{"id":12217,"date":"2021-07-09T10:17:35","date_gmt":"2021-07-09T14:17:35","guid":{"rendered":"https:\/\/www.bu.edu\/haa\/?post_type=profile&#038;p=12217"},"modified":"2023-05-30T14:56:59","modified_gmt":"2023-05-30T18:56:59","slug":"sarah-hagglund","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/haa\/profile\/sarah-hagglund\/","title":{"rendered":"Sarah Hagglund"},"content":{"rendered":"<p>Sarah Hagglund is a MA recipient interested in the women artists of the Italian Baroque era and the overlap between material culture, fine arts, and history. During her undergraduate studies, Sarah interned as a curatorial assistant and worked as a collections assistant with the Kent State University Museum. She graduated with her BA in History and Anthropology from Kent State University in 2021.<\/p>\n<p><strong>MA Paper:<\/strong><br \/>\n&#8220;Competing with Nature Herself? Vittoria della Rovere, Giovanna Garzoni, and Gender in a Seventeenth-Century <em>Kunstkammer<\/em>&#8221;<\/p>\n<p><strong>Research Interests:<\/strong><\/p>\n<ul>\n<li>Italian Baroque Art<\/li>\n<li>Women in Art History<\/li>\n<li>Museum Studies<\/li>\n<\/ul>\n","protected":false},"author":17721,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/12217"}],"collection":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/users\/17721"}],"version-history":[{"count":4,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/12217\/revisions"}],"predecessor-version":[{"id":15456,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/profile\/12217\/revisions\/15456"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/media?parent=12217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}