{"id":13876,"date":"2020-04-08T16:28:08","date_gmt":"2020-04-08T20:28:08","guid":{"rendered":"https:\/\/www.bu.edu\/humanities\/?page_id=13876"},"modified":"2023-04-03T11:57:46","modified_gmt":"2023-04-03T15:57:46","slug":"past-winners","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/humanities\/opportunities\/faculty-opportunities\/publication-awards\/past-winners\/","title":{"rendered":"Past Publication Awards"},"content":{"rendered":"

2021\/2022<\/h3>
<\/p>\n

James Carter<\/strong>, Romance Studies
\nEcologia e lavoro nelle rappresentazioni artistiche e culturali contemporanee<\/em><\/p>\n

Charles Chang<\/strong>,\u00a0Linguistics
\n“Cultural factors weaken but do not reverse left-to-right spatial biases in numerosity processing: Data from Arabic and English monoliterates and Arabic-English biliterates”<\/p>\n

Juliet Floyd<\/strong>, Philosophy
\nCavell’s <\/em>Must We Mean What We Say? At Fifty<\/em><\/p>\n

James Iffland<\/strong>, Romance Studies
\nUsos y abusos: ensayos sobre el destino social del “Quijote”<\/em><\/p>\n

Deanna Klepper<\/strong>, Religion
\nPastoral Care and Community in Late Medieval Germany<\/em><\/p>\n

Victor Kumar<\/strong>, Philosophy
\nA Better Ape: The Evolution of the Moral Mind and How it Made Us Human<\/em><\/p>\n

Yair Lior<\/strong>, Religion
\nThe Routledge Handbook of Evolutionary Approaches to Religion<\/em><\/p>\n

Petrus Liu<\/strong>, World Languages & Literatures
\nThe Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus<\/em><\/p>\n

Michele Martinez<\/strong>, Writing Program
\n\u201c\u2018The passion-flower at the gate\u2019: Tennyson\u2019s Poetry in the \u2018Annals\u2019 of Julia Margaret Cameron\u201d<\/p>\n

Andrew Shenton<\/strong>, Musicology & Ethnomusicology
\nOlivier Messiaen’s Turangal\u00eela-symphonie<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2020\/2021<\/h3>
<\/p>\n

Yuri Corrigan, <\/b>World Languages & Literatures
\nDostoevsky and the Riddle of the Self<\/i><\/p>\n

Margaret Litvin, <\/b>World Languages & Literatures
\nRussian-Arab Worlds: A Documentary History<\/i><\/p>\n

Rodrigo Lopes de Barros, <\/b>Romance Studies
\nSinging for the Revolution: Punk Rock Music and the Protests for Free Public Transportation in Brazil (1996-2011)<\/i><\/p>\n

Christopher Maurer, <\/b>Romance Studies
\nThirty Five Poems of Carlos German Belli<\/i><\/p>\n

Jeffrey Mehlman, <\/b>Romance Studies
\nSecond Thoughts: Further Adventures in the French Trade<\/i><\/p>\n

Takeo Rivera, <\/b>English
\nModel Minority Masochism: Performing the Cultural Politics of Asian American Masculinity<\/i><\/p>\n

Gregory Williams, <\/b>History of Art & Architecture
\nLabour in a Single Shot: Critical Perspectives on Antje Ehmann and Harun Farocki\u2019s Global Video Workshop <\/i><\/p>\n

<\/div>\n<\/div>\n\n

2019\/2020<\/h3>
<\/p>\n

Cynthia Becker,<\/strong> History of Art & Architecture
\nBlackness in Post-Slavery Morocco: A History of Gnawa Visual and Performing Arts <\/em><\/p>\n

Charles Chang,<\/strong> Linguistics
\nPerception of Nonnative Tonal Contrasts by Mandarin-English and English-Mandarin Sequential Bilinguals<\/em>\u00a0<\/em><\/p>\n

April Hughes,<\/strong> Religion
\nWorldly Saviors and Imperial Authority in Medieval Chinese Buddhism<\/em><\/p>\n

Deborah Kahn,<\/strong> History of Art & Architecture
\nPolitics and Sanctity: The Sculpture of Selles-sur-Cher<\/em><\/p>\n

Sophie Klein,<\/strong> \u00a0<\/strong>Core Curriculum
\nPlautus: Menaechmi<\/em><\/p>\n

