{"id":261,"date":"2010-12-23T10:22:11","date_gmt":"2010-12-23T15:22:11","guid":{"rendered":"https:\/\/www.bu.edu\/haa\/?page_id=261"},"modified":"2026-08-25T16:21:15","modified_gmt":"2026-08-25T20:21:15","slug":"haa-lecture-series","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/haa\/news-events\/haa-lecture-series\/","title":{"rendered":"HAA Guest Lecture Series"},"content":{"rendered":"<h3>The Department of History of Art &amp; Architecture invites you to the 2026-2027 HAA Guest Lecture Series<\/h3>\n<p>Sponsored by the Boston University Center for the Humanities, the HAA Guest Lecture Series brings together historians of art and architecture specializing in diverse fields and genres. Prominent scholars and museum professionals are invited to share their latest work with the BU community in a lecture followed by a Q&amp;A.<\/p>\n<hr \/>\n<p>Be sure to follow the official department accounts on <a href=\"https:\/\/www.facebook.com\/arthistoryBU\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.instagram.com\/arthistorybu\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a> to stay up to date on all the exciting HAA news and events.<br \/>\nConsider <a href=\"https:\/\/www.us10.list-manage.com\/subscribe?u=5036f4e05f3586c555232867e&amp;id=656a6545f8\" target=\"_blank\" rel=\"noopener noreferrer\">signing up to receive<\/a> the<em> HAA Email Brief<\/em>, as well!<\/p>\n<hr \/>\n<h2>Upcoming Lecture<\/h2>\n<hr \/>\n<p><strong><img loading=\"lazy\" src=\"\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-412x636.png\" alt=\"\" width=\"361\" height=\"557\" class=\"wp-image-18404  alignleft\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-412x636.png 412w, https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-663x1024.png 663w, https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-768x1187.png 768w, https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-994x1536.png 994w, https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-1325x2048.png 1325w, https:\/\/www.bu.edu\/haa\/files\/2026\/08\/HAA-Guest-Lecture-10-1-2026-V2-Final-388x600.png 388w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/>Thursday, October 1st at 5 PM in FLR 132<\/strong><br \/>\n<span data-olk-copy-source=\"MessageBody\">Kathleen James-Chakraborty, Professor of Art History, University College Dublin<br \/>\n<\/span><strong>Title:<\/strong>\u201cThe Belgian Friendship Building &#8211; From the New York World&#8217;s Fair to a Virginia HBCU.&#8221;<\/p>\n<div><span><b data-olk-copy-source=\"MessageBody\">Abstract<\/b>: Designed by a trio of eminent Belgian architects as their country\u2019s contribution to the World\u2019s Fair held in New York in 1939 and 1940, the Belgian Friendship Building now stands on the campus of Virginia Union, a historically Black university in Richmond, Virginia. In New York, the pre-fabricated structure, constructed entirely out of materials imported from Belgium, housed exhibitions celebrating modern Belgian design and artisanship, as well as the country\u2019s supposed \u201ccivilising\u201d mission in the Congo, its largest colony. In Richmond, however, where its tower became the Robert L. Vann Memorial, commemorating the editor of the Pittsburgh Courier, it served as an affirmation of African American achievement and a riposte to the Confederate memorials on nearby Monument Avenue. Here it provided educational facilities that inspired a generation of students active in the Civil Rights Movement and in national as well as local politics. The building\u2019s complex history demonstrates the importance of including African American patronage and experience when recounting the arrival of Europe Modern architecture in the United States and particularly on its campuses.<\/span><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<footer class=\"meta single-meta\"><\/footer>\n<hr \/>\n<h4><span style=\"text-decoration: underline;\">Archive of Past Lectures<\/span><\/h4>\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2025-2026<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<p><strong><img loading=\"lazy\" src=\"\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-412x636.png\" alt=\"\" width=\"123\" height=\"190\" class=\" wp-image-18038 alignleft\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-412x636.png 412w, https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-663x1024.png 663w, https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-768x1187.png 768w, https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-994x1536.png 994w, https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-1325x2048.png 1325w, https:\/\/www.bu.edu\/haa\/files\/2026\/03\/HAA-Guest-Lecture-4-7-2026-1-388x600.png 388w\" sizes=\"(max-width: 123px) 100vw, 123px\" \/>Tuesday, April 7th at 6 PM in CAS 132<\/strong><br \/>\n<strong>Stephanie C. Leone<br \/>\n<\/strong><span data-olk-copy-source=\"MessageBody\">Professor of Art History, Boston College<br \/>\n<\/span><strong>Title:<\/strong><span>\u201cRestoring Rome for the Jubilee: Pope Innocent X\u2019s Motives, Methods, and Meaning in 1650.\u201d<\/span><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong><img loading=\"lazy\" src=\"\/haa\/files\/2026\/02\/Untitled-3-412x636.png\" alt=\"\" width=\"123\" height=\"190\" class=\"wp-image-18025 alignleft\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-412x636.png 412w, https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-663x1024.png 663w, https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-768x1187.png 768w, https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-994x1536.png 994w, https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-1325x2048.png 1325w, https:\/\/www.bu.edu\/haa\/files\/2026\/02\/Untitled-3-388x600.png 388w\" sizes=\"(max-width: 123px) 100vw, 123px\" \/>Tuesday, March 3rd at 6 PM in CAS 132<\/strong><br \/>\n<strong>Dr. Aleisha Barton<\/strong><br \/>\nRay and Margaret Horowitz Visiting Professor in American Art, Boston University<br \/>\n<strong>Title:<\/strong>\u201c<em>America Needs Indians<\/em>: A Sensorial Union of Architecture, Technology, and Photography.&#8221;<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong><a href=\"https:\/\/www.bu.edu\/haa\/2025\/09\/23\/haa-fall-2025-guest-lecture-series\/\"><img loading=\"lazy\" src=\"\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-412x636.png\" alt=\"\" width=\"127\" height=\"196\" class=\"alignleft wp-image-17723\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-412x636.png 412w, https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-663x1024.png 663w, https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-768x1187.png 768w, https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-994x1536.png 994w, https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-1325x2048.png 1325w, https:\/\/www.bu.edu\/haa\/files\/2025\/09\/HAA-Fall-2025-Guest-Lecture-Series-5-388x600.png 388w\" sizes=\"(max-width: 127px) 100vw, 127px\" \/><\/a><\/strong><\/p>\n<p><strong>Thursday, October 23rd at 6:00 PM in CAS 132<\/strong><br \/>\n<strong>Dr. Gregory Bryda<\/strong><br \/>\nAssitant Professor of Art History, Barnard College<br \/>\n<strong>Title:<\/strong>\u201cHigher Ground: Medieval Foundations and the Formation of Heathen Prehistory\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2024-2025<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<p><strong><a href=\"\/haa\/files\/2025\/03\/sdn.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2025\/03\/sdn-411x636.png\" alt=\"Poster advertisement for the guest lecture featuring ornate fabric and metalwork.