{"id":2476,"date":"2016-05-26T15:58:40","date_gmt":"2016-05-26T19:58:40","guid":{"rendered":"https:\/\/www.bu.edu\/creativewriting\/?page_id=2476"},"modified":"2026-03-16T15:25:50","modified_gmt":"2026-03-16T19:25:50","slug":"alumni-books","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/creativewriting\/alumni-books\/","title":{"rendered":"Alumni Publications"},"content":{"rendered":"

Below is an selective list of books published by our alumni. Email administrator Annaka Saari (crwr@bu.edu) to join our newsletter list for the most up-to-date information about the accomplishments of our alumni.<\/p>\n

FICTION<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author, Class Year<\/th>\nTitle<\/th>\nPublisher<\/th>\nRelease Year<\/th>\n<\/tr>\n<\/thead>\n
Christopher Castellani, 1999<\/td>\nLast Seen<\/em><\/td>\nViking<\/td>\n2026<\/td>\n<\/tr>\n
Shubha Sunder, 2012<\/td>\nOptional Practical Training<\/em><\/td>\nGraywolf<\/td>\n2025<\/td>\n<\/tr>\n
Catherine Con Morse, 2013<\/td>\nThe Summer I Remembered Everything<\/em><\/td>\nCrown Books for Young Readers<\/td>\n2025<\/td>\n<\/tr>\n
Megan Collins, 2008<\/td>\nCross My Heart<\/em><\/td>\nAtria Books<\/td>\n2025<\/td>\n<\/tr>\n
Weike Wang, 2015<\/td>\nRental House<\/em><\/td>\nRiverhead Books<\/td>\n2024<\/td>\n<\/tr>\n
Brendan Flaherty, 2015<\/td>\nThe Dredge<\/em><\/td>\nAtlantic Monthly Press<\/td>\n2024<\/td>\n<\/tr>\n
Sheila Sundar, 2020<\/td>\nHabitations<\/em><\/td>\nSimon & Schuster<\/td>\n2024<\/td>\n<\/tr>\n
Andrew Ewell, 2011<\/td>\nSet for Life<\/em><\/td>\nSimon & Schuster<\/td>\n2024<\/td>\n<\/tr>\n
Caroline Woods, 2009<\/td>\nThe Mesmerist<\/em><\/td>\nDoubleday<\/td>\n2024<\/td>\n<\/tr>\n
Catherine Con Morse, 2012<\/td>\nThe Notes<\/em><\/td>\nCrown Books for Young Readers<\/td>\n2024<\/td>\n<\/tr>\n
Maija Ma\u0308kinen, 2016<\/span><\/td>\nThe Ghosts of Other Immigrants<\/em><\/td>\nNew American Press<\/td>\n2023<\/td>\n<\/tr>\n
Michelle Min Sterling, 2010<\/td>\nCamp Zero<\/em><\/td>\nJohn Murray Publishers Ltd<\/td>\n2023<\/td>\n<\/tr>\n
Rebecca Kaiser Gibson, 1996<\/td>\nThe Promise of a Normal Life<\/em><\/td>\nArcade<\/td>\n2023<\/td>\n<\/tr>\n
Shubha Sunder, 2012<\/td>\nBoomtown Girl<\/em><\/td>\nBlack Lawrence Press<\/td>\n2023<\/td>\n<\/tr>\n
Jhumpa Lahiri, 1993<\/td>\nRoman Stories<\/em><\/td>\nKnopf<\/td>\n2023<\/td>\n<\/tr>\n
Rahad Abir, 2020<\/td>\nBengal Hound<\/em><\/td>\nGaudy Boy LLC<\/td>\n2023<\/td>\n<\/tr>\n
Shilpi Suneja, 2009<\/td>\nHouse of Caravans<\/em><\/td>\nMilkweed Editions<\/td>\n2023<\/td>\n<\/tr>\n