Diana Lobel,<\/strong> Religion
\nMoses and Abraham Maimonides on the Divine Encounter<\/em><\/p>\n

Michele Martinez,<\/strong> Writing Program
\nBrowning’s #MeToo Critique in “Beatrice Signorini”<\/em><\/p>\n

John Matthews,<\/strong> English
\nHidden in Plain Sight: Slave Capitalism in Poe, Hawthorne, and Joel Chandler Harris<\/em><\/p>\n

Andrew Robichaud,<\/strong> History
\nAnimal City: The Domestication of America<\/em><\/p>\n

Catherine Yeh,<\/strong> Chinese and Comparative Literature, WLL
\nTesting on the Margins of Leisure: Case Studies on China, Japan, and Indonesia<\/em><\/p>\n

Michael Zell,<\/strong> History of Art & Architecture
\nRembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2018\/2019<\/h3>
<\/p>\n

Julia Prewitt Brown<\/strong>, English
\nThe Films of John Schlesinger<\/em><\/p>\n

Jennifer Cazenave<\/strong>, Romance Studies
\nAn Archive of the Catastrophe: The Unused Footage of Claude Lanzmann\u2019s <\/em>Shoah<\/p>\n

Emine Fetvaci<\/strong>, History of Art & Architecture
\nAlbum of the World Emperor<\/em><\/p>\n

Sanjay Krishnan<\/strong>, English
\nUnsentimental Education: V.S. Naipaul\u2019s Twentieth Century<\/em><\/p>\n

William D. Moore<\/strong>, History of Art & Architecture, American & New England Studies
\nShaker Fever<\/em><\/p>\n

Michael<\/strong> Prince<\/strong>, English
\nThe Shortest Way with Defoe: <\/em>Robinson Crusoe, Deism, and the Novel<\/em><\/p>\n

Kim<\/strong> Sichel<\/strong>, <\/em>History of Art & Architecture
\nMaking Strange: Modernism and the Construction of French Photography Books<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2017\/2018<\/h3>
<\/p>\n

Mari\u00e9 Abe<\/strong>, CFA, Musicology\/Ethnomusicology
\nResonances of Chindon-ya: Sounding Space and Spatiality in Contemporary Japan<\/em><\/p>\n

Gavin Benke, <\/strong>CAS Writing Program
\nEnron and the Culture of American Capitalism<\/em><\/p>\n

Seth Blumenthal, <\/strong>CAS Writing Program
\nChildren of the Silent Majority: Youth Politics and the Rise of the Republican Party, 1964-1980<\/em><\/p>\n

Charles Chang, <\/strong>Romance Studies
\nLEXTALE_CH: A Quick, Character-Based Proficiency Test for Mandarin Chinese<\/em><\/p>\n

Jodi Cranston, <\/strong>History of Art & Architecture
\nGreen Worlds of Renaissance Venice<\/em><\/p>\n

Adela Pineda, <\/strong>Romance Studies
\nSteinbeck y Mexico<\/em><\/p>\n

Ana Mar\u00eda Reyes, <\/strong>History of Art & Architecture
\nDis-Cursis: Beatriz Gonz\u00e1lez and the Critique of Modernization in 1960s Columbia<\/em><\/p>\n

Adam Seligman, <\/strong>Religion
\nWhat Counts as the Same: Memory, Metaphor and Mimesis in Social Life<\/em><\/p>\n

Andrew Shenton, <\/strong>CFA, Musicology
\nArvo P\u00e4rt\u2019s Resonant Texts: Choral and Organ Music 1956-2015<\/em><\/p>\n

Nina Silber, <\/strong>History
\nFighting the Civil War in New Deal America<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2016\/2017<\/h3>
<\/p>\n

Andrea Berlin, <\/strong>Archaeology
\nSpear-Won Land: Sardis from the King\u2019s Peace to the Peace of Apamea<\/em><\/p>\n

Bonnie Costello<\/strong>, English
\nThe Plural of Us: Poetry and Community in Auden and Others<\/em><\/p>\n

Abigail Gillman<\/strong>, World Languages & Literatures
\nA History of German Jewish Bible Translation<\/em><\/p>\n

Roy Grundmann<\/strong>, Communications
\nWerner Schroeter<\/em><\/p>\n

Steven Katz<\/strong>, <\/strong>Religion
\nThe Holocaust and New World Slavery: A Comparative Study<\/em><\/p>\n