\" width=\"141\" height=\"219\" class=\"alignleft wp-image-17358\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn-411x636.png 411w, https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn-663x1024.png 663w, https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn-768x1187.png 768w, https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn-994x1536.png 994w, https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn-388x600.png 388w, https:\/\/www.bu.edu\/haa\/files\/2025\/03\/sdn.png 1294w\" sizes=\"(max-width: 141px) 100vw, 141px\" \/><\/a>Tuesday, April 8th at 6:00 PM in CAS 132<\/strong><br \/>\n<strong>Simona Di Nepi<\/strong><br \/>\nCharles and Lynn Schusterman Curator of Judaica at the MFA Boston<br \/>\n<strong>Title:<\/strong>\u201cFrom Unnoticed Intruders to New Protagonists: The 150-year Journey of Jewish Objects at the MFA Boston\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities <br style=\"clear: both;\" \/><br style=\"clear: both;\" \/><\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-150x150.png\" alt=\"\" width=\"152\" height=\"152\" class=\"alignleft wp-image-16828 \" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-1294x1300.png 1294w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/HAA-GLS_Bair-Lecture-100x100.png 100w\" sizes=\"(max-width: 152px) 100vw, 152px\" \/><\/a>Thursday, September 19th, at 6:00pm &#8211; CAS 132<\/strong><br \/>\n<strong>Dr. Nadya Bair<\/strong><br \/>\nAssistant Professor of Art History at Hamilton College<br \/>\n<strong>Title:\u00a0<\/strong>\u201cMade for Distribution: Robert Capa and John Steinbeck\u2019s Visit to the USSR, 1947.\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft wp-image-16968 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-1294x1300.png 1294w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Thursday, October 17th, at 6:30pm &#8211; CAS 132<\/strong><br \/>\n<strong>Dr. Jennifer Le Zotte<\/strong><br \/>\nAssociate Professor of History and Material Culture at the University of North Carolina Wilmington<br \/>\n<strong>Title:\u00a0<\/strong>\u201cFrom Mother Hubbards to Feather Boas: Dressing Up Sex Work in Storyville.\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2024\/10\/HAA-GLS_LeZotte-Lecture.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft wp-image-17238 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2025\/02\/Spring_Guest_Lecture_Talk-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/strong><strong>Tuesday, March 4th, at 6:00pm &#8211; CAS 132<br \/>\nDr. Irit Kleiman<\/strong><br \/>\nAssociate Professor of Romance Studies, Boston University<br \/>\n<strong>Title:<\/strong>\u201cWhere Does Transgression Begin?\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2023-2024<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<p><strong><a href=\"\/haa\/files\/2024\/09\/JohnOtt2021.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/JohnOtt2021-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft wp-image-16925 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, November 8th, at 6:30pm &#8211; CAS 211<br \/>\n<\/strong><strong>Dr. Jennifer Van Horn<\/strong><br \/>\nAssociate Professor of Art History and History at the University of Delaware<br \/>\n<strong>Title:<\/strong>\u201cFlora&#8217;s Profile: Enslavement, Resistance, and Haptic Memory\u201d<br \/>\n<strong><\/strong><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2023\/09\/Zeynep-Celik-scaled.jpeg\"><img loading=\"lazy\" src=\"\/haa\/files\/2023\/09\/Zeynep-Celik-150x150.jpeg\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft wp-image-15864\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-150x150.jpeg 150w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-768x764.jpeg 768w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-1536x1528.jpeg 1536w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-550x550.jpeg 550w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-710x710.jpeg 710w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-300x300.jpeg 300w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-600x600.jpeg 600w, https:\/\/www.bu.edu\/haa\/files\/2023\/09\/Zeynep-Celik-100x100.jpeg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Tuesday, October 10th, at 6:00pm &#8211; CAS 211<br \/>\nProfessor Zeynep \u00c7elik Alexander<\/strong><br \/>\nAssociate Professor of Art History and Archaeology at Columbia University<br \/>\n<strong>Title: <\/strong>&#8220;Paper Beats Rock: The Imperial Institute&#8217;s Media.&#8221;<br \/>\n<strong><\/strong><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2022-2023<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<p><strong><a href=\"\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-scaled.jpg\"><img loading=\"lazy\" src=\"\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-15191\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-768x764.jpg 768w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-1536x1528.jpg 1536w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-550x550.jpg 550w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-710x710.jpg 710w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-300x300.jpg 300w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-600x600.jpg 600w, https:\/\/www.bu.edu\/haa\/files\/2023\/04\/HAAKelliMorganFlyer-1-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, April 19, 2023, 6:15pm &#8211; CAS 224<br \/>\nDr. Kelli Morgan<\/strong><br \/>\nDirector of Curatorial Studies and Professor of the Practice, Curatorial Studies and the History of Art &amp; Architecture at Tufts University<br \/>\n<strong>Title:<\/strong> &#8220;Art, Whiteness, and Empire&#8221;<br \/>\n<strong><\/strong><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-150x150.png\" alt=\"advertising poster for the lecture with an image of a modern interior made of concrete and honey-colored wood.\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-14965\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-1536x1528.png 1536w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2023\/02\/Screenshot-2023-02-22-at-10.24.34-AM-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Monday, February 27, 2023, 5:00pm &#8211; CAS 211<\/strong><br \/>\n<strong>Dr. Sibel Bozdo\u01e7an<\/strong><br \/>\nVisiting Professor of Modern Architecture and Urbanism at Boston University<strong><br \/>\nTitle: <\/strong>&#8220;Global Legacies of Modern Architecture: View from Turkey and the Middle East.&#8221;<br \/>\n<strong><\/strong><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2024\/09\/aaron-hyman.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/aaron-hyman-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-16922\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-1536x1528.png 1536w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/aaron-hyman-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Thursday, December 1st, 6:15pm &#8211; CAS 211<\/strong><br \/>\n<strong>Dr. Aaron Hyman<\/strong><br \/>\nAssistant Professor of the History of Art at Johns Hopkins University<br \/>\n<strong>Title: <\/strong>&#8220;Rubens\u2019s Wastepaper and the Eloquence of Substrate&#8221;<br \/>\n<strong><\/strong><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer.jpg\"><img loading=\"lazy\" src=\"\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-14329\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-768x764.jpg 768w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-1536x1528.jpg 1536w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-550x550.jpg 550w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-710x710.jpg 710w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-300x300.jpg 300w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-600x600.jpg 600w, https:\/\/www.bu.edu\/haa\/files\/2022\/09\/Langin-HooperGuestLectureFlyer-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, September 28, 2022, 6:15pm &#8211; CAS B12<\/strong><br \/>\n<strong>Dr. Stephanie Langin-Hooper<br \/>\n<\/strong>Associate Professor and Karl Kilinski II Endowed Chair of Hellenic Visual Culture at Southern Methodist University<br \/>\n<strong>Title:<\/strong> \u201cThe Alabaster Goddesses of Hellenistic Babylonia: Religious Power, Sexual Agency, and Accessing the Afterlife through Ishtar-Aphrodite Figurines.\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2021-2022<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><br \/>\n<strong><a href=\"\/haa\/files\/2024\/09\/atkins2021.