Megan Collins, 2008<\/td>\nThicker Than Water<\/em><\/td>\nAtria Books<\/td>\n2023<\/td>\n<\/tr>\n
Daphne Kalotay, 1994<\/td>\nThe Archivists<\/em><\/td>\nTriQuarterly<\/td>\n2023<\/td>\n<\/tr>\n
A.J. Bermudez, 2023<\/td>\nStories No One Hopes Are About Them<\/em><\/td>\nUniversity of Iowa Press<\/td>\n2022<\/td>\n<\/tr>\n
Nell Stevens, 2013<\/td>\nBriefly, a Delicious Life<\/em><\/td>\nScribner<\/td>\n2022<\/td>\n<\/tr>\n
Katherine Chen, 2021<\/td>\nJoan<\/em><\/td>\nPenguin Random House<\/td>\n2022<\/td>\n<\/tr>\n
Christopher Amenta, 2013<\/td>\nThe Cold Hard Light<\/em><\/td>\nBlackstone Publishing<\/td>\n2022<\/td>\n<\/tr>\n
Caroline Woods, 2009<\/td>\nThe Lunar Housewife<\/em><\/td>\nDoubleday<\/td>\n2022<\/td>\n<\/tr>\n
Lisa Taddeo, 2017<\/td>\nGhost Lover<\/em><\/td>\nAvid Reader Press \/ Simon & Schuster<\/td>\n2022<\/td>\n<\/tr>\n
Omer Friedlander, 2019<\/td>\nThe Man Who Sold Air in the Holy Land<\/em><\/td>\nPenguin Random House<\/td>\n2022<\/td>\n<\/tr>\n
Weike Wang, 2015<\/td>\nJoan Is Okay<\/em><\/td>\nPenguin Random House<\/td>\n2022<\/td>\n<\/tr>\n
Jhumpa Lahiri, 1993<\/td>\nWhereabouts<\/em><\/td>\nPenguin Hamish Hamilton<\/td>\n2021<\/td>\n<\/tr>\n
Ha Jin, 1994<\/td>\nA Song Everlasting<\/em><\/td>\nPantheon Books<\/td>\n2021<\/td>\n<\/tr>\n
Peter Ho Davies, 1993<\/td>\nA Lie Someone Told You About Yourself<\/em><\/td>\nAvid Reader Press \/ Simon & Schuster<\/td>\n2021<\/td>\n<\/tr>\n
Dariel Suarez, 2012<\/td>\nThe Playwright’s House<\/em><\/td>\nRed Hen Press<\/td>\n2021<\/td>\n<\/tr>\n
Lisa Taddeo, 2017<\/td>\nAnimal<\/em><\/td>\nSimon & Schuster<\/td>\n2021<\/td>\n<\/tr>\n
Megan Collins, 2008<\/td>\nThe Winter Sister<\/em><\/td>\nAtria Books \/ Simon & Schuster<\/td>\n2019<\/td>\n<\/tr>\n
H.M.\u00a0Naqvi, 2006<\/td>\nThe Selected Works of Abdullah (The Cossack)<\/em><\/td>\nHarperCollins India and Black Cat (Grove Atlantic)<\/td>\n2019<\/td>\n<\/tr>\n
John Rosengren, 1994<\/td>\nA Clean Heart<\/em><\/td>\nMango Press<\/td>\n2019<\/td>\n<\/tr>\n
Dariel Suarez, 2012<\/td>\nA Kind of Solitude<\/em><\/td>\nWillow Spring Books<\/td>\n2019<\/td>\n<\/tr>\n
Molly McCloskey, 2018<\/td>\nStraying<\/em><\/td>\nScribner<\/td>\n2018<\/td>\n<\/tr>\n
Molly McCloskey, 2018<\/td>\nWhen Light Is Like Water<\/em><\/td>\nPenguin, UK<\/td>\n2017<\/td>\n<\/tr>\n
Lisa Rosinsky, 2016<\/td>\nInevitable & Only<\/em><\/td>\nBoyds Mills Press<\/td>\n2017<\/td>\n<\/tr>\n
Sharon Pywell, 1989<\/td>\nThe Romance Reader’s Guide to Life<\/em><\/td>\nFlatiron Books \/ Macmillan<\/td>\n2017<\/td>\n<\/tr>\n
