{"id":15208,"date":"2025-03-27T13:58:39","date_gmt":"2025-03-27T17:58:39","guid":{"rendered":"https:\/\/www.bu.edu\/jewishstudies\/?post_type=profile&#038;p=15208"},"modified":"2026-08-24T12:25:57","modified_gmt":"2026-08-24T16:25:57","slug":"mark-ludwig","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/jewishstudies\/profile\/mark-ludwig\/","title":{"rendered":"Mark Ludwig"},"content":{"rendered":"<p>Mark Ludwig is a violist and Boston Symphony Orchestra member emeritus who blends his musical career with social causes, combining scholarship, teaching, and performance projects with community service throughout the United States and Europe.<\/p>\n<p>Ludwig is the Executive Director of the Terezin Music Foundation, a non-profit organization dedicated to documenting, preserving, and advancing awareness of the music created by victims of the Holocaust.<\/p>\n<p><span style=\"color: #2a2a2a;\">Known internationally as<span>\u00a0<\/span>a leading scholar, teacher, and champion of Holocaust music,<\/span><span> Ludwig performs this repertoire and teaches its history worldwide, lecturing at Harvard University, The University of Virginia, The Charles University in Prague, and many other schools. In 2005-06 he was Perlow lecturer and Sterne Virtuoso Artist in-Residence at Skidmore College, where his residency included a lecture series, master classes, solo and chamber music performances, and community outreach events in music and Holocaust studies.<\/span><\/p>\n<p>This past fall, Mark Ludwig accepted a position at the Elie Wiesel Center for Jewish Studies at Boston University, where he is currently teaching a course on Music and the Holocaust.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In October 2025, Mark Ludwig gave a <\/span><i><span style=\"font-weight: 400;\">Silenced Voices<\/span><\/i><span style=\"font-weight: 400;\"> lecture at Tufts University on music composed in the Terez\u00edn concentration camp. In November, he directed <\/span><i><span style=\"font-weight: 400;\">Liberation<\/span><\/i><span style=\"font-weight: 400;\">, commemorating the 80th anniversary of the liberation of the Nazi camps with a program of WWIl Yiddish freedom and resistance songs, followed by the Symphony Hall premieres of works by composers who perished in the Holocaust by renowned pianist Beth Levin and soprano Lynda Bussbang. He also delivered a two-part lecture series, <\/span><i><span style=\"font-weight: 400;\">Trauma, Memory, and Transcendence<\/span><\/i><span style=\"font-weight: 400;\"> in Music at Bristol Community College.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In February 2026, he organized and directed<\/span><i><span style=\"font-weight: 400;\"> Lost Promise<\/span><\/i><span style=\"font-weight: 400;\">, an International Holocaust and Genocide commemoration with the Terez\u00edn Music Foundation Ensemble at Boston University. In April, he spoke to students at the Waldorf School on <\/span><i><span style=\"font-weight: 400;\">Messaging in Music, <\/span><\/i><span style=\"font-weight: 400;\">followed by another lecture in May with Holocaust survivor Hanni Meyer. He gave a Yom HaShoah lecture, <\/span><i><span style=\"font-weight: 400;\">The Gray Zone<\/span><\/i><span style=\"font-weight: 400;\">, at Tanglewood, followed by a Yom HaShoah commemoration, <\/span><i><span style=\"font-weight: 400;\">Remembrance and Creativity<\/span><\/i><span style=\"font-weight: 400;\">, with artist Jim Schantz and the Terez\u00edn Music Foundation Ensemble at Boston University.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In July, he was a guest speaker at the Tanglewood Learning Institute, organizing \u201cArts and the Rule of Law: Between the Notes: Shostakovich, Censorship, and Musical Survival,\u201d a lecture with Lesley Rosenthal at the Linde Center, and \u201cI am alive because of music\u201d: Faith in Music, a lecture with performances by the Terez\u00edn Music Foundation Ensemble.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mark Ludwig continues researching the archives and providing organizational support to the Swakopmund Genocide Museum and Windhoeck Riruako Centre for Genocide &amp; Memory Studies in Namibia, and is in the early stages of developing \u201cOur Will To Live,\u201d a traveling exhibit focusing on the Terez\u00edn music critiques of composer and Holocaust victim Viktor Ullmann. This year, he returned to teach his popular course on <\/span><i><span style=\"font-weight: 400;\">Music and the Holocaust<\/span><\/i><span style=\"font-weight: 400;\"> at the Elie Wiesel Center.<\/span><\/p>\n","protected":false},"author":14211,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/profile\/15208"}],"collection":[{"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/users\/14211"}],"version-history":[{"count":2,"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/profile\/15208\/revisions"}],"predecessor-version":[{"id":15847,"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/profile\/15208\/revisions\/15847"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/jewishstudies\/wp-json\/wp\/v2\/media?parent=15208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}