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/atkins2021-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-16924\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/atkins2021-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, October 13, 2021, 6:00PM &#8211; via Zoom<br \/>\nChristopher Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art<\/strong><br \/>\nTitle: \u201cReframing Dutch and Flemish Art at the MFA\u2019s Center for Netherlandish Art: Issues of Globalization and Legacies of Capitalism\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-13135\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2021\/11\/Screen-Shot-2021-11-01-at-12.25.31-PM-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, December 1, 2021, 6:00PM &#8211; via Zoom<\/strong><br \/>\n<strong>Deborah Kahn, Associate Professor of Art &amp; Architecture, Boston University<\/strong><em><br \/>\nTitle: \u201cJustifying Persecution, Promoting Conformity and the Revitalization of European Sculpture at the First Millennium\u201d<\/em><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong><a href=\"\/haa\/files\/2024\/09\/JohnOtt2021.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/JohnOtt2021-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-16925\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/JohnOtt2021-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Wednesday, January 26, 2022, 6:00PM &#8211; via Zoom<\/strong><br \/>\n<strong>Professor John Ott, Ray and Margaret Horowitz Visiting Professor in American Art<\/strong><em><br \/>\nTitle: &#8220;A Handsome Differentiation of the Races&#8221;: New Deal Murals Imagine Integration<\/em><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong>Wednesday, April 13, 2022, 6:00PM &#8211; via Zoom<\/strong><br \/>\n<strong><a href=\"\/haa\/files\/2024\/09\/Apotsos.png\"><img loading=\"lazy\" src=\"\/haa\/files\/2024\/09\/Apotsos-150x150.png\" alt=\"\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-16926\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-768x764.png 768w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-550x550.png 550w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-710x710.png 710w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-300x300.png 300w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-600x600.png 600w, https:\/\/www.bu.edu\/haa\/files\/2024\/09\/Apotsos-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>Professor Michelle Apotsos, Associate Professor, Williams College <\/strong><br \/>\nTitle: &#8220;Islamic Spaces and the Muslims on the Margins in Contemporary South Africa&#8221;<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2020-2021<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><br \/>\n<strong>Wednesday, October 7, 2020, <span class=\"\">5:30PM\u00a0<\/span><\/strong><span class=\"\"><strong>&#8211;<\/strong> Via Zoom<br \/>\n<strong>Alice T. Friedman, <\/strong><\/span><strong><span class=\"\" data-ogsc=\"rgb(51, 51, 51)\" data-ogsb=\"white\">Grace Slack McNeil Professor of American Art,<\/span><span class=\"\" data-ogsc=\"rgb(51, 51, 51)\" data-ogsb=\"white\">\u00a0<\/span><span class=\"\">Wellesley College<br \/>\n<\/span><\/strong>Title:&#8221;Poker Faces\/Private Spaces: Modernism and the Languages of Architecture&#8221;<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong>Wednesday, November 4, 2020, 6<span class=\"\">:00PM <\/span><\/strong><span class=\"\"><strong>&#8211;<\/strong> Via Zoom<br \/>\n<strong>Charmaine Nelson, Professor of Art History and Communication Studies, McGill University<br \/>\n<\/strong>Title: &#8220;<em>&#8216;He&#8230; has the ends of both his great toes frozen off&#8217;<\/em>: Enslaved and Free Black Presence, Experience, and Representation in the Quebec Winter&#8221;<br \/>\n<\/span><\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong>Wednesday, February 17, 2021, 6<span class=\"\">:00PM <\/span><\/strong><span class=\"\">&#8211; Via Zoom<br \/>\n<\/span><strong>David Joselit, Professor of Art, Film, and Visual Studies, Harvard University<br \/>\n<\/strong>Topic: &#8220;Curated Cultures\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><strong>Thursday, April 29, 2021, 6<span class=\"\">:00PM <\/span><\/strong><span class=\"\">&#8211; Via Zoom<br \/>\n<\/span><strong>Jessica Horton, Associate Professor of Native American, Modern, and Contemporary Art, University of Delaware<br \/>\n<\/strong>Title:&#8221;Weavers, Earth Mothers, and Diplomats&#8221;\u201d<\/p>\n<h6><em>Sponsored by the Boston University Center for the Humanities<\/em><\/h6>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2019-2020<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<div class=\"\">\n<div><strong>Wednesday,\u00a0November 13, Rebecca Zorach, Mary Jane Crowe Professor in Art and Art History, Northwestern University<br \/>\n<\/strong>Title:&#8221;Black in the Garden: Ecologies of Art, Race, and the Outdoors.&#8221;<br \/>\n<strong><strong>co-sponsored by the African-American Studies Program and the American and New England Studies Program<\/strong><\/strong><\/p>\n<hr \/>\n<p><strong><\/strong><strong>Wednesday,\u00a0December 4,<br \/>\nDana Leibsohn, Alice Pratt Brown Professor of Art; Director of Latin American and Latino\/a Studies, Smith College<br \/>\n<\/strong><span class=\"x_Apple-tab-span\">Title: <\/span>&#8220;Inheriting the Pacific: Can Art History Think an Ocean?\u201d<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"\">\n<div><strong>Wednesday,\u00a0<b class=\"\">January 29<\/b>, 2020, 6 pm<\/strong><\/div>\n<div><strong><\/strong><strong><span style=\"text-decoration: underline;\">Alice Tseng,<\/span> Chair and Associate Professor, Department of History of Art and Architecture, BU<\/strong><br \/>\n<span class=\"x_Apple-tab-span\">Title:\u00a0\u00a0<\/span>&#8220;Emperor Taish\u014d, Mass Media Monarch: Portraits and Popular Imagery in Twentieth-Century Japan&#8221;<em><\/em><\/div>\n<\/div>\n<div class=\"\">\n<div class=\"\">\n<hr \/>\n<p><\/div>\n<\/div>\n\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2018-2019<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<div class=\"\"><strong>October 25, Jennifer Roberts, Elizabeth Cary Agassiz Professor of the Humanities and Johnson-Kulukunkdis Family Faculty Director of the Arts at the Radcliffe Institute for Advanced Study, Harvard University<\/strong><\/div>\n<div class=\"\"><span class=\"x_Apple-tab-span\">Title: <\/span>&#8220;The Moir\u00e9 Effect: Robert Rauschenberg, Print, and Interference.\u201d<br \/>\n<b class=\"\"><span class=\"\">Co-sponsored with the BU Initiative on Cities. <\/span><\/b><b class=\"\"><span class=\"\">\u00a0<\/span><\/b><\/div>\n<hr \/>\n<div class=\"\"><strong>September 13, Prof. Esra Akcan, Cornell University\u00a0<\/strong><\/div>\n<div class=\"\"><span class=\"x_Apple-tab-span\">Title: <\/span>\u201cOpen Architecture: An Immigrant Perspective from Kreuzberg, Berlin\u201d<\/div>\n<div class=\"\"><b class=\"\"><span class=\"\">Co-sponsored with the BU Initiative on Cities.\u00a0<\/span><\/b><br \/>\n<span class=\"x_Apple-tab-span\"><\/span><\/div>\n<div class=\"\">\n<div class=\"\">\n<hr \/>\n<p><strong>February 6th,\u00a0Prof. Jodi Cranston, Boston University<br \/>\n<\/strong><em>Title: &#8220;Floating Arcadia: Pastoral Views of Renaissance Venice\u201d<\/em><\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2017-2018<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><br \/>\n<b><img loading=\"lazy\" src=\"\/haa\/files\/2017\/10\/Screen-Shot-2017-10-13-at-10.57.23-AM-636x464.png\" alt=\"Screen Shot 2017-10-13 at 10.57.23 AM\" width=\"159\" height=\"116\" class=\"alignleft wp-image-7805\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/10\/Screen-Shot-2017-10-13-at-10.57.23-AM-636x464.png 636w, https:\/\/www.bu.edu\/haa\/files\/2017\/10\/Screen-Shot-2017-10-13-at-10.57.23-AM-768x560.png 768w, https:\/\/www.bu.edu\/haa\/files\/2017\/10\/Screen-Shot-2017-10-13-at-10.57.23-AM-1024x747.png 1024w\" sizes=\"(max-width: 159px) 100vw, 159px\" \/><\/b><\/p>\n<div>\n<div><b><br style=\"clear: both;\" \/>Tuesday, November 14, 2017, 6:00PM\u00a0<\/b><\/div>\n<div>Patricio del Real, Assistant Professor, History of Art and Architecture. Harvard University<br \/>\nTitle: &#8220;Object Lessons: Synchronizing Modernity at MoMA&#8221;<br \/>\n<span><span>Location: 725 Commonwealth Ave., Room 200<\/span><\/span><\/p>\n<hr \/>\n<p><span><\/span><b>Wednesday, November 29, 2017, 5:30PM\u00a0<\/b><\/p>\n<\/div>\n<div>Jonathan Foltz, Assistant Professor, English, Boston University<br \/>\n<span>Title: TBA<\/span><br \/>\n<span>Location: 725 Commonwealth Ave., Room 200<\/span><\/div>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2016-2017<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><br \/>\n<b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/1-Abramson-Lecture-9_20.pdf\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/1-Abramson-Lecture-9_20-150x150.jpg\" alt=\"1-Abramson Lecture 9_20\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-7284\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/1-Abramson-Lecture-9_20-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/1-Abramson-Lecture-9_20-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><br style=\"clear: both;\" \/>Tuesday, September 20, 2016, 5:30 pm<br \/>\n<\/b>Dr. Daniel Abramson, Boston University<br \/>\n&#8220;Representing the Welfare State&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room\u00a0303A<\/p>\n<hr \/>\n<p><b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/2-Norton-Lecture-10_19.pdf\"><br style=\"clear: both;\" \/><\/a><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/2-Norton-Lecture-10_19.