Weike Wang, 2015<\/td>\nChemistry<\/em><\/td>\nKnopf<\/td>\n2017<\/td>\n<\/tr>\n
Caroline Woods, 2008<\/td>\nFraulein M.<\/em><\/td>\nTyrus Books\/Simon & Schuster<\/td>\n2017<\/td>\n<\/tr>\n
Louie Cronin, 1994<\/td>\nEverone Loves You Back<\/em><\/td>\nGorsky Press<\/td>\n2016<\/td>\n<\/tr>\n
Peter Ho Davies, 1994<\/td>\nThe Fortunes<\/em><\/td>\nHoughton Mifflin<\/td>\n2016<\/td>\n<\/tr>\n
Isadora Deese, 1995<\/td>\nRight of Capture<\/em><\/td>\nPelekinesis<\/td>\n2016<\/td>\n<\/tr>\n
Rachel DeWoskin, 2000<\/td>\nBlind<\/em><\/td>\nPenguin<\/td>\n2016<\/td>\n<\/tr>\n
John Domini, 1974<\/td>\nMovieola!<\/em><\/td>\nDzanc Books<\/td>\n2016<\/td>\n<\/tr>\n
Jowhor Ile, 2017<\/td>\nAnd After Many Days<\/em><\/td>\nTim Duggan Books \/ Crown<\/td>\n2016<\/td>\n<\/tr>\n
Ha Jin,\u00a01993<\/td>\nThe Boat Rocker<\/em><\/td>\nPantheon Books<\/td>\n2016<\/td>\n<\/tr>\n
Julia Johnson, 1982<\/td>\nBe Frank With Me<\/em><\/td>\nWilliam Morrow \/ HarperCollins<\/td>\n2016<\/td>\n<\/tr>\n
Askold Melnyczuk, 1978<\/td>\nSmedley’s Secret Guide to World Literature<\/em><\/td>\nPFP, Inc.<\/td>\n2016<\/td>\n<\/tr>\n
Sue Miller, 1980<\/td>\nFamily Pictures<\/em><\/td>\nHarper Perennial<\/td>\n2016<\/td>\n<\/tr>\n
Andrew Mozina, 1990<\/td>\nContrary Motion<\/em><\/td>\nSpiegel & Grau<\/span><\/td>\n2016<\/td>\n<\/tr>\n
Lili Anolik, 2003<\/td>\nDark Rooms<\/em><\/td>\nWilliam Morrow \/ Harper Collins<\/td>\n2015<\/td>\n<\/tr>\n
Tim Floreen, 2005<\/td>\nWillful Machines<\/em><\/td>\nSimon & Schuster<\/td>\n2015<\/td>\n<\/tr>\n
Patricia Park, 2009<\/td>\nRe Jane<\/em><\/td>\nPenguin \/ Viking, Pamela Dorman<\/td>\n2015<\/td>\n<\/tr>\n
Christopher Robinson, 2006<\/td>\nWar of the Encyclopaedists\u00a0<\/em><\/td>\nScribner<\/td>\n2015<\/td>\n<\/tr>\n
Steve Sohmer, 1992<\/td>\nFavorite Son<\/em><\/td>\nAmazon<\/td>\n2015<\/td>\n<\/tr>\n
Melanie Sumner, 1987<\/td>\nHow to Write a Novel<\/em><\/td>\nVintage Contemporaries<\/td>\n2015<\/td>\n<\/tr>\n
Jessica Treadway, 2002<\/td>\nLacy Eye<\/em><\/td>\nGrand Central \/ Hacette<\/td>\n2015<\/td>\n<\/tr>\n
Kimberley Elkins, 2010<\/td>\nWhat Is Visible<\/em><\/td>\nLittle, Brown<\/td>\n2014<\/td>\n<\/tr>\n
Jim Gavin, 2012<\/td>\nMiddle Men: Stories<\/em><\/td>\nSimon & Schuster<\/td>\n2014<\/td>\n<\/tr>\n
William Giraldi, 2004<\/td>\nHold the Dark<\/em><\/td>\nLiveright \/ Norton<\/td>\n2014<\/td>\n<\/tr>\n
Robert Greer, 1989<\/td>\nThe Devil’s Hatband<\/em><\/td>\nAmazon<\/td>\n2014<\/td>\n<\/tr>\n
