{"id":7584,"date":"2017-07-25T12:05:55","date_gmt":"2017-07-25T16:05:55","guid":{"rendered":"https:\/\/www.bu.edu\/haa\/?post_type=profile&p=7584"},"modified":"2026-01-27T11:25:02","modified_gmt":"2026-01-27T16:25:02","slug":"constanza-robles","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/haa\/profile\/constanza-robles\/","title":{"rendered":"Constanza Robles"},"content":{"rendered":"\n\n\n\n
Email<\/th>\nSpring 2026 Office Hours<\/th>\n<\/tr>\n
cnrobles@bu.edu<\/a><\/td>\nMondays & Wednesdays: 10 am – 11:30 am.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Book An Appointment<\/a><\/p>\n

Constanza Robles is a historian of modern Latin American art and architecture, with a Ph.D. in History of Art and Architecture from Boston University. Her research explores how international expositions fostered regional alliances and soft diplomacy between the late 19th and early 20th centuries. Her dissertation, \u201cVisualizing Latin-, Pan-, Hispano-, and Ibero-Americanism Through Art and Architecture at International Expositions: Buffalo 1901, Rio de Janeiro 1922, and Seville 1929,\u201d examines these dynamics through the lens of visual and material culture.<\/span><\/p>\n

She has taught widely at Boston University, William Paterson University, and Universidad Cat\u00f3lica de Chile, and curated Visualizing Property, a virtual exhibition with The Race & Regency Lab that explored race and property in Jamaica. Her work has been supported by the Fulbright Program, the Terra Foundation, and the Wolfsonian Museum, and she has presented at major conferences including the College Art Association and the American Historical Association. She is an active member of the Institute for the Study of International Expositions (ISIE), where she co-organizes a speaker series and co-chaired the 2024 Emerging Scholars Symposium.<\/span><\/p>\n

Research Interests:<\/strong><\/span><\/p>\n