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/2-Norton-Lecture-10_19-150x150.jpg\" alt=\"2-Norton Lecture 10_19\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7285 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/2-Norton-Lecture-10_19-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/2-Norton-Lecture-10_19-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><br style=\"clear: both;\" \/><\/a>Wednesday, October 19th, 2016, 5:30 pm<br \/>\n<\/b>Dr. Ann W. Norton, Providence College<br \/>\n&#8220;Afghanistan\u2019s Tradition Arts After Years of Conflict&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room\u00a0303A<\/p>\n<hr \/>\n<p><b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/3-Carroll-Lecture-11_30.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/3-Carroll-Lecture-11_30-150x150.jpg\" alt=\"3-Carroll Lecture 11_30\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7286 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/3-Carroll-Lecture-11_30-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/3-Carroll-Lecture-11_30-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><br style=\"clear: both;\" \/>Wednesday, November 30th, 2016, 5:30 pm<br \/>\n<\/b><span>Dr. Margaret Carroll, Wellesley College<br \/>\n&#8220;Rembrandt\u2019s Uncanny Ox&#8221;<\/span><br \/>\n<span>Location: 725 Commonwealth Ave., Room\u00a0303A<\/span><\/p>\n<hr \/>\n<p><b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/4-Reyes-Lecture-1_25.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/4-Reyes-Lecture-1_25-150x150.jpg\" alt=\"4-Reyes Lecture 1_25\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7287 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/4-Reyes-Lecture-1_25-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/4-Reyes-Lecture-1_25-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><br style=\"clear: both;\" \/>Wednesday, January 25th, 2017, 5:30 pm<br \/>\n<\/b><span>Dr. Ana-Mar\u00eda Reyes, Boston University<br \/>\n&#8220;What Can Art and Architecture Contribute to Symbolic Reparations?&#8221;<\/span><br \/>\n<span>Location: 725 Commonwealth Ave., Room\u00a0303A<\/span><\/p>\n<hr \/>\n<p><b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/5-Jacobi-Lecture-2_28.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/5-Jacobi-Lecture-2_28-150x150.jpg\" alt=\"5-Jacobi Lecture 2_28\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7288 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/5-Jacobi-Lecture-2_28-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/5-Jacobi-Lecture-2_28-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><br style=\"clear: both;\" \/>Tuesday, February 28th, 2017, 5:30 pm<br \/>\n<\/b><span>Dr. Lauren Jacobi, Massachusetts Institute of Technology<br \/>\n&#8220;From Shore to Sea: Early Modern Port Territories&#8221;<\/span><br \/>\n<span>Location: 725 Commonwealth Ave., Room\u00a0B36<\/span><\/p>\n<hr \/>\n<p><b><a href=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/6-Cassibry-Lecture-3_22.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/Cassibry-150x150.jpg\" alt=\"Microsoft Word - Cassibry.docx\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7249 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/Cassibry-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/Cassibry-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><br style=\"clear: both;\" \/>Wednesday, March 22, 2017, 5:30 pm<br \/>\n<\/b><span>Professor Kimberly Cassibry<\/span>,\u00a0<span>Wellesley\u00a0College<\/span><br \/>\n&#8220;<span>Tyranny of the Dying Gaul: Confronting an Ethnic Stereotype in Ancient Art.<\/span>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room\u00a0303A<\/p>\n<hr \/>\n<p><b><img loading=\"lazy\" src=\"\/haa\/files\/2017\/03\/Frazer-Ward-Poster-150x150.jpg\" alt=\"Frazer Ward Poster\" width=\"150\" height=\"150\" class=\"alignleft wp-image-7271 size-thumbnail\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/03\/Frazer-Ward-Poster-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/03\/Frazer-Ward-Poster-100x100.jpg 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><br style=\"clear: both;\" \/>Tuesday, April\u00a025, 2017, 5:30 pm<br \/>\n<\/b>Dr. Frazer Ward, Smith College<br \/>\n&#8220;Notes on Witness Protection.&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room\u00a0312<\/p>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2017\/09\/Screen-Shot-2017-09-14-at-1.07.45-PM-150x150.png\" alt=\"Screen Shot 2017-09-14 at 1.07.45 PM\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-7779\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2017\/09\/Screen-Shot-2017-09-14-at-1.07.45-PM-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2017\/09\/Screen-Shot-2017-09-14-at-1.07.45-PM-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><br style=\"clear: both;\" \/>Wednesday, September 27, 2017, 5:30 pm<br \/>\nDr. Alice Y. Tseng, Boston University<br \/>\n\u201cA Park for Many Reasons: Herding History, Art, and Animals in Modern Kyoto\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2015-2016<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Sasha Goldman &amp; Bryn Schockmel- Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2015\/07\/sophie.jpg\" class=\" wp-image-5012 alignright\" height=\"105\" width=\"105\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2015\/07\/sophie.jpg 400w, https:\/\/www.bu.edu\/haa\/files\/2015\/07\/sophie-150x150.jpg 150w\" sizes=\"(max-width: 105px) 100vw, 105px\" \/><\/p>\n<p><b>Wednesday,\u00a0September 23, 2015, 5:30 pm<br \/>\n<\/b>Dr. Sophie Hochh\u00e4usl, Boston University<br \/>\n&#8220;From Siedlung to Suburb: Exhibiting the Austrian Prefabricated Home \u00adEpistemological Transfer, Americanization, and the U.S. Economic Mission\u00a0in Vienna, 1952-1955&#8243;&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2016\/01\/kalb.jpg\" class=\" wp-image-5757 alignright\" height=\"158\" width=\"105\" \/><\/p>\n<p><b>Thursday,\u00a0November 5, 2015, 5:30 pm<br \/>\n<\/b>Dr.\u00a0Peter Kalb<br \/>\n<span style=\"line-height: 1.5;\">&#8220;Charting the Contemporary: On Writing Art Histories of the Present&#8221;<br \/>\n<\/span><span style=\"line-height: 1.5;\">Location: 725 Commonwealth Ave., Room\u00a0303A<br style=\"clear: both;\" \/><\/span><\/p>\n<hr \/>\n<p><b><a href=\"\/haa\/files\/2014\/10\/mobile_200603A50_03.jpg\"><img loading=\"lazy\" src=\"\/haa\/files\/2016\/01\/lamia.png\" class=\" wp-image-5761 alignright\" height=\"105\" width=\"105\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2016\/01\/lamia.png 200w, https:\/\/www.bu.edu\/haa\/files\/2016\/01\/lamia-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2016\/01\/lamia-100x100.png 100w\" sizes=\"(max-width: 105px) 100vw, 105px\" \/><\/a><\/b><\/p>\n<p><b>Tuesday,\u00a0November 17, 2015, 5:30 pm<br \/>\n<\/b>Dr. Lamia Balafrej<br \/>\n\u201cBihzad and the Artist&#8217;s Name in Persian Painting\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><b><img loading=\"lazy\" src=\"\/haa\/files\/2016\/01\/portraitofcaravaggio-492x636.jpg\" class=\" wp-image-5827 alignright\" height=\"160\" width=\"124\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2016\/01\/portraitofcaravaggio-492x636.jpg 492w, https:\/\/www.bu.edu\/haa\/files\/2016\/01\/portraitofcaravaggio.jpg 696w\" sizes=\"(max-width: 124px) 100vw, 124px\" \/><\/b><\/p>\n<p><b>Thursday, February 17, \u00a02015, 