{"id":5,"date":"2022-03-21T14:08:25","date_gmt":"2022-03-21T18:08:25","guid":{"rendered":"https:\/\/www.bu.edu\/deerfield\/wr-journal-of-the-cas-writing-program\/"},"modified":"2026-04-22T13:49:49","modified_gmt":"2026-04-22T17:49:49","slug":"wr-journal-of-the-cas-writing-program","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/deerfield\/","title":{"rendered":"Deerfield"},"content":{"rendered":"<p><em>Deerfield <span>is the journal of the Boston University Writing Program. Each issue publishes a sampling of the best undergraduate work composed by students in our courses. Our name is inspired by Deerfield Street, adjacent to the Writing Program building.\u00a0<\/span><\/em><\/p>\n<p><img loading=\"lazy\" src=\"\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-384x636.jpeg\" alt=\"\" width=\"384\" height=\"636\" class=\"alignnone size-medium wp-image-1192\" srcset=\"https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-384x636.jpeg 384w, https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-619x1024.jpeg 619w, https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-768x1271.jpeg 768w, https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-928x1536.jpeg 928w, https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1-1237x2048.jpeg 1237w, https:\/\/www.bu.edu\/deerfield\/files\/2026\/04\/IMG_0454-Rania-Shah1.jpeg 1343w\" sizes=\"(max-width: 384px) 100vw, 384px\" \/><\/p>\n<h3>Issue 4 (2026)<\/h3>\n<h3>Table of Contents<\/h3>\n<p><a href=\"https:\/\/www.bu.edu\/deerfield\/2026\/04\/22\/editorsnote4\/\">Editor&#8217;s Note<\/a><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/deerfield\/2026\/04\/22\/masthead4\/\">Masthead<\/a><\/p>\n<p><strong>WR 120<\/strong><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1183&amp;preview=true\">Keeping Knowledge or Face?: Activated Spectatorship, Site Specificity, and Performativity<\/a> | Mason Dols (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1186&amp;preview=true\">So American<\/a> | Betelihiem Tecleab (memoir) | <em>*Tony Wallace Award for Writing Excellence<\/em><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1156&amp;preview=true\">Split in Two<\/a> | Robert Rodriguez II (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1151&amp;preview=true\">Carrying the Weight of Legacy: The Mental Health Toll on First-Gen Daughters<\/a> | Darlene K. Adusei (op-ed)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1173&amp;preview=true\">GenAI: Author or Plagiarist?<\/a> | Eddy Liulin (website)<\/span><\/p>\n<p><strong>WR 151<\/strong><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1140&amp;preview=true\">The Silent Teacher: The Unspoken Impact of Code-Switching on Second-Generation Latinos in the United States<\/a> | Chloe Avil\u00e9s (essay) | *<em>Prize Project Award<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1163&amp;preview=true\">Enhancing the Student Experience Through Teaching and Learning Internal Quality Assurance: Development and Pilot of the SIITE Method Faculty Survey at Boston University\u2019s STEM Department<\/a> | MaKenzie Elliott (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1166&amp;preview=true\">You&#8217;re Born Naked, and the Rest is Capitalism: The <em>RuPaul\u2019s Drag Race<\/em> Franchise\u2019s Effect on the Politics of Drag Artistry through the Dissemination of Gay Assimilationism<\/a> | Jacob Hise (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1161&amp;preview=true\">Compulsory Heterosexuality and Gothic Lesbianism in &#8220;My Visitation&#8221;<\/a> | Madeleine Lam (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1158&amp;preview=true\">The Changing Path to Pop Stardom: Reconsidering The Role of Institutionally Controlled Success And The New Growing Independent Decentralized Pathway to Mainstream Success<\/a> | Jose Ramirez (essay)<\/span><\/p>\n<p><strong>WR 152<\/strong><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1153&amp;preview=true\">The Cost of Looking: The Ethics of Photographing Familial Trauma in Margaret Bourke-White\u2019s \u201cThe Great Migration\u201d (1947)<\/a> | Adi Jalan (essay)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1171&amp;preview=true\">The Wood Wide Webb<\/a> | Mairead Peel (website) | *<em>Prize Project Award<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1149&amp;preview=true\">Trust in the Machine: Between the Lab Bench and the Algorithm<\/a> | Brianna Perales (essay)<\/span><\/p>\n<p><strong>WR 153<\/strong><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1144&amp;preview=true\">Learning to Live<\/a> | Lana Ghazale (essay) | <em>*Prize Project Award<\/em><\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1200&amp;preview=true\">To my brother, To me, To the world<\/a> | Alexandra Cross (poetry)<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1212&amp;preview=true\">They Will Simply Continue to Sing<\/a> | Emma Mullay (poetry)<\/span><\/p>\n<p><strong>WR 318<\/strong><\/p>\n<p style=\"padding-left: 40px;\"><span data-sheets-root=\"1\"><a href=\"https:\/\/www.bu.edu\/deerfield\/?p=1169&amp;preview=true\">&#8220;Sorry For Your Loss&#8230;and Other Awkward Things We Say&#8221;<\/a> | Aanya Chauhan (TED-style talk)<\/span><\/p>\n<p><strong>Cover Image<\/strong><\/p>\n<p>by Rania Shah<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deerfield is the journal of the Boston University Writing Program. Each issue publishes a sampling of the best undergraduate work composed by students in our courses. Our name is inspired by Deerfield Street, adjacent to the Writing Program building.\u00a0 Issue 4 (2026) Table of Contents Editor&#8217;s Note Masthead WR 120 Keeping Knowledge or Face?: Activated [&hellip;]<\/p>\n","protected":false},"author":17256,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/5"}],"collection":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/users\/17256"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/comments?post=5"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":1286,"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/pages\/5\/revisions\/1286"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/deerfield\/wp-json\/wp\/v2\/media?parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}