{"id":377,"date":"2012-12-13T14:24:44","date_gmt":"2012-12-13T19:24:44","guid":{"rendered":"https:\/\/www.bu.edu\/earlymusic\/?page_id=377"},"modified":"2013-04-05T12:59:32","modified_gmt":"2013-04-05T16:59:32","slug":"medievalsinger","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/earlymusic\/medievalsinger\/","title":{"rendered":"The Medieval Singer\u2019s Art: an Introduction to Liturgical Chant and Vernacular and Latin Song, from the 9th-13th Centuries"},"content":{"rendered":"<p><strong>The Medieval Singer\u2019s Art: an Introduction to Liturgical Chant and Vernacular and Latin Song, from the 9th-13th Centuries<\/strong><br \/>\nApril 13-15<\/p>\n<p><span style=\"text-decoration: underline;\">Course Description<\/span>:<br \/>\nAn introduction to the repertoire and performance practice of various genres of medieval vocal music, taught by two eminent practitioners of the art. The class will be limited to 8 participants, primarily singers, although players may be accomodated depending on their instrument and whether they are also willing to sing. Musicologists and other non-performing auditors welcome.<\/p>\n<p><span style=\"text-decoration: underline;\">Guest Faculty<\/span>:<br \/>\n<a target=\"_blank\" href=\"http:\/\/sequentia.org\/biographies\/bagby.html\">Benjamin Bagby<\/a> (<em>Sequentia<\/em>, Sorbonne),<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.ensemble-dialogos.org\/en\/livljanic\/en_livljanic.htm\">Katarina Livljani\u0107<\/a> (<em>Dialogos<\/em>, Sorbonne)<\/p>\n<p><span style=\"text-decoration: underline;\">Registration Information<\/span>:<br \/>\nThe course will be 15 hours of class time. Students, both undergraduate and graduate, can take the course for one credit or no credit, and should enroll as follows:<br \/>\nMU 409 Independent  Study (for undergraduates)<br \/>\nMU 890 Independent Study (for graduates)<\/p>\n<p><span style=\"text-decoration: underline;\">Locations<\/span>:<br \/>\nThe Saturday and Sunday sessions will occur on the BU Charles River campus, at 808 Commonwealth Avenue, Rooms 123 and 134. The Monday sessions will be held at the Church of the Good Shepherd in Watertown, MA. We will coordinate carpools to Watertown during one of our Sunday sessions.<\/p>\n<p><span style=\"text-decoration: underline;\">Schedule<\/span>:<br \/>\nSaturday, April 13 [Rooms 123 and 134]<br \/>\n2-5 Session I<br \/>\n5-7 Welcome Dinner<br \/>\n7-8 Talk by Benjamin Bagby and Katarina Livljanic<\/p>\n<p>Sunday, April 14<br \/>\n1:30-3 talk by Benjamin Bagby and Katarina Livljani\u0107 [open to the public; Marshall Room]<br \/>\n3:30-5:30 Session II [Rooms 123 and 134]<br \/>\n7-9:30 Session III [Rooms 123 and 134]<\/p>\n<p>Monday, April 15 [Patriots Day; classes will meet at Church of the Good Shepherd, Watertown]<br \/>\n10:30-1 Session IV<br \/>\n2:30-5:30 Session V<\/p>\n<p><span style=\"text-decoration: underline;\">Public Events<\/span>:<br \/>\nLecture<br \/>\nBenjamin Bagby and Katarina Livljani\u0107<br \/>\nApril 14<br \/>\n\u201cThe Silence of Medieval Singers&#8221;<br \/>\nMarshall Room, College of Fine Arts, 855 Commonwealth Avenue<br \/>\n1:30 pm &#8211; 3:00 pm<\/p>\n<p><strong>You can download the application <a href=\"\/earlymusic\/files\/2013\/01\/CEMS-mini-course-app.doc\">here<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Medieval Singer\u2019s Art: an Introduction to Liturgical Chant and Vernacular and Latin Song, from the 9th-13th Centuries April 13-15 Course Description: An introduction to the repertoire and performance practice of various genres of medieval vocal music, taught by two eminent practitioners of the art. The class will be limited to 8 participants, primarily singers, [&hellip;]<\/p>\n","protected":false},"author":6539,"featured_media":0,"parent":0,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/377"}],"collection":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/users\/6539"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/comments?post=377"}],"version-history":[{"count":11,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/377\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/377\/revisions\/379"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/media?parent=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}