord & orchestra in D XVIII:2. MS parts. Berlin State Library (West).<\/td>\n<\/tr>\n
84<\/td>\nSymphony in F I:58. MS parts. Monastery of Kremsmunster, Upper Austria.<\/td>\n<\/tr>\n
85<\/td>\nAria “Chi vive amante”. Aut. Stadtbibliothek, Vienna.<\/td>\n<\/tr>\n
86<\/td>\nPiano Trio in D XV:16. Printed parts by Artaria; 1790. Ges. D. Musikfreunde, Wien<\/td>\n<\/tr>\n
87a<\/td>\nConcerto in G printed parts.<\/td>\n<\/tr>\n
87b<\/td>\nViolin Concerto in G VIIa:4. MS parts, Ges. D. Musikfreunde, Wien J.M. Haydn: Flute Concerto in D. MS parts, Lambach Monastery, Upper Austria<\/td>\n<\/tr>\n
88<\/td>\nSymphony in C I:69. Several sets of MS parts. Ges. D. Musikfreunde, Vienna.<\/td>\n<\/tr>\n
89<\/td>\nSymphony in B flat I:71. MS parts, National Library, Budapest.<\/td>\n<\/tr>\n
90<\/td>\nAstaritta: Circe ed Ulisse, Prague 1783 libretto. J.Haydn: Asmodeus oder Der krumme Teufel. Vienna 1771. Libretto. National Library, Prague.<\/td>\n<\/tr>\n
91<\/td>\nLitany in G B.V.M, MS parts<\/td>\n<\/tr>\n
92<\/td>\nJ.M. Haydn’s Violin Concerto in A. MS parts<\/td>\n<\/tr>\n
93a-b<\/td>\nL’infedelta delusa, 1773. Complete autgraph score except overture<\/td>\n<\/tr>\n
94<\/td>\nSymphony in C I:7. Auth. MS parts<\/td>\n<\/tr>\n
95<\/td>\nSymphony in D I:73. MS parts<\/td>\n<\/tr>\n
96<\/td>\nSymphony in B-flat I: 68 and Symphony in D I:70. MS parts<\/td>\n<\/tr>\n
97<\/td>\nSymphony in G I: 94. Printed parts<\/td>\n<\/tr>\n
98<\/td>\nSymphony in B-flat I:71. Printed score by Le Duc, Paris<\/td>\n<\/tr>\n
99<\/td>\nArmida- Manuscript score copied by Johann Elssler. Also has slip of paper that says “Musikfreunde Armida Kopiert”<\/td>\n<\/tr>\n
100<\/td>\nSymphonies I: 32 in C and I: 33 in C. Auth. MS parts from the Furnberg Library; National Library, Budapest<\/td>\n<\/tr>\n
101<\/td>\nSymphonies I: 32 in C. ms. parts, Budapest. Printed parts for a Symphony.<\/td>\n<\/tr>\n
101a<\/td>\nMS parts for Notturni in C II:27<\/td>\n<\/tr>\n
101b<\/td>\nMS score for Notturni in C II:27<\/td>\n<\/tr>\n
101c<\/td>\nMS parts for Notturni in C II:27<\/td>\n<\/tr>\n
102<\/td>\nL’incontro improvviso- Manuscript Score<\/td>\n<\/tr>\n
102<\/td>\nSymphonies in I:10 in D & I:37 in C; Auth. MS parts from the Furnberg Library; National Library, Budapest<\/td>\n<\/tr>\n
103<\/td>\nA minuet in C from a lost symphony<\/td>\n<\/tr>\n
103<\/td>\nManuscript parts to a symphony in C.<\/td>\n<\/tr>\n
104<\/td>\nHaydn Symphony 100. Printed parts<\/td>\n<\/tr>\n
105<\/td>\nLarge collection of printed parts to Haydn’s symphonies 62, 63, 66-68, 70, 71, 73-75 by Hummel and Forster<\/td>\n<\/tr>\n
106<\/td>\nMS score of Symphony in B-flat I:71<\/td>\n<\/tr>\n
107<\/td>\nMS Parts of Symphony in B-flat I:71. Austrian National Library, Vienna.<\/td>\n<\/tr>\n
108<\/td>\nSymphony in B-flat I:66. MS parts<\/td>\n<\/tr>\n108b<\/td>\nPart to Symphony in B-flat I:66. Slip of paper around it says, “Musik Fr. 6A66\/8508 Z 60 (Seiden?) [Last word difficult to read]<\/td>\n<\/tr>\n
109<\/td>\nNotturni C II:25; F II:26; G II:27; F II:28; C II:29; G II: 30<\/td>\n<\/tr>\n
110<\/td>\nSymphonies 13-27<\/td>\n<\/tr>\n
112<\/td>\nDie Ervahlung eines Kapellmesiters MS score. Il ritorno di Tobia, several arias in autograph or contemporary MS score.<\/td>\n<\/tr>\n