5:30 PM<br \/>\n<\/b>Dr. Danielle Carrabino, Associate Research Curator of European Art at the Harvard Art Museums<br \/>\n<span style=\"line-height: 1.5;\">&#8220;<\/span><span style=\"line-height: 1.5;\">Caravaggio\u2019s <\/span><i style=\"line-height: 1.5;\">Raising of Lazarus<\/i><span style=\"line-height: 1.5;\">:<\/span><span style=\"line-height: 1.5;\">\u00a0 <\/span><span style=\"line-height: 1.5;\">the Lazzari, the Crociferi and the Hope of Salvation<\/span><span style=\"line-height: 1.5;\">&#8221;<br \/>\n<\/span><span style=\"line-height: 1.5;\">Location: 725 Commonwealth Ave., Room 303A<\/span><\/p>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2016\/04\/static1.squarespace-150x150.png\" alt=\"static1.squarespace\" width=\"150\" height=\"150\" class=\" size-thumbnail wp-image-6162 alignright\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2016\/04\/static1.squarespace-150x150.png 150w, https:\/\/www.bu.edu\/haa\/files\/2016\/04\/static1.squarespace-100x100.png 100w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><b>Wednesday, March 16, 2016, 5:30 pm<br \/>\n<\/b>Dr. Jose Falconi, Post-Doctoral Fellow at Harvard University<br \/>\n<span style=\"line-height: 1.5;\">\u201cReality (Always) Lies Elsewhere:\u00a0 Lessons from Anibal Lopez\u2019s Documenta 13 \u201cTestimonio\u201d\u201d<br \/>\n<\/span>Location: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2016\/04\/gordon-150x150.jpg\" alt=\"gordon\" width=\"150\" height=\"150\" class=\" size-thumbnail wp-image-6117 alignright\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2016\/04\/gordon-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2016\/04\/gordon-100x100.jpg 100w, https:\/\/www.bu.edu\/haa\/files\/2016\/04\/gordon.jpg 200w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p><b>Thursday, April 14, 2016, 5:30 pm<br \/>\n<\/b>Dr. Jody Gordon of Wentworth Institute of Technology<br \/>\n<span style=\"line-height: 1.5;\">\u201cInsularity, Imperialism, and Identity:\u00a0 Contextualizing the Art of Roman Cyprus\u201d<br \/>\n<\/span><span style=\"line-height: 1.5;\">Location: 725 Commonwealth Ave., Room 303A<\/span><\/p>\n<hr \/>\n<p><img loading=\"lazy\" src=\"\/haa\/files\/2015\/07\/Barrett-website-photo-1-150x150.jpg\" alt=\"Barrett website photo 1\" width=\"150\" height=\"150\" class=\" size-thumbnail wp-image-5035 alignright\" srcset=\"https:\/\/www.bu.edu\/haa\/files\/2015\/07\/Barrett-website-photo-1-150x150.jpg 150w, https:\/\/www.bu.edu\/haa\/files\/2015\/07\/Barrett-website-photo-1.jpg 400w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p><b>Wednesday, April 20, 2016, 5:30 pm<br \/>\n<\/b>Dr. Ross Barrett, Boston University<br \/>\n<span style=\"line-height: 1.5;\">\u201cPerilous Prospects:\u00a0 Martin Johnson Heade\u2019s \u201cOn the San Sebastian River\u201d and the Florida Land Boom\u201d<br \/>\n<\/span><span style=\"line-height: 1.5;\">Location: 725 Commonwealth Ave., Room 303A<\/span><\/p>\n<hr \/>\n<p><span style=\"line-height: 1.5;\"><\/span><br \/>\n<\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2014-2015<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Tina Barouti &amp; Kelsey Gustin- Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><b>Tuesday, October 14, 2014, 5:30 PM<\/b><\/p>\n<p>Dr. Carrie Anderson, Middlebury College<br \/>\n&#8220;The Challenges of Spatial Research: Johan Maurits and the Landscape of Diplomacy&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><b>Thursday, October 30, 2014, 5:30 PM<\/b><\/p>\n<p>Laura Auricchio, The New School<br \/>\n\u201cThe Marquis: Lafayette Reconsidered\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><b>Thursday, February 5, \u00a02015, 5:30 PM<\/b><\/p>\n<p>Dr. Eva Troelenberg, Kunsthistoriches Institute, Florence<br \/>\n&#8220;East of Jordan to East Berlin: The Early Islamic Desert Castle Mshatta and its Cross-Cultural Modern Biography.&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><b>Wednesday, February 18, 2015, 5:30 PM<\/b><\/p>\n<p>Dr. Amanda Gilvin, Mount Holyoke College and Smith College<br \/>\n&#8220;Eating Forward: Art and Politics During Niger&#8217;s Uranium Boom&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><b>Wednesday, April\u00a08, 2015, 5:30 PM<\/b><\/p>\n<p><span>Professor Daniel Bluestone, Boston University<\/span><br \/>\n<span>\u201cIconic and Vernacular: Charlottesville\u2019s Landscape of Prostitution, 1880-1950.\u201d<\/span><br \/>\nLocation: 725 Commonwealth Ave., Room\u00a0424<\/p>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2013-2014<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Jordan Karney and Michael Pagan- Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Wednesday, September 25, 2013, 5:30PM<\/strong><\/p>\n<p>Ana-Mar\u00eda Reyes<em>, Boston University<br \/>\n<\/em><i>&#8220;<\/i>Antigonismos: Metaphoric Burial as Political Intervention in Contemporary Colombian Art&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, October 10, 2013, 5:30PM<br \/>\n<\/strong>Kristen Gresh, Estrellita &amp; Yousuf Karsh, Assistant Curator of Photographs,<br \/>\nMuseum of Fine Arts, Boston Boston<br \/>\n<em>\u201cShe Who Tells a Story: Women Photographers from Iran and the Arab World\u201d<br \/>\n<\/em>Lecture and Gallery Tour<br \/>\nLocation: Museum of Fine Arts, 465 Huntington Ave., Henry and Lois Foster Gallery (Gallery 158)<\/p>\n<hr \/>\n<p><strong>Wednesday, November 20, 2013, 5:30PM<\/strong><br \/>\nChristopher Bedford, Henry and Lois Foster Director, The Rose Art Museum, Brandeis University<br \/>\nTopic: TDB<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, February 6, 2014, 5:30PM<\/strong><br \/>\nMartha Buskirk, Montserrat College of Art<br \/>\n&#8220;Collision Course? Artists&#8217; Rights versus Public Interest&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, March 18, 2014, 5:30PM<\/strong><br \/>\nCeleste-Marie Bernier, University of Nottingham<br \/>\n&#8220;Imaging Resistance: Representing the Body, Memory and History in African American and Black British Visual Arts&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, April 10, 2014, 5:30PM<\/strong><\/p>\n<div>Carol Payne, Carleton University<br \/>\nTitle:\u00a0&#8220;Views from the North: Photographs, Generations and Cultural Memory among the Inuit&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/div>\n<hr \/>\n<p><strong>Thursday, April 17, 2014, 5:30PM<\/strong><\/p>\n<div>Fred Kleiner, Boston University<br \/>\n&#8220;Teaching the History of Art &amp; Architecture with Google Earth&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2012-2013<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Jeff De Blois, Elisa Germ\u00e1n, and Erin McKellar- Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Wednesday, September 19, 2012, 5:30PM<\/strong><br \/>\nS. Rebecca Martin, Boston University<br \/>\n<em>&#8220;<\/em>Who was \u2018Doros\u2019?\u00a0 Hellenic Imagery, Phoenician Identity, and Roman Soldiers in the Middle Ground&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Wednesday, November 14, 2012, 5:30PM<\/strong><br \/>\nBen Weiss, Leonard A. Lauder Curator of Visual Culture, Museum of Fine Arts, Boston<br \/>\n\u201cThe Postcard Age: Postcards and History at an Art Museum\u201d<br \/>\nLocation: Museum of Fine Arts, 465 Huntington Ave., Morse Study Room<br \/>\nEnter via the MFA\u2019s Huntington Avenue entrance. The Morse Study Room is located on the first floor of the Museum, near the Lower Rotunda. Please ring the doorbell to gain entry.<br \/>\n<em><em>Note: This event will include a lecture at 5:30PM followed by an informal walkthrough in the Torf Gallery at about 6:15PM.<br \/>\nPlease RSVP to\u00a0<a href=\"mailto:emckel@bu.edu\">emckel@bu.edu<\/a> if you wish to attend the lecture portion, as space is limited to 25 attendees. Space is not limited for the gallery portion.