{"id":906,"date":"2025-03-16T13:24:59","date_gmt":"2025-03-16T17:24:59","guid":{"rendered":"https:\/\/www.bu.edu\/deerfield\/?page_id=906"},"modified":"2025-04-21T11:41:51","modified_gmt":"2025-04-21T15:41:51","slug":"issue3","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/deerfield\/issue3\/","title":{"rendered":"Issue 3 (2025)"},"content":{"rendered":"

Deerfield is the journal of the Boston University Writing Program. Each issue publishes a sampling of the best undergraduate work composed by students in our courses. Our name is inspired by Deerfield Street, adjacent to the Writing Program building.\u00a0<\/span><\/em><\/p>\n

\"\"<\/p>\n

Issue 3 (2025)<\/h3>\n

Table of Contents<\/h3>\n

Editors’ Note<\/a><\/p>\n

Masthead<\/a><\/p>\n

WR111<\/strong><\/p>\n

Kothari’s Use of Rhetorical Devices: Exploring Identity in \u201cIf You Are What You Eat, Then What Am I?\u201d<\/a> | Fan Bu (essay)<\/p>\n

WR120<\/strong><\/p>\n

Redefining Educational Equity: Reallocating Resources from METCO to Urban Schools in Massachusetts<\/a> | Nadia Mason (essay)<\/span><\/p>\n

Op-Ed: We Shouldn\u2019t Be Surprised That Abortion Didn\u2019t Persuade White Women<\/a> | Sophie Choong (essay)<\/span><\/p>\n

Pen, Page, and Power<\/a> | Adam Mhal (poetry)<\/p>\n

On the Necessity of Murals in Boston<\/a> | James Chang (essay)<\/p>\n

Dear Andrew: A Little Mermaid Retelling<\/a> | Chiara Nicolina Hirt (graphic novella)<\/p>\n

Maria Lando<\/a> | Thalia Pati\u00f1o Molano<\/span> (video documentary)<\/p>\n

WR151<\/strong><\/p>\n

Beyond Bereavement: Understanding the Long-Term Impacts of Spousal Loss on the Mental Health of Octogenarians and Beyond<\/a> | Sophia Pomposelli (essay)<\/span><\/p>\n

“Assay the Power You Have”: Distorted Female Autonomy in Measure for Measure<\/a> | Chantelle Tadros (essay)<\/span><\/p>\n

Challenging Social Norms in Korean Disturbing Films: How Cultural Context Heightens Discomfort for Different Audiences<\/a> | Chaeyheon Lucy Lee (essay)<\/p>\n

WR152<\/strong><\/p>\n

Losing Louisiana: The Sinking Time Bomb<\/a> | Sanaya Tonsekar (website)<\/p>\n

Que Viva La Raza: A Case Study into Local Journalism as Civil Resistance<\/a> | Julia Zayas (essay)<\/p>\n

WR153<\/strong><\/p>\n

Transforming Music Education Textbooks in South Korea: A Proposal to Mitigate Gender and Racial Discrimination<\/a> | Nahyun Nadine Lim (essay)<\/p>\n

Third Worlds<\/a> | Ajani Hickling (memoir)<\/p>\n

WR320<\/strong><\/p>\n

In the Waiting Room<\/a> | Waizo Chen (poetry)<\/p>\n

Cover Image<\/strong><\/p>\n

by Zhang Yuhui<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Deerfield is the journal of the Boston University Writing Program. Each issue publishes a sampling of the best undergraduate work composed by students in our courses. Our name is inspired by Deerfield Street, adjacent to the Writing Program building.\u00a0 Issue 3 (2025) Table of Contents Editors’ Note Masthead WR111 Kothari’s Use of Rhetorical Devices: Exploring […]<\/p>\n","protected":false},"author":19937,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/906"}],"collection":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/users\/19937"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/comments?post=906"}],"version-history":[{"count":13,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/906\/revisions"}],"predecessor-version":[{"id":1128,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/906\/revisions\/1128"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/media?parent=906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}