113<\/td>\nHas slip of paper for microform 8. It really is an unidentified full score.<\/td>\n<\/tr>\n
113a-b<\/td>\nSymphonies 58-70<\/td>\n<\/tr>\n
114<\/td>\nLa fedelta premiata. 19th century MS score.<\/td>\n<\/tr>\n
114<\/td>\nManuscript part for a Haydn symphony<\/td>\n<\/tr>\n
115<\/td>\nSymphonies I: 22. ms. parts, Gottwieg. [Manuscript part for a Haydn symphony]<\/td>\n<\/tr>\n
other 115<\/td>\nSymphony in B-flat I: 107. ms parts, Gottweig. [Fragmentary MS parts.]<\/td>\n<\/tr>\n
116<\/td>\nSymphonies I: 22. ms parts, Oettingen-Wallerstein collection 828 [Manuscript part for a Haydn symphony]<\/td>\n<\/tr>\n
117<\/td>\nAutograph score for Missa Sancti Bernardi de Offida (“Heiligamesse”)<\/td>\n<\/tr>\n
117<\/td>\nSymphonies I: 79. ms parts, Oettingen-Wallerstein collection 847 [Manuscript part for a Haydn Symphony in F.]<\/td>\n<\/tr>\n
118a-b<\/td>\nHaydn Sinfonia Concertante I:105 in B-flat and Piano Sonata in A XVI:26<\/td>\n<\/tr>\n
120<\/td>\nPiano trio in A XV: 35. MS parts<\/td>\n<\/tr>\n
121<\/td>\nMadrigal The Storm. MS score of German version with holograph corrections<\/td>\n<\/tr>\n
122<\/td>\nLa fedelta premiata, Recit. and Aria ” Ah, come il cuor.” Printed score<\/td>\n<\/tr>\n
123<\/td>\nLo Speziale overture. Auth. MS parts<\/td>\n<\/tr>\n
125<\/td>\nLa fedelta premiata, Act I Finale. Autograph<\/td>\n<\/tr>\n
126<\/td>\nLondon Trios IV: 1-3 autographs. Notturno XXX no. 7 II:31 sketch. London Trio IV: 4 auth. Copy by Johan Elssler<\/td>\n<\/tr>\n
127<\/td>\nDuos for violin and viola VI: 1-6. MS parts<\/td>\n<\/tr>\n
128a<\/td>\nScore of Haydn’s Orlando. Aut. Bst. La Vera Constanza<\/td>\n<\/tr>\n
128b<\/td>\nSections of the autograph for Orlando Paladino and Autograph sketches for La vera Constanza<\/td>\n<\/tr>\n
129<\/td>\nOrlando Paladino. Section from Act III. Autograph.<\/td>\n<\/tr>\n
129<\/td>\nSymphony in A I:28. Aut. Lacking the finale. Berlin State Library (West).<\/td>\n<\/tr>\n
130<\/td>\nL’isola disabitat- 18th century piano reduction in MS.<\/td>\n<\/tr>\n
130<\/td>\nHas slip for MF 32. Manuscript part for a symphony<\/td>\n<\/tr>\n
131<\/td>\nSymphony in D I:70. Printed parts.<\/td>\n<\/tr>\n
131<\/td>\nHas slip for MF 34. Another manuscript part.<\/td>\n<\/tr>\n
132<\/td>\nHaydn Marches. VIII: 2 in C and VIII: 3 in E-flat. Autographs<\/td>\n<\/tr>\n
132<\/td>\nManuscript part for a Haydn symphony<\/td>\n<\/tr>\n
133<\/td>\nManuscript part for a Haydn symphony<\/td>\n<\/tr>\n
134<\/td>\nHaydn Aria. Manuscript Score<\/td>\n<\/tr>\n
134<\/td>\nHaydn. Aria. Manuscript Score<\/td>\n<\/tr>\n
134<\/td>\nManuscript violin part for an unidentified symphony.<\/td>\n<\/tr>\n
134b<\/td>\n“Quando La Rosaa’ from L’impresario in angustie by Haydn. Manuscript by Elssler<\/td>\n<\/tr>\n
135<\/td>\nSymphony in C I:63. MS parts. National Library, Vienna<\/td>\n<\/tr>\n
136a<\/td>\nJ. Haydn Trios. Manuscript Parts from Berlin State Library (D-B Mus.) Nos. 19-23<\/td>\n<\/tr>\n
136b<\/td>\nJ. Haydn Trios. Manuscript Parts from Berlin State Library (D-B Mus.) Nos. 24-28<\/td>\n<\/tr>\n
136c<\/td>\nJ. Haydn Trios. Manuscript Parts from Berlin State Library (D-B Mus.) Nos. 29-33<\/td>\n<\/tr>\n
136d<\/td>\nJ. Haydn Trios. Manuscript Parts from Berlin State Library (D-B Mus.) Nos. 34,35,47,(no #),48<\/td>\n<\/tr>\n
