{"id":14916,"date":"2023-01-26T09:55:25","date_gmt":"2023-01-26T14:55:25","guid":{"rendered":"https:\/\/www.bu.edu\/haa\/?post_type=profile&#038;p=14916"},"modified":"2024-05-20T15:14:14","modified_gmt":"2024-05-20T19:14:14","slug":"genesis-cortez","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/haa\/profile\/genesis-cortez\/","title":{"rendered":"Genesis Cortez"},"content":{"rendered":"<p><strong>Research Interests<\/strong><\/p>\n<ul>\n<li>Italian Renaissance<\/li>\n<li>Baroque<\/li>\n<\/ul>\n<p><strong>MA Paper<\/strong><br \/>\n&#8220;Eroticizing the Sacred: Rosso Fiorentino\u2019s<em> Dead Christ<\/em> and the Painterly Language of Artifice&#8221;<\/p>\n","protected":false},"author":17721,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/14916"}],"collection":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/users\/17721"}],"version-history":[{"count":2,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/14916\/revisions"}],"predecessor-version":[{"id":16554,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/14916\/revisions\/16554"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/media?parent=14916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}