Saskya Jain, 2010<\/td>\nFire Under Ash<\/em><\/td>\nRandom House<\/td>\n2014<\/td>\n<\/tr>\n
Ha Jin, 1993<\/td>\nA Map of Betrayal<\/em><\/td>\nPantheon Books<\/td>\n2014<\/td>\n<\/tr>\n
Miriam Lipson, 2012<\/td>\nThe Cloud of Unknowing<\/em><\/td>\nYeti Publishing<\/td>\n2014<\/td>\n<\/tr>\n
Sue Miller, 1980<\/td>\nThe Arsonist<\/em><\/td>\nKnopf<\/td>\n2014<\/td>\n<\/tr>\n
Jennifer Anne Moses, 1983<\/td>\nTales From My Closet<\/em><\/td>\nScholastic<\/td>\n2014<\/td>\n<\/tr>\n
Maya Sloan, 2007<\/td>\nRich Kids of Instagram<\/em><\/td>\nSimon & Schuster \/ Gallery Books<\/td>\n2014<\/td>\n<\/tr>\n
Jessica Treadway, 2002<\/td>\nAnd Give You Peace<\/em><\/td>\nGraywolf<\/td>\n2014<\/td>\n<\/tr>\n
Christopher Castellani, 1999<\/td>\nAll This Talk of Love<\/em><\/td>\nAlgonquin<\/td>\n2013<\/td>\n<\/tr>\n
Steven Goldleaf, 1978 (editor of John O’Hara)<\/td>\nThe New York Stories<\/em><\/td>\nPenguin Classics<\/td>\n2013<\/td>\n<\/tr>\n
Robert Greer, 1989<\/td>\nLimited Time<\/em><\/td>\nAmazon<\/td>\n2013<\/td>\n<\/tr>\n
Daphne Kalotay, 1994<\/td>\nSight Reading: A Novel<\/em><\/td>\nHarperCollins<\/td>\n2013<\/td>\n<\/tr>\n
Jhumpa Lahiri, 1993<\/td>\nThe Lowland<\/em><\/td>\nKnopf<\/td>\n2013<\/td>\n<\/tr>\n
Jessica Lott, 2004<\/td>\nThe Rest of Us<\/em><\/td>\nSimon & Schuster<\/td>\n2013<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

POETRY<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author, Class Year<\/th>\nTitle<\/th>\nPublisher<\/th>\nRelease Year<\/th>\n<\/tr>\n<\/thead>\n
Maggie Dietz, 1997<\/td>\nIf You Would Let Me<\/em><\/td>\nFour Way Books<\/td>\n2026<\/td>\n<\/tr>\n
Carla Panciera, 1987<\/td>\nOne Trail of Longing, Another of String<\/em><\/td>\nBordighera Press<\/td>\n2025<\/td>\n<\/tr>\n
Selma Asoti\u0107, 2019<\/td>\nSay Fire<\/em><\/td>\nArchipelago<\/td>\n2025<\/td>\n<\/tr>\n
Tyler Dunston, 2019<\/td>\nOctaves<\/em><\/td>\nMoonstone Arts Center<\/td>\n2025<\/td>\n<\/tr>\n
Tom Bailey, 2020<\/td>\nPlease Do Not Touch or Feed the Horses<\/em><\/td>\nPoetry London<\/td>\n2025<\/td>\n<\/tr>\n
Luisa Caycedo-Kimura, 2013<\/td>\nAll Were Limones<\/em><\/td>\nThe Word Works<\/td>\n2025<\/td>\n<\/tr>\n
Dan Murphy, 2015<\/td>\nEstate Sale<\/em><\/td>\nUniversity of Utah Press<\/td>\n2025<\/td>\n<\/tr>\n
Lauren Peat, 2018<\/td>\nFuture Tense<\/em><\/td>\nBaseline Press<\/td>\n2024<\/td>\n<\/tr>\n
Duy Doan, 2010<\/td>\nZombie Vomit Mad Libs<\/em><\/td>\nAlice James Books<\/td>\n2024<\/td>\n<\/tr>\n
Matthew Porto, 2016<\/td>\nMoon Grammar<\/em><\/td>\nSlant Books<\/td>\n2024<\/td>\n<\/tr>\n