136e<\/td>\nJ. Haydn Trios. Manuscript Parts from Berlin State Library (D-B Mus.) Nos. 54-59<\/td>\n<\/tr>\n
137<\/td>\nSymphony in D I:72. MS parts. xxxxxThurn-Taxis Archive, Regensburg.<\/td>\n<\/tr>\n
137a<\/td>\nMicrofilm of Libretto Tenistocle. J.C. Bach<\/td>\n<\/tr>\n
137b\/c<\/td>\nScore for Sinfonia concertante in B HVL no. 114<\/td>\n<\/tr>\n
138<\/td>\nRichard Wagner’s Das Liebesverbot. Full score printed by Breitkopf and Hartel<\/td>\n<\/tr>\n
138 other<\/td>\nSymphony in D I:75. MS parts National Library, Vienna.<\/td>\n<\/tr>\n
139a-g<\/td>\nGeorg August Grisinger MS correspondence with Karl August von Bottinger<\/td>\n<\/tr>\n
140<\/td>\nGeorg Reutter the Younger: Missa Brevis in G. MS parts<\/td>\n<\/tr>\n
141<\/td>\nLeopold Mozart: Cassatio in G (the orginal, complete version of the so called “Toy Symphony: wrongly attributed to Haydn<\/td>\n<\/tr>\n
142<\/td>\nMendelssohn. Correspondences unknown.<\/td>\n<\/tr>\n
143<\/td>\nMendelssohn. Manuscript letters<\/td>\n<\/tr>\n
143b-c<\/td>\nMendelssohn. Manuscript letters<\/td>\n<\/tr>\n
144<\/td>\nPossibly a collection of sonatas for piano or clavecin for amateur players<\/td>\n<\/tr>\n
145<\/td>\norgan or cembalo part for opera overture<\/td>\n<\/tr>\n
145a<\/td>\nManuscript score of opera overture by Haydn<\/td>\n<\/tr>\n
145b<\/td>\nCopy of above item<\/td>\n<\/tr>\n
146<\/td>\nPart for a divertimento by Haydn<\/td>\n<\/tr>\n
147<\/td>\nEarly edition of a piano sonata<\/td>\n<\/tr>\n
148<\/td>\nEarly edition of Haydn Trio<\/td>\n<\/tr>\n
149a<\/td>\nLa Fedelta- Autograph score. Act I Finale<\/td>\n<\/tr>\n
149b<\/td>\nLa Fedelta- Autograph score.<\/td>\n<\/tr>\n
149c<\/td>\nLa Fedelta- Autograph score<\/td>\n<\/tr>\n
150<\/td>\nHaydn. 24 minuets<\/td>\n<\/tr>\n
151a-b<\/td>\nManuscript part of unidentified work<\/td>\n<\/tr>\n
152<\/td>\nHaydn: Cembalo Konzert. D XVIII: 2<\/td>\n<\/tr>\n
153<\/td>\nAn unidentified piece for Cembalo by Haydn<\/td>\n<\/tr>\n
154<\/td>\nHaydn String Trios<\/td>\n<\/tr>\n
155<\/td>\nUnidentified Manuscript score<\/td>\n<\/tr>\n
156<\/td>\nA Haydn Divertimento<\/td>\n<\/tr>\n
157<\/td>\nTrio Sonatas by Haydn<\/td>\n<\/tr>\n
158<\/td>\nVanhal Sinf. 9<\/td>\n<\/tr>\n
159<\/td>\nManuscript poetry<\/td>\n<\/tr>\n
160<\/td>\nScore of unidentified work<\/td>\n<\/tr>\n
161<\/td>\nHaydn, L’solo disabitata. MS score<\/td>\n<\/tr>\n
162a-b<\/td>\nmisc. manuscript score<\/td>\n<\/tr>\n
163a-b<\/td>\nFelix Mendelssohn Bartholdy, autograph letters to his family, with typed index<\/td>\n<\/tr>\n
164<\/td>\nautograph score for unidentified work<\/td>\n<\/tr>\n
165<\/td>\nCatalogue<\/td>\n<\/tr>\n
166<\/td>\nHaydn Quartets III: 65, 67, 68<\/td>\n<\/tr>\n
167<\/td>\nHaydn. Die Schopfung. Chao sketches. 3rd London notebook (1794-95)<\/td>\n<\/tr>\n
168<\/td>\nHaydn, “Third London notebook” ms., Mozarteum, Salzburg<\/td>\n<\/tr>\n
169<\/td>\nAria “La mia pace, oh dio, perdei,” H.XXIVb:19, sutograph score with note dated 5 May 1790, Milano, Biblioteca estense<\/td>\n<\/tr>\n
170<\/td>\nDeutschland Klage<\/td>\n<\/tr>\n
171<\/td>\nHaydn: L’anima del filosofo. Score MS. 18th century<\/td>\n<\/tr>\n
172a-g<\/td>\nUnidentified manuscript score of piano concerto<\/td>\n<\/tr>\n
173<\/td>\nHas slip of paper which says: III. 74 pages. (1) MF 53 (intero). (2) MF 133 I pagine Quartette op. 54\/3 Mi maggiore (Autograph)<\/td>\n<\/tr>\n