Diana Lobel<\/strong>, Religion
\nPhilosophies of Happiness: A Comparative Introduction to the Flourishing Life<\/em><\/p>\n

Sunil Sharma<\/strong>, World Languages & Literatures
\nMughal Acadia<\/em><\/p>\n

Alice Tseng<\/strong>, History of Art & Architecture
\nModern Kyoto: Building for Ceremony and Commemoration 1868-1940<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2015\/2016<\/h3>
<\/p>\n

Betty Anderson<\/strong>, <\/strong>History
\nA History of the Modern Middle East: Rulers, Rebels, and Rogues<\/em><\/p>\n

Charles Chang<\/strong>, Romance Studies
\nContext Effects on Second-Language Learning of Tonal Contrasts<\/em><\/p>\n

Wiebke Denecke<\/strong>, Modern Languages & Comparative Literature
\nOxford Handbook of Classical Chinese Literature<\/em><\/p>\n

Nancy Harrowitz<\/strong>, Romance Studies
\nPrimo Levi and the Identity of a Survivor<\/em><\/p>\n

Linda Heywood<\/strong>, History, African American Studies
\nAfrican Goddess: Queen Njinga of Angola<\/em><\/p>\n

Carrie Preston<\/strong>, English, Women\u2019s, Gender & Sexuality Studies
\nLearning to Kneel: Noh, Modernism, and the Journeys of Teaching<\/em><\/p>\n

Bruce Redford,<\/strong> History of Art & Architecture
\nJohn Singer Sargent and the Art of Allusion<\/em><\/p>\n

Ana Mar\u00eda Reyes<\/strong>, History of Art & Architecture
\nSim\u00f3n Bol\u00edvar: Travels and Transformations of a Cultural Icon<\/em><\/p>\n

Joseph Rezek<\/strong>, English
\nLondon and the Making of Provincial Literature: Aesthetic and the Transatlantic Book Trade, 1800-1850<\/em><\/p>\n

Jeffrey Rubin,<\/strong> History
\nSustaining Activism \u2014 Portuguese Translation<\/em><\/p>\n

Andrew Shenton<\/strong>, School of Theology, Music
\nArvos P\u00e4rt\u2019s White Light: Media, Culture, Politics<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2014\/2015<\/h3>
<\/p>\n

Betty Anderson<\/strong>, History
\nA History of the Modern Middle East: Rulers, Rogues and Rebels<\/em> <\/strong><\/p>\n

William Carroll<\/strong>, English
\n\u201cVagrancy\u201d<\/em><\/p>\n

Bonnie Costello,<\/strong> English
\n\u201cAuden at Work,\u201d Introduction<\/em><\/p>\n

Renata Keller<\/strong>, Pardee School of Global Studies
\nMexico\u2019s Cold War: Cuba, the United States, and the Legacy of the Mexican Revolution<\/em><\/p>\n

Irit Kleiman<\/strong>, Romance Studies
\nVoice and Voicelessness in Medieval Europe<\/em><\/p>\n

Anthony Petro<\/strong>, Religion
\nAfter the Wrath of God: AIDS, Sexuality, and American Religion<\/em><\/p>\n

Peter Schwartz,<\/strong> Modern Languages & Comparative Literature
\nIdeological Antecedents of the First-Series Renminbi Worker-and-Peasant Banknote<\/em><\/p>\n

Andrew Shenton,<\/strong> Musicology
\nTwentieth-Century British Organ Music<\/em><\/p>\n

Ann Vasaly<\/strong>, Classical Studies
\nPower and Personality: Political Philosphy in Livy\u2019s First Pentad<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2013\/2014<\/h3>
<\/p>\n

Brooke Blower,<\/strong> History
\nThe Familiar Made Strange<\/em><\/p>\n

William Carroll<\/strong>, English
\nSpectacle, Representation and Lineage in Macbeth<\/em> 4.1<\/p>\n

Richard Deese,<\/strong> CGS Social Sciences
\nWe Are Amphibians: Julian & Aldous Huxley on the Future of Our Species<\/em><\/p>\n

Wiebke Denecke<\/strong>, Modern Languages & Comparative Literature
\nClassical World Literatures: Sino-Japanese and Greco-Roman Comparisons<\/em><\/p>\n

Anna Henchman<\/strong>, English
\nThe Starry Sky Within: Astronomy and the Reach of the Mind in Victorian Literature<\/em><\/p>\n