\u00a0<\/em><\/em><\/p>\n<hr \/>\n<p><strong>Monday, December 3, 2012, 5:30PM<\/strong><br \/>\nCeleste-Marie Bernier, University of Nottingham<br \/>\n<em>&#8220;<\/em>Imaging Slavery\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, January 24, 2013, 6:00PM<\/strong><br \/>\nJudith Bookbinder, Boston College<br \/>\n\u201cCivil War Drawings: Artifacts and Art\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Thursday, February 28, 2013, 5:30PM<\/strong><br \/>\nSonja Duempelmann, Harvard Graduate School of Design<br \/>\n\u201cFlights of Imagination: Powered Aviation and the Art and Science of Landscape Design and Planning\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Wednesday, April 10, 2013, 5:30PM<\/strong><br \/>\nProfessor Pamela Karimi, Assistant Professor of Art History. UMASS Dartmouth<br \/>\nTopic:\u00a0A History of Modern Iran in Ten Objects<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Wednesday, April 17, 2013, 5:30PM<\/strong><br \/>\nNancy Stieber, University of Massachusetts Boston<br \/>\n\u201cNarrating History and Urban Identity: Amsterdam\u2019s Visual Representation around 1900\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2011-2012<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Lynne Cooney and Naomi Slipp,\u00a0 Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Wednesday, September 14, 2011, 5:30PM<\/strong><br \/>\nKeith Morgan, Boston University<br \/>\n<em>&#8220;Managing the Model Suburb: Professionalism, Class, Ethnicity, and the Making of Brookline, Massachusetts<\/em>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Thursday, September 28, 2011, 5:30PM<\/strong><br \/>\nKate MacNamara<br \/>\nDirectory, Boston University Art Gallery<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Wednesday, November 9, 2011, 5:30PM<\/strong><br \/>\nRosamond Purcell<br \/>\n<em>&#8220;Things are Not as They Seem: A Lecture In Honor of Robert Seydel&#8221;<\/em><br \/>\nPracticing Artist<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 303a<\/p>\n<hr \/>\n<p><strong>Wednesday, November 16, 2011, 5:30PM<\/strong><br \/>\nMichael K. Komanecky<br \/>\n<em>\u201cPicturing Ramona: Illustrations to Helen Hunt Jackson\u2019s Novel of California\u201d<\/em><br \/>\nFarnsworth Art Museum<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 303a<\/p>\n<hr \/>\n<p><strong>Wednesday, November 30, 2011, 5:30PM<\/strong><br \/>\nPieranna Cavalchini,<br \/>\nIsabella Stewart Gardner Museum<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 200<\/p>\n<hr \/>\n<p><strong>Wednesday, March 21, 2012, 5:30PM<\/strong><br \/>\nPeter Probst<br \/>\n<em> <\/em>Tufts University<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 303a<\/p>\n<hr \/>\n<p><strong>Wednesday, <strong>April 11, 2012<\/strong>, 5:30PM<\/strong><br \/>\nSura Levine<br \/>\nHampshire College<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 303a<\/p>\n<hr \/>\n<p><strong>Thursday, April 26, 2012, 5:30PM<\/strong><br \/>\nRoss Barrett<br \/>\nUniversity of North Carolina, Chapel Hill<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 303A<\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2010-2011<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Jackie Canevari &amp; Rachel Tolano, Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Thursday, September 30, 2010, 5:30PM<\/strong><br \/>\nDeborah Kahn<br \/>\nAssociate Professor, Boston University<br \/>\n<em>&#8220;Demons in the Romanesque: A Case Study<\/em>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Thursday, October 28, 2010, 5:30PM<\/strong><br \/>\nErica Hirshler<br \/>\nCroll Senior Curator of American Paintings, MFA<br \/>\n&#8220;Sargent\u2019s Daughters: A Biography of a Painting&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Friday, November 19, 2010, 5:30PM<\/strong><br \/>\nMario Ontiveros<br \/>\nAssistant Professor, UMass<br \/>\n&#8220;Semi-Solid: Impermanence, Uncertainty, and Chicana\/o Aesthetics&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room CAS 132<\/p>\n<hr \/>\n<p><strong>Wednesday, December 8, 2010, 6:00PM<\/strong><br \/>\nMichele Cohen<br \/>\nAssistant Professor, Simmons<br \/>\nDirector, Trustman Art Gallery<br \/>\n&#8220;Public Art for Public Schools&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<hr \/>\n<p><strong>Wednesday, January 26, 2011, 5:30PM<\/strong><br \/>\nAdriana Zavala<br \/>\nTufts University<br \/>\n<em>&#8220;Becoming Modern Becoming Tradition&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Monday, February 14, 2011, 5:30PM<\/strong><br \/>\nPamela Allara<br \/>\nBrandeis University<br \/>\n<em>&#8220;Repositioning: White South African Artists in the &#8216;New&#8217; South Africa&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Thursday, March 24, 2011, 5:30PM<\/strong><br \/>\nFrancesca Bewer<br \/>\nHarvard Art Museum<br \/>\n<em>&#8220;Harvard&#8217;s Fogg Museum and the Emergence of Art Conservation in America<br \/>\n(CA. 1900-1950)&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Thursday, March 31, 2011, 5:30PM<\/strong><br \/>\nCaroline Bruzelius<br \/>\nDuke University<br \/>\n<em>&#8220;What Can Digital Visualization Do For the Humanities<br \/>\n(and Especially Art History)?&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Tuesday, April 5, 2011, 5:30PM<\/strong><br \/>\nJudy Ditner<br \/>\nBoston University<br \/>\n<em>&#8220;10,000 Lives, The 8th Gwangju Biennale&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><strong>Thursday, April 21, 2011, 5:30PM<\/strong><br \/>\nDavid Haney<br \/>\nUniversity of Kent\/CREAte<br \/>\n<em>&#8220;LeBrecht Megge and the Problem of Modern vs. Conservative in Early 20th Century Landscape Architecture&#8221;<\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2009-2010<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Sarah Parrish &amp; Hannah Blunt, Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Thursday, September 24, 2009, 5:30PM<\/strong><br \/>\nTalinn Grigor<br \/>\nAssistant Professor, Brandeis University<br \/>\n<em>&#8220;Backward-Looking Modernists: British-Indian Origins of the Persian Style<\/em>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Wednesday, October 21, 2009, 5:30PM<\/strong><br \/>\nHilda Westervelt<br \/>\nAssistant Professor of Art History, Boston University<br \/>\n&#8220;Women&#8217;s Work: The Threat of Female Toil in Greek Art and Myth&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Tuesday, November 10, 2009, 5:30PM<\/strong><br \/>\nSharon Corwin<br \/>\nCarolyn Muzzy Director and Chief Curator,<br \/>\nColby College Museum of Art<br \/>\n&#8220;Constructed Documentary: Margaret Bourke-White from the Steel Mill to the South&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Wednesday, November 18, 2009, 5:30PM<\/strong><br \/>\nAdriana Zavala<br \/>\nAssociate Professor, Tufts University<br \/>\n&#8220;Intimate Encounters: Mexican Modernism and the Female Nude&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Wednesday, December 2, 2009, 5:30PM<\/strong><br \/>\nHelen Burnham<br \/>\nAssistant Curator of Prints and Drawings, Museum of Fine Arts, Boston<br \/>\n&#8220;Albrecht D\u00fcrer at the MFA&#8221;<br \/>\nMeet in the Scharf Visitor\u2019s Center at the MFA at 5:30 p.m.; our group will be escorted to the exhibition for a private tour and lecture. Admission is free on Wednesdays after 4:00 p.m<\/p>\n<p><strong>Thursday, JANUARY 21, 2010, 5:30PM<\/strong><br \/>\nV\u00e9ronique Plesch<br \/>\nProfessor of Art, Colby College<br \/>\n<em>&#8220;Early Modern Graffiti on Religious Frescoes: Vandalism or Piety?