Ryan Wilson, 2008<\/td>\nIn Ghostlight<\/em><\/td>\nLSU Press<\/td>\n2024<\/td>\n<\/tr>\n
Jason Barry, 2019<\/td>\nFossil and Wing<\/em><\/td>\nDos Madres Press<\/td>\n2023<\/td>\n<\/tr>\n
Rachel DeWoskin, 2000<\/td>\nabsolute animal<\/em><\/td>\nUniversity of Chicago Press<\/td>\n2023<\/td>\n<\/tr>\n
Christianne Goodwin, 2022<\/td>\nOracle Smoke Machine<\/em><\/td>\nStaircase Books<\/td>\n2023<\/td>\n<\/tr>\n
Megan Fernandes, 2012<\/td>\nI Do Everything I’m Told<\/em><\/td>\nTin House Books<\/td>\n2023<\/td>\n<\/tr>\n
Renee Emerson, 2009<\/td>\nChurch Ladies<\/em><\/td>\nFernwood Press<\/td>\n2023<\/td>\n<\/tr>\n
Sasenine Persaud, 2006<\/td>\nMattress Makers<\/em><\/td>\nMawenzi House Publishers Ltd<\/td>\n2023<\/td>\n<\/tr>\n
Aaron Caycedo-Kimura, 2020<\/td>\nCommon Grace<\/em><\/td>\nBeacon Press<\/td>\n2022<\/td>\n<\/tr>\n
Lisa Hiton, 2011<\/td>\nAfterfeast<\/em><\/td>\nTupelo Press<\/td>\n2022<\/td>\n<\/tr>\n
Carl Phillips, 1993<\/td>\nThen the War<\/em><\/td>\nMacmillan<\/td>\n2022<\/td>\n<\/tr>\n
Erin Belieu, 1995<\/td>\nCome Hither Honeycomb<\/em><\/td>\nCopper Canyon Press<\/td>\n2021<\/td>\n<\/tr>\n
Rebecca Kaiser Gibson, 1996<\/td>\nGirl as Birch<\/em><\/td>\nBauhan Publishing<\/td>\n2021<\/td>\n<\/tr>\n
Martin Edumunds, 1996<\/td>\nFlame in a Stable<\/em><\/td>\nArrowsmith Press<\/td>\n2021<\/td>\n<\/tr>\n
Aaron Caycedo-Kimura, 2020<\/td>\nUbasute<\/em><\/td>\nSlapering Hol Press<\/td>\n2021<\/td>\n<\/tr>\n
Kate Hollander, 2006<\/td>\nMy German Dictionary<\/em><\/td>\nThe Waywiser Press<\/td>\n2020<\/td>\n<\/tr>\n
Rebecca van Laer, 2010<\/td>\nHow to Adjust to the Dark<\/em><\/td>\nCurbside Splendor<\/td>\n2019<\/td>\n<\/tr>\n
D.M. Aderibigbe, 2016<\/td>\nHow The End First Showed<\/em><\/td>\nUniversity of Wisconsin Press<\/td>\n2018<\/td>\n<\/tr>\n
Sasenarine Persaud, 2006<\/td>\nMonsoon on the Fingers of God<\/em><\/td>\nMawenzi House<\/td>\n2018<\/td>\n<\/tr>\n
Duy Doan, 2010<\/td>\nWe Play a Game<\/em><\/td>\nYale University Press<\/td>\n2018<\/td>\n<\/tr>\n
Ha Jin, 1993<\/td>\nA Distant Center<\/em><\/td>\nCopper Canyon Press<\/td>\n2018<\/td>\n<\/tr>\n
Susan Barba, 2012<\/td>\nFair Sun<\/em><\/td>\nDavid R. Godine, Publisher<\/td>\n2017<\/td>\n<\/tr>\n
R.S. Deese, 1995<\/td>\nSurf Music<\/em><\/td>\nPelekinesis<\/td>\n2017<\/td>\n<\/tr>\n
Lisa Hiton, 2011<\/td>\nVariation on Testimony<\/em><\/td>\nCutbank<\/td>\n2017<\/td>\n<\/tr>\n
Maggie Dietz, 1997<\/td>\nThat Kind of Happy<\/em><\/td>\nUniversity of Chicago Press<\/td>\n2016<\/td>\n<\/tr>\n
