Graduate Conference in Editorial Studies
\n30 April 2016
\nProvisional Full Program<\/b><\/p>\n
8:30<\/b>:<\/b> Breakfast<\/b><\/p>\n
9:00<\/b>:<\/b> Opening Remarks and Social Media Orientation<\/b><\/p>\n
9:30<\/b>: <\/b>Concurrent Sessions<\/b><\/span><\/p>\n Selection and Arrangement I: Lives, Letters, Influences<\/b> \u201cBibliodigigogy\u201d across Borders<\/em><\/b><\/b> 11:00:<\/b> Editing in New Keys: Translation and Music 12:30: Lunch<\/b>\f<\/span><\/p>\n 1:30<\/b>: <\/b>Concurrent Sessions<\/b><\/span><\/p>\n Selection and Arrangement II: Of Anthologies and Authorial Choices <\/b><\/b><\/em>Citation and New Media<\/b><\/b><\/em> 3:00<\/b>: <\/b>Concurrent Sessions Avenues of Annotation<\/em> Archives and Access<\/em><\/b><\/b> 4:30<\/b>: Closing Remarks and Reception<\/b><\/p>\n","protected":false},"excerpt":{"rendered":" Graduate Conference in Editorial Studies 30 April 2016 Provisional Full Program 8:30: Breakfast 9:00: Opening Remarks and Social Media Orientation 9:30: Concurrent Sessions Selection and Arrangement I: Lives, Letters, Influences Moderator: Jeff Gutierrez Lauren Eckenroth, The Editorial Institute, Boston University \u201cThe Correspondence of Sylvia Beach, Bryher, and H.D.\u201d Silvia Glick, The Editorial Institute, Boston University […]<\/p>\n","protected":false},"author":3359,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/pages\/580"}],"collection":[{"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/users\/3359"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/comments?post=580"}],"version-history":[{"count":22,"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/pages\/580\/revisions"}],"predecessor-version":[{"id":612,"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/pages\/580\/revisions\/612"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/editinst\/wp-json\/wp\/v2\/media?parent=580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nModerator<\/em>: Jeff Gutierrez
\n<\/span><\/p>\n\n
\n<\/span><\/b>\u201cThe Correspondence of Sylvia Beach, Bryher, and H.D.\u201d<\/span><\/li>\n
\n<\/span><\/b>\u201cThe Gospel of the Jewish Book: Fanny Goldstein, 1888\u22121961\u201d<\/span><\/b><\/li>\n
\n<\/span><\/b><\/b>\u201c<\/span>Editing the Lowell Mill Girls\u201d<\/span><\/span><\/b><\/b>
\n<\/span><\/b><\/li>\n<\/ul>\n\n
\n
<\/ul>\n<\/ul>\n<\/ul>\n
\n
<\/ul>\n<\/ul>\n
\nModerator<\/em>: Erica Zimmer<\/span><\/p>\n\n
\n<\/b>Moderator<\/em>: Cecilia Weddell<\/span><\/p>\n\n
\n<\/span>\u201cMy Words Echo Thus, in Your Mind: Hearing T. S. Eliot\u2019s Voice in the <\/span>
\n<\/span>Early Work of Tomas Transtr\u00f6mer\u201d <\/span><\/li>\n
\n<\/span>\u201c<\/span>Translation Versus Interpretation: Visions of Korngold’s <\/span>Die tote Stadt<\/span><\/i>\u201d<\/span><\/li>\n
\n<\/span>\u201c<\/span>Translation Across Time: A Case of Semantic Drift in the Musical Lexicon\u201d<\/span><\/li>\n
\n<\/span>\u201cEditorial Problems in the Organ Music of J. S. Bach\u201d<\/span><\/li>\n<\/ul>\n
\n<\/em><\/b><\/b>Moderator<\/em>: Dr. Sara Georgini, Department of History, Boston University<\/span><\/p>\n\n
\nHarvard University
\n<\/strong>Mater Dolorosa: The Representation of the Blessed Virgin Mary in <\/span><\/i>
\n<\/span><\/i>Literature and Art<\/span><\/i><\/li>\n
\nVisiting Scholar, Houghton Library
\n<\/strong>\u201cTennyson and <\/span>The Golden Treasury<\/span><\/i>: A Rediscovered Proof Copy\u201d<\/span><\/li>\n
\n<\/strong>\u201c\u2018<\/span>And these memories are almost visions\u2019: Imagining the Front in John Steinbeck\u2019s
\n<\/span>Once There Was a War<\/span><\/i>\u201d<\/span><\/li>\n<\/ul>\n
\n<\/span>Moderator<\/em>: Elizabeth Pelletier, The Editorial Institute, Boston University<\/span><\/p>\n\n
\nBrown Center for Public Humanities and Cultural Heritage, Brown University
\n<\/strong>\u201c<\/span>Citation Needed? Attribution, Revision and Other Performances of <\/span><\/span>Cultural Authority
\non Wikipedia\u201d<\/span><\/li>\n
\n<\/strong>\u201c<\/span>Editing Audiobooks and the Nature of Reading\u201d<\/span><\/li>\n
\n<\/span>\u201c<\/span>The Haunting of <\/span>Grey Gardens<\/span><\/i>: Gothic Panopticism and Female <\/span><\/span>Performative Selves\u201d<\/span><\/li>\n<\/ul>\n
\n<\/b><\/span><\/p>\n
\n<\/b><\/b>Moderator<\/em>: Dr. Lindsay Alberts, Department of Art History, Boston University<\/span><\/p>\n\n
\n<\/strong>\u201cImage as Annotation: The Illustrated Edition\u201d<\/span><\/li>\n
\n<\/strong>\u201c\u2018A SEXY OLD CAT,\u2019 an exploration of interactions between words and images\u201d<\/span><\/li>\n
\n<\/span>Moderator<\/em>: Emily Kramer, The Editorial Institute, Boston University<\/span><\/p>\n\n
\n<\/strong>\u201c<\/span>Metadata Intermediary: TAPAS and a Context for Community\u201d<\/span><\/li>\n
\n<\/strong>\u201cEnsuring Long-Term Preservation of a Digital Humanities Project\u201d<\/span><\/li>\n
\n<\/strong>\u201cBetween Edition and Archive? Exploring <\/span>Digital Mitford<\/span><\/i>\u201d<\/span><\/li>\n<\/ul>\n