<\/em>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<p><strong>Thursday, FEBRUARY 11, 2010, 5:30PM<\/strong><br \/>\nNick Capasso<br \/>\nSenior Curator, DeCordova Sculpture Park + Museum<br \/>\n&#8220;How to Spend $1 Million on Contemporary Sculpture&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<p><strong>Thursday, FEBRUARY 25, 2010, 5:30PM<\/strong><br \/>\nDietrich Neumann<br \/>\nProfessor of History of Art and Architecture, Brown University<br \/>\n&#8220;A Skyscraper for Mussolini: Mario Palanti and Urban Planning for Rome in the 1920s&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<p><strong>Thursday, MARCH 25, 2010, 5:30PM<\/strong><br \/>\nJodi Cranston<br \/>\nAssociate Professor, Boston University<br \/>\n&#8220;Close Looking in Titian\u2019s Later Paintings&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<p><strong>Thursday, APRIL, 2010, 5:30PM<\/strong><br \/>\nNancy Berliner<br \/>\nCurator of Chinese Art, Peabody Essex Museum<br \/>\n&#8220;Hidden Treasures from the Forbidden City, The Emperor\u2019s Private Paradise&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303A<\/p>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2008-2009<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Lili Mugnier, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Thursday, September 18, 2008, 5:30PM<\/strong><br \/>\nAlan Chong, Curator of the Collection, Isabella Stewart Gardner Museum<br \/>\n<em><a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_AlanChong.pdf\" rel=\"noopener noreferrer\">&#8221; A Conversation with Alan Chong, Conceptualizing Exhibitions at the Isabella Stewart Gardner Museum&#8221;<\/a><\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, October 16, 2008, 5:30PM<\/strong><br \/>\nLawrence Berman, Norma Jean Calderwood Senior Curator of Ancient Egyptian, Nubian, and Near Eastern Art, Museum of Fine Arts, Boston<br \/>\n<em><a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_LawrenceBerman.pdf\" rel=\"noopener noreferrer\">&#8220;Inside Art &amp; Empire: A Look at Treasures from Assyria in the British Museum&#8221;<\/a><\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, November 6, 2008, 5:30PM<\/strong><br \/>\nGregory Williams, Assistant Professor, Boston University<br \/>\n<em><a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_GregoryWilliams.pdf\" rel=\"noopener noreferrer\">&#8220;Jokes, Wit and Political Agency in West German Art, 1961-1989&#8221;<\/a><\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, November 20, 2008, 5:30PM<\/strong><br \/>\nPeter Kalb, Assistant Professor, Brandeis University<br \/>\n<em><a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_PeterKalb.pdf\" rel=\"noopener noreferrer\">&#8220;The Sensations of Televisuality: Tom Sachs Logjam as Case Study&#8221;<\/a><\/em><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, January 29, 2009, 5:30PM<\/strong><br \/>\nTony Sigel, Conservator of Objects and Sculpture, Strauss Center for Conservation, Harvard Art Museum<br \/>\n&#8220;Gian Lorenzo Bernini\u2019s Terracotta Sculpture: Conception, Execution, Authorship, Conservation&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, March 26, 2009, 5:30PM<\/strong><br \/>\nStephen Perkinson, Associate Professor, Bowdoin College<br \/>\n&#8220;About Face: The Prehistory of Portraiture in Medieval France&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 303<\/p>\n<p><strong>Thursday, April 2, 2009, 5:30PM<\/strong><br \/>\nMercedes Volait, Director of the Centre National de la Recherche Scientifique, Director of INVISU, Institut National d\u2019Histoire de l\u2019Art, Paris<br \/>\n&#8220;Other Modernisms: Architecture in Egypt 1870s-1940s&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, April 16, 2009, 5:30PM<\/strong><br \/>\nCynthia Becker, Associate Professor, Boston University<br \/>\n&#8220;Art, Self-Censorship, and Public Discourse: Contemporary Moroccan Artists at the Crossroads&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Each Guest Lecture lasts approximately one hour and is followed by a brief Q&amp;A session and a reception.<\/strong><\/p>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2017-2018<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Lana Sloutsky &amp; Sandrine Lacorie, Coordinators<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Tuesday, September 18, 2007, 5:30PM<\/strong><br \/>\nJohn M. Russell, Professor of Art History, Massachusetts College of Art<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_JohnRussell.pdf\" rel=\"noopener noreferrer\">&#8220;The Current State of Cultural Heritage in Iraq.&#8221;<\/a><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, October 25, 2007, 5:30PM<\/strong><br \/>\nShirin Fozi, Ph.D. Candidate in History of Art &amp; Architecture, Harvard University<br \/>\n&#8220;<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_ShirinFozi.pdf\" rel=\"noopener noreferrer\">A Mere Patch of Color: The Shattered Glass of Rheims Cathedral<\/a>.&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Wednesday, November 7, 2007, 5:30PM<\/strong><br \/>\nEmine Fetvaci, Assistant Professor of Islamic Art, Boston University<br \/>\n\u201c<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_EmineFetvaci.pdf\" rel=\"noopener noreferrer\">The Prince and the Eunuch: An Account of the Ottoman Imperial Circumcision Festival of 1582.<\/a>\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Tuesday, December 4, 2007, 5:30PM<\/strong><br \/>\nTracey Albainy, Senior Curator of Decorative Arts and Sculpture at the Museum of Fine Arts, Boston<br \/>\n\u201c<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_TraceyAlbainy.pdf\" rel=\"noopener noreferrer\">Symbols of Power: Napoleon and the Art of the Empire Style, 1800-1815.<\/a>\u201d<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, January 31st, 5:30PM<\/strong><br \/>\nPaolo Scrivano, Assistant Professor of Art History, Boston University<br \/>\n&#8220;<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_PaoloScrivano.pdf\" rel=\"noopener noreferrer\">Those Kitchens We Cannot Have&#8217;: Dreams of America in Italy&#8217;s Postwar Household Environment.<\/a>&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, February 28th, 5:30PM<\/strong><br \/>\nMonica McTighe, Assistant Professor of Contemporary Art, Tufts University<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_MonicaMcTighe.pdf\" rel=\"noopener noreferrer\">&#8220;Retro Visions: Nostalgia in Recent Video Installations.&#8221;<\/a><br \/>\nLocation: 775 Commonwealth Avenue, the George Sherman Union, Room 310<\/p>\n<p><strong>Tuesday, March 18th, 5:30PM<\/strong><br \/>\nRonni Baer, Mrs. Russell W. Baker Secior Curator of Paintings, Art of Europe, Museum of Fine Arts, Boston<br \/>\n&#8220;Curating, &#8220;El Greco to Velazquez: Art During the Reign of Phillip III&#8221; exhibit at the Museum of Fine Arts.&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, April 10, 5:30PM<\/strong><br \/>\nElizabeth ten Grotenhuis, Professor Emerita of Japanese Art History, Boston University<br \/>\n&#8220;Blue and White Ceramics: A Silk Road Story.&#8221;<br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><strong>Thursday, May 1, 5:30PM<\/strong><br \/>\nAlice Tseng, Assistant Professor of Japanese Art and Architecture, Boston University<br \/>\n<a target=\"_blank\" href=\"https:\/\/www.bu.edu\/haa\/files\/2010\/12\/GSAHA_Lecture_AliceTseng.pdf\" rel=\"noopener noreferrer\">&#8220;A Meditation of Interpretive Methods for Architectural History, or &#8216;How to Talk About Buildings You Haven&#8217;t Seen.&#8221;<\/a><br \/>\nLocation: 725 Commonwealth Ave., Room 200<\/p>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2006-2007<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Ben Charland, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<p><strong>Thursday, September 28, 2006, 5:30 pm<\/strong><br \/>\nGianfranco Pocobene, Chief Conservator of Paintings, Isabella Stewart Gardner Museum<br \/>\n\u201cConserving the John La Farge Murals of Trinity Church\u201d<\/p>\n<p><strong>Thursday, October 5, 2006, 5:30 pm<\/strong><br \/>\nCatherine D&#8217;Ignazio, Associate Professor of New Media, Rhode Island School of Design<br \/>\n\u201cOn the Wisdom of Infinitely Small Things?\u201d<\/p>\n<p><strong>Wednesday, November 1, 2006, 5:30 pm<\/strong><br \/>\nPatricia Johnston, Professor of Art History, Salem State University<br \/>\n\u201cSeeing High &amp; Low: The Impact of the Visual Culture Movement on the History of American Art\u201d<\/p>\n<p><strong>Tuesday, November 28, 2006, 5:30pm<\/strong><br \/>\nJonathan Unglaub, Assistant Professor of Fine Arts, Brandeis University<br \/>\n\u201cPainting as Parthenogenesis: Raphael&#8217;s Sistine Madonna\u201d<\/p>\n<p><strong>Thursday, February 1, 2007, 5:30 pm<\/strong><br \/>\nSusan Dackerman, Curator of Prints, Fogg Art Museum<br \/>\n\u201cDissent! Protest Art on Paper\u201d<\/p>\n<p><strong>Thursday, February 22, 2007, 5:30 pm<\/strong><br \/>\nEric Rosenberg, Professor of Art History, Tufts University<br \/>\n\u201cWalker Evans\u2019s Depression and the Trauma of Photography\u201d<\/p>\n<p><strong>Thursday, March 29, 2007, 5:30 pm<\/strong><br \/>\nBill Arning, Curator, The MIT List Visual Arts Center<br \/>\n\u201cSensorium: Embodied Experience, Technology, and Contemporary Art\u201d<\/p>\n<p><strong>Tuesday, April 24, 2007, 5:30 pm<\/strong><br \/>\nAlan Braddock, Assistant Professor, American Art and Visual Culture, Syracuse University<br \/>\n\u201cThomas Eakins and the Cultures of Modernity\u201d<\/p>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2005-2006<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Lisa Sutcliffe, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<ul>\n<li>10\/6: Ralph Helmick and Stuart Schechter, public sculptors, &#8220;Public Art: Sell Out? or the Last True Path for the Citizen Artist?