{"id":5375,"date":"2015-08-04T14:20:22","date_gmt":"2015-08-04T18:20:22","guid":{"rendered":"https:\/\/www.bu.edu\/haa\/?post_type=profile&#038;p=5375"},"modified":"2020-07-07T14:31:55","modified_gmt":"2020-07-07T18:31:55","slug":"elisa-german","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/haa\/profile\/elisa-german\/","title":{"rendered":"Elisa Germ\u00e1n"},"content":{"rendered":"<p><strong>Dissertation:<br \/>\n<\/strong><span>\u201cThe Creative State: The Calcograf\u00eda Nacional and\u00a0 Printmaking in the Spanish Civil War and Francoist Madrid, 1939-1959\u201d<\/span><\/p>\n<p><strong>Research Interests:<\/strong><br \/>\n&#8211;\u00a020th century Spanish prints &amp;\u00a0drawings<br \/>\n&#8211;\u00a0Art &amp;\u00a0Politics in Twentieth Century Europe<br \/>\n&#8211;\u00a0History of Printmaking &amp;\u00a0Print Culture<\/p>\n<p><strong>MA Paper:<\/strong><br \/>\n<span>&#8220;FUNNY BUSINESS: Consumerism, Humor, and Critique in the\u00a0<\/span><em>Grafik des Kapitalistischen Realismus<\/em><span>&#8220;<\/span><\/p>\n","protected":false},"author":2318,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/5375"}],"collection":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/users\/2318"}],"version-history":[{"count":9,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/5375\/revisions"}],"predecessor-version":[{"id":9788,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/5375\/revisions\/9788"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/media?parent=5375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}