Rebecca Martin,<\/strong> History of Art & Architecture
\nZeugma as the Provenance of 12 Mosaic Fragments from Bowling Green University<\/em><\/p>\n

Susan Mizruchi<\/strong>, English
\nBrando\u2019s Smile<\/em><\/p>\n

Simon Rabinovitch,<\/strong> History
\nJewish Rights, National Rites<\/em><\/p>\n

Samuel Z. Solomon<\/strong>, CFA Music
\nHow to Write for Percussion: A Comprehensive Guide to Percussion Composition<\/em><\/p>\n

Kevin Van Anglen,<\/strong> English
\nThoreau at Two Hundred<\/em><\/p>\n

Chris Walsh<\/strong>, CAS Writing Program
\nCowardice: A Brief History<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2012\/2013<\/h3>
<\/p>\n

Patricia Hills<\/strong>, History of Art & Architecture
\nTeaching the Body;<\/em> exhibition catalog<\/p>\n

Christopher Martin<\/strong>, English
\nConstituting Old Age in Early Modern English Literature<\/em><\/p>\n

Gillian Pierce<\/strong>, Rhetoric, CGS
\nScapeland: Writing in the Landscape from Diderot\u2019s Salons to the Postmodern Museum<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2011\/2012<\/h3>
<\/p>\n

Emine Fetvaci, <\/strong>Art History & Architecture
\nPicturing History at the Ottoman Court<\/em><\/p>\n

Irit Kleiman,<\/strong> Romance Studies
\nMemory, Betrayal, Text: Philippe de Commynes at the Edge of Modernity<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2010\/2011<\/h3>
<\/p>\n

William C. Carroll<\/strong>, English
\nLove\u2019s Labour\u2019s Lost in Afghanistan (Shakespeare Bulletin)<\/em><\/p>\n

Bonnie Costello,<\/strong> English
\n\u201cMarianne Moore and the Old Master\u201d journal article<\/em><\/p>\n

Gene Jarrett<\/strong>, English
\nRepresenting the Race: A New Political History of African American Literature (New York University Press)
\n<\/em><\/p>\n

Diane Lobel<\/strong>, Religion
\nQuest for God and the Good (Columbia University Press)<\/em><\/p>\n

Andrew Shenton<\/strong>, Music, STH
\nThe Cambridge Companion to Arvo P\u00e4rt<\/em><\/p>\n

Gregory Williams<\/strong>, History of Art & Architecture
\nPermission to Laugh: Humor and Politics in Contemporary German Art<\/em><\/p>\n

<\/div>\n<\/div>\n\n

2009\/2010<\/h3>
<\/p>\n

Mildred Basker-Siegel,<\/strong> Romance Studies
\nIntroduction to Spanish for Translation,<\/em> McGraw-Hill<\/p>\n

Arianne Chernock<\/strong>, History
\nMen and the Making of British Feminism,<\/em> Stanford University Press<\/p>\n

James H. Johnson,<\/strong> History
\nVenice Incognito: Masks in the Serene Republic, <\/em>University of California Press<\/p>\n

Eugenio Menegon<\/em><\/strong>, <\/em>History
\nAncestors, Virgins, and Friars: the Localization of Christianity in China, <\/em>Harvard University Press<\/p>\n

James Schmidt,<\/strong> History
\nSelections from the Journal for Social Research 1934-1940<\/em>, Columbia University Press<\/p>\n

Peter Schwartz,<\/strong> Modern Languages & Comparative Literature
\nAfter Jena: Goethe\u2019s Elective Affinities and the End of the Old Regime<\/em>, Bucknell University Press<\/p>\n

Zsuzsanna Varhelyi<\/strong>, Classical Studies
\nSacrifice in the Ancient Mediterranean, <\/em>Oxford University Press<\/p>\n

Hilda Westervelt, <\/strong>History of Art & Architecture
\nThe Centauromachy in Greek Architectural Sculpture, <\/em>Cambridge University Press<\/p>\n

<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":14430,"featured_media":0,"parent":13873,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/pages\/13876"}],"collection":[{"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/users\/14430"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/comments?post=13876"}],"version-history":[{"count":16,"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/pages\/13876\/revisions"}],"predecessor-version":[{"id":20404,"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/pages\/13876\/revisions\/20404"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/pages\/13873"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/humanities\/wp-json\/wp\/v2\/media?parent=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}