&#8221;<\/li>\n<li>11\/2: Georgia Barnhill, Andrew W. Mellon Curator of Graphic Arts American Antiquarian Society, &#8220;&#8216;With a French Accent&#8217;&#8211;American Lithography, 1820-1860.&#8221;<\/li>\n<li>11\/10 at 5:15pm: Karen Kramer, Assistant Curator of Native American Art Peabody Essex Museum, on her show &#8220;All of My Life: Contemporary Works by Native American Artists.&#8221;<\/li>\n<li>12\/1 at 5:15:John Stomberg, Associate Director for Administration and Programs Williams College Museum of Art, &#8220;Suffering and Style in 1930s American Photography.&#8221;<\/li>\n<li>2\/16:David Kim, doctoral student, Harvard University &#8220;Gentile Bellini: Artist and Ambassador&#8221;<\/li>\n<li>03\/01: Natasha Khandekar, Co-director, Art Interactive &#8220;Looking Closely: Using Physical Evidence in Art History&#8221;<\/li>\n<li>03\/01: Natasha Khandekar, Co-director, Art Interactive &#8220;Looking Closely: Using Physical Evidence in Art History&#8221;<\/li>\n<li>04\/10: Joanne Lukitsh, Professor, Massachusetts College of Art &#8220;Alone on the Sidewalks of New York: Alfred Stieglitz&#8217;s Photography, 1892-1913&#8243; This talk is based on a chapter in an anthology,&#8221;Seeing High and Low Representing Social Conflict in American Visual Culture,&#8221; edited by Patricia Johnston.<\/li>\n<li>04\/10: Joanne Lukitsh, Professor, Massachusetts College of Art &#8220;Alone on the Sidewalks of New York: Alfred Stieglitz&#8217;s Photography, 1892-1913&#8243; This talk is based on a chapter in an anthology,&#8221;Seeing High and Low Representing Social Conflict in American Visual Culture,&#8221; edited by Patricia Johnston.<\/li>\n<li>04\/27: Anna Stanfield, Ohr-O&#8217;Keeffe Museum, Biloxi, AL &#8220;Learning from Katrina: The Future of Disaster Planning in American Museums&#8221;<\/li>\n<\/ul>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2004-2005<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Carrie Moore, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<ul>\n<li>Keith Morgan, Art History Professor, Walking Tour of Trinity Church<\/li>\n<li>Natasha Seaman, Boston University PhD Candidate, &#8216;Embedded Devotion in Hendrick ter Bruggen&#8217;s Crowning with Thorns&#8217;<\/li>\n<li>Leslie Brown, Curator at the Photographic Resource Center, will discuss the upcoming &#8216;Contemporary Vernacular&#8217; show at the PRC and give an introduction to the library.<\/li>\n<li>Chris Atkins, Research Assistant, Arts of Europe, MFA Boston, &#8216;Not So Fast: A Reconsideration of Frans Hals&#8217;s &#8216;Rough Manner&#8217;<\/li>\n<li>Christine Poggi, Associate Professor at the University of Pennsylvania, will present &#8216;Representing Madness in 1905: Giacomo Balla&#8217;s &#8216;The Madwoman&#8217; and the Cycle &#8216;The Living&#8217;<\/li>\n<li>David Dearinger, Susan Morse Hilles Curator of Paintings and Sculpture, Boston Athenaeum, &#8217;19th Century American Neo-classic Sculpture and the City of Boston&#8217;<\/li>\n<li>May Stevens, Artist, in conjunction with Professor Pat Hills &#8216;Art and Politics&#8217; class<\/li>\n<li>Arthur Beale, Head of Conservation, MFA, &#8216;Defining Authenticity&#8217;<\/li>\n<li>Lizzi Ross, Public Programs Manager, ICA, &#8220;Public Programming at the ICA.&#8221;<\/li>\n<li>Hilda Westervelt, Assistant Professor of Art History, Boston University. &#8220;Kainis&#8217; Choice: Avoidance of Marriage and Motherhood and its Consequences in Greek Myth&#8221;<\/li>\n<li>Screening of Allan Shinohara&#8217;s documentary about migrant Jamaican tobacco workers in western Massachusetts.<\/li>\n<\/ul>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2003-2004<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Melissa Renn, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<ul>\n<li>Dr Michael Stone-Richards, Visiting Professor in English Comparative Literature, Stonehill College, and Graham Foundation Scholar: Implantation and Affective Spaciality: Guy Debord with Daniel Libeskind<\/li>\n<li>Bet McLeod, Assistant Curator of Decorative Arts and Sculpture, Department of the Art of Europe, Museum of Fine Arts, Boston will speak on the newly-installed 19th century gallery at the MFA and on issues of display, access, interpretation and the new directions the Museum is exploring for its new wing.<\/li>\n<li>Anna Konivets, Coordinator of the Hermitage\/Guggenheim Museum collaboration will speak on the Russian Festival\/Education Bridge Project.<\/li>\n<li>Anthony Lee, Professor, Department of Art History, Mount Holyoke College: &#8216;When the Cobbling Began: Photography and Chinese Shoemakers in a 19th century New England Factory Town.&#8217;<\/li>\n<li>Jonathan P. Ribner, Associate Professor, Art History Department, Boston University. Danger Across the Water:&#8217; Professor Ribner&#8217;s Recent Research<\/li>\n<li>Jonathan M. Bloom, Norma Jean Calderwood University Professor of Islamic and Asian Art, Boston College. Paper Before Print: The Introduction of a New Medium and its Impact on the Arts of the Islamic Lands.<\/li>\n<li>Margaret Laster (formerly of the MFA) on Nazi-era provenance research issues.<\/li>\n<li>Bonnie Costello, Professor of English, Boston University, &#8216;Planets on Tables: Poetry and Still Life&#8217;<\/li>\n<li>Wanda Corn, Professor, Art History Department, Stanford University and Radcliffe Fellow, Harvard University, will speak on Georgia O&#8217;Keeffe and Seriality<\/li>\n<li>Jessica Sewell, Assistant Professor, Art History Department and American and New England Studies Program, Boston University. &#8216;Eclipsing the Boston Tea Party: Suffrage and Tea, the Equality Beverage.&#8217;<\/li>\n<\/ul>\n<hr \/>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h4 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">2002-2003<\/h4><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<h4>Kate Palmer, Coordinator<\/h4>\n<hr \/>\n<hr \/>\n<ul>\n<li>Keith Morgan, Professor of Art History at Boston University. Walking tour of Boston&#8217;s Kenmore and Fenway areas<\/li>\n<li>Ulrich Lehmann. &#8216;Fetish of the Female: George Sand and Gavarni&#8217;<\/li>\n<li>Karen Lucic, Professor of Art at Vassar College. &#8216;The Photography of Charles Sheeler: American Modernist&#8217;<\/li>\n<li>Michelle Lamunire, PhD Candidate in Art History, Boston University. &#8216;You Look Beautiful Like That: The Portrait Photographs of Seydou Keita and Malick Sidibe&#8217;<\/li>\n<li>Keith Doherty, PhD Candidate in Art History, Boston University. &#8216;Recent Discovery in the Athenian Agora&#8217;<\/li>\n<li>Nick Capasso, Curator, DeCordova Museum and Sculpture Park. &#8216;Painting in Boston, 1950 &#8211; 2000: A Curatorial Case Study&#8217;<\/li>\n<li>Alexandra Schwartz, PhD Candidate, University of Michigan. &#8216;Learning from Los Angeles: Ruscha, Venturi, and Scott Brown&#8217;<\/li>\n<\/ul>\n<\/div>\n<p><\/div>\n<\/div>\n\n<hr \/>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Department of History of Art &amp; Architecture invites you to the 2026-2027 HAA Guest Lecture Series Sponsored by the Boston University Center for the Humanities, the HAA Guest Lecture Series brings together historians of art and architecture specializing in diverse fields and genres. Prominent scholars and museum professionals are invited to share their latest [&hellip;]<\/p>\n","protected":false},"author":3928,"featured_media":0,"parent":10446,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/pages\/261"}],"collection":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/users\/3928"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":18406,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/pages\/261\/revisions\/18406"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/pages\/10446"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/haa\/wp-json\/wp\/v2\/media?parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}