Renee Emerson, 2009<\/td>\nThreshing Floor<\/em><\/td>\nJacar Press<\/td>\n2016<\/td>\n<\/tr>\n
Adam Fitzgerald, 2010<\/td>\nGeorge Washington<\/em><\/td>\nLiveright \/ Norton<\/td>\n2016<\/td>\n<\/tr>\n
Eleanor Goodman, 2003<\/td>\nNine Dragon Island<\/em><\/td>\nZephyr Press<\/td>\n2016<\/td>\n<\/tr>\n
Jordan Zandi, 2010<\/td>\nSolarium<\/em><\/td>\nSarabande Books<\/td>\n2016<\/td>\n<\/tr>\n
Rebecca Kaiser Gibson, 1996<\/td>\nOpinel<\/i><\/td>\nBauhan Publishing<\/td>\n2015<\/td>\n<\/tr>\n
Megan Fernandes, 2012<\/td>\nThe Kingdom and After<\/i><\/td>\nTightrope Books<\/td>\n2015<\/td>\n<\/tr>\n
Tracey Knapp, 2005<\/td>\nMouth<\/em><\/td>\n42 Miles Press<\/td>\n2015<\/td>\n<\/tr>\n
Sara Peters, 2008<\/td>\n1996<\/em><\/td>\nAnansi Press<\/td>\n2015<\/td>\n<\/tr>\n
Carl Phillips, 1993<\/td>\nReconnaissance<\/em><\/td>\nFarrar, Straus and Giroux <\/span><\/td>\n2015<\/td>\n<\/tr>\n
Vanesha Pravin, 2009<\/td>\nDisorder<\/em><\/td>\nUniversity of Chicago Press <\/span><\/td>\n2015<\/td>\n<\/tr>\n
Erin Belieu, 1995<\/td>\nSlant Six<\/em><\/td>\nCopper Canyon Press<\/td>\n2014<\/td>\n<\/tr>\n
Renee Emerson, 2009<\/td>\nKeeping Me Still<\/em><\/td>\nWinter Goose Publishing<\/td>\n2014<\/td>\n<\/tr>\n
A.J. Odasso, 2016<\/td>\nThe Dishonesty of Dreams<\/em><\/td>\nFlipped Eye Publishing<\/td>\n2014<\/td>\n<\/tr>\n
Sasenarine Persaud, 2014<\/td>\nLove in a Time of Technology<\/em><\/td>\nTSAR Publications<\/td>\n2014<\/td>\n<\/tr>\n
Carl Phillips, 1993<\/td>\nSilverchest: Poems<\/em><\/td>\nFarrar, Straus and Giroux<\/td>\n2014<\/td>\n<\/tr>\n
Dariel Suarez, 2012<\/td>\nIn the Land of Tropical Martyrs<\/em><\/td>\nBackbone Press<\/td>\n2014<\/td>\n<\/tr>\n
Ani Gjika, 2011<\/td>\nBread on Running Waters<\/em><\/td>\nFenway Press<\/td>\n2013<\/td>\n<\/tr>\n
Sophie Grimes, 2011<\/td>\nCity Structures<\/em><\/td>\nDamask Press<\/td>\n2013<\/td>\n<\/tr>\n
Patrick Sylvain, 2014<\/td>\nMasuife<\/em> (Written in Haitian Creole)<\/td>\nTrilingual Press<\/td>\n2013<\/td>\n<\/tr>\n
Tess Taylor, 2008<\/td>\nThe Forage House<\/em><\/td>\nRed Hen Press<\/td>\n2013<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

NONFICTION<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Author\/Editor, Class Year<\/th>\nTitle<\/th>\nPublisher<\/th>\nRelease Year<\/th>\n<\/tr>\n<\/thead>\n
Natasha Hakimi Zapata, 2012<\/td>\nAnother World is Possible: Lessons from America from Around the Globe<\/em><\/td>\nNew Press<\/td>\n2025<\/td>\n<\/tr>\n
Laura Marris, 2013<\/td>\nThe Age of Loneliness<\/em><\/td