174<\/td>\nBSB Clm 14965a, ‘Lateinische Handschrift,’ Halm [1 leaf]. Also: BSB Clm 18914, ‘Hugbaldi Liber enchiriadis de musica [u.a.],’ ff.41-42 (no 42v), Halm CCMSBM IV,3, the full ms is now online at the BSB<\/td>\n<\/tr>\n
175<\/td>\nUnidentified manuscript score<\/td>\n<\/tr>\n
176<\/td>\nManuscript part for a Haydn Symphony<\/td>\n<\/tr>\n
177<\/td>\nManuscript parts for an unidentified Haydn symphony<\/td>\n<\/tr>\n
178<\/td>\nManuscript part for a Haydn symphony in C.<\/td>\n<\/tr>\n
179<\/td>\nVarious manuscript parts for unidentified works<\/td>\n<\/tr>\n
180<\/td>\nManuscript part for a symphony by Haydn<\/td>\n<\/tr>\n
181<\/td>\nManuscript parts for a Haydn symphony<\/td>\n<\/tr>\n
182<\/td>\nMichael Haydn, Partita in E Flat Major. score: 20 p. H-BnOrszagos Szechenyi Konyvtar Ms.mus II.86.<\/td>\n<\/tr>\n
film envelope 1<\/td>\nLetter of Haydn to Jacob Hiertl (Hyrtl), 28 November 1802<\/td>\n<\/tr>\n
film envelope 2<\/td>\nString trio, H.V:C2 [considered doubtful but also published by HCRL] ms. parts, Prague, Pachta collection<\/td>\n<\/tr>\n
additional reels<\/td>\nwithout boxes or numbers assigned by HCRL<\/td>\n<\/tr>\n
Add. Reel 1<\/td>\nFolk song settings by Haydn and associates, partly autograph score, Paris, Bibliotheque Nationale, Ms. 139; full description in Joseph Haydn Werke, Ser. XXXII, Bd. 3, pp. 310-11.<\/td>\n<\/tr>\n
add. film <\/td>\nSacred aria, “O coelitum beati amore,” H.XXIIa:G9 [considered doubtful but published by HCRL], ms. parts, Munchen, Bayerische Staatsbibliothek NT 209<\/td>\n<\/tr>\n
add. film <\/td>\n“Ungarischer National Marsch,” H.VIII:4, autograph score, Budapest<\/td>\n<\/tr>\n
add. film <\/td>\nVariations for piano, H.XBII:7, autograph<\/td>\n<\/tr>\n
add. film <\/td>\nGeorge Reutter, Jr., Symphonia a due chori, ms. score<\/td>\n<\/tr>\n
add. film <\/td>\nFive works for instrumental ensemble (divertimenti or the like), H.II:35, 36, 33, G1, 20, ms parts from Pachta collection, Prague.<\/td>\n<\/tr>\n
unidentified<\/td>\nHas slip of paper in which only “von Thomas” is legible<\/td>\n<\/tr>\n
unnumbered<\/td>\nHaydn Klavier Solo musike & 4 handig Bst.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

H. C. Robbins Landon Collection All items are for Joseph Haydn unless otherwise noted. Film Number Description 3 Symphony in C I:2; Auth. MS parts from the Furnberg Library; National Library, Budapest 4 Piano Trio in E flat minor XV: 31. Aut. Mrs. Eva Alberman, London. 5 Symphony in G I:18 MS parts. 5 “Concerto […]<\/p>\n","protected":false},"author":2573,"featured_media":0,"parent":1548,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/pages\/1557"}],"collection":[{"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/users\/2573"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/comments?post=1557"}],"version-history":[{"count":19,"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/pages\/1557\/revisions"}],"predecessor-version":[{"id":96990,"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/pages\/1557\/revisions\/96990"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/pages\/1548"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/library\/wp-json\/wp\/v2\/media?parent=1557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}