{"id":9805,"date":"2016-11-17T11:41:21","date_gmt":"2016-11-17T16:41:21","guid":{"rendered":"https:\/\/www.bu.edu\/hic\/?post_type=profile&#038;p=9805"},"modified":"2023-10-27T14:14:51","modified_gmt":"2023-10-27T18:14:51","slug":"meg-tyler","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/hic\/profile\/meg-tyler\/","title":{"rendered":"Meg Tyler"},"content":{"rendered":"<p><a href=\"https:\/\/www.bu.edu\/cgs\/faculty\/humanities-faculty\/tyler\/\" target=\"_blank\" rel=\"noopener noreferrer\">Meg Tyler<\/a> is an associate professor in the Department of Humanities at Boston University&#8217;s College of General Studies. <span>Her teaching and research interests include lyric poetry, creative writing, poetry in translation and the intersection of art and literature. \u00a0She is the author of\u00a0<\/span><em>A Singing Contest: Conventions of Sound in the Poetry of Seamus Heaney<\/em><span>\u00a0and\u00a0<\/span><em>Poor Earth<\/em><span>,\u00a0a chapbook of poems in the New Women\u2019s Voices\u2019 Series.<\/span><\/p>\n<p><a href=\"https:\/\/scholar.google.com\/citations?user=KODyYjEAAAAJ&amp;hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Google Scholar<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":8550,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/profile\/9805"}],"collection":[{"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/users\/8550"}],"version-history":[{"count":7,"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/profile\/9805\/revisions"}],"predecessor-version":[{"id":29810,"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/profile\/9805\/revisions\/29810"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/hic\/wp-json\/wp\/v2\/media?parent=9805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}