{"id":14,"date":"2012-09-23T12:42:59","date_gmt":"2012-09-23T16:42:59","guid":{"rendered":"https:\/\/www.bu.edu\/earlymusic\/?page_id=14"},"modified":"2023-09-28T14:50:14","modified_gmt":"2023-09-28T18:50:14","slug":"faculty","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/earlymusic\/faculty\/","title":{"rendered":"Faculty"},"content":{"rendered":"<p><strong>Department of Musicology and Ethnomusicology<\/strong><\/p>\n<p><a href=\"http:\/\/people.bu.edu\/blues\/\">Victor Coelho<\/a>, Professor of Music | 16th-17th-century Italy, lute music, interdisciplinary approaches, \u00a0cross-cultural studies, performance practice<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/rifkin\/\">Joshua Rifkin, Professor Emeritus |<\/a> Josquin, Bach, Haydn, performance studies, redaction, paleography<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/shenton\/\">Andrew Shenton<\/a> | music director, Boston Choral Ensemble; organ performance and literature; music and religion<\/p>\n<p>Michael Birenbaum Quintero | South America, Historical Ethnomusicology<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Department of Historical Performance<\/strong><a href=\"http:\/\/martinpearlman.com\"><\/a><\/p>\n<p><a href=\"http:\/\/aldoabreu.com\">Aldo Abreu<\/a> | Lecturer, Recorder, Historical Performance<\/p>\n<p><a href=\"http:\/\/sarahfreiberg.com\">Sarah Freiberg<\/a> | Lecturer, Baroque Cello, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/jeppesen\/\">Laura Jeppesen<\/a> | Lecturer, Viola da Gamba, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/krueger\/\">Christopher Krueger<\/a> | Lecturer, Baroque Flute, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/ingles\/\">Greg Ingles<\/a> | Lecturer, Sackbut, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/liddell\/\">Catherine Liddell<\/a> | Lecturer, Lute, Historical Performance<\/p>\n<p>Robinson Pyle | Lecturer, Natural Trumpet, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/schachman\/\">Marc Schachman<\/a> | Lecturer, Baroque Oboe, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.aaronsheehantenor.com\">Aaron Sheehan<\/a> | Lecturer, Voice, Historical Performance<\/p>\n<p><a href=\"http:\/\/www.bu.edu\/cfa\/music\/faculty\/starkman\/\">Jane Starkman<\/a> | Lecturer, Baroque Violin, Historical Performance<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Department of Musicology and Ethnomusicology Victor Coelho, Professor of Music | 16th-17th-century Italy, lute music, interdisciplinary approaches, \u00a0cross-cultural studies, performance practice Joshua Rifkin, Professor Emeritus | Josquin, Bach, Haydn, performance studies, redaction, paleography Andrew Shenton | music director, Boston Choral Ensemble; organ performance and literature; music and religion Michael Birenbaum Quintero | South America, Historical [&hellip;]<\/p>\n","protected":false},"author":6693,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/14"}],"collection":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/users\/6693"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":18,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1268,"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/pages\/14\/revisions\/1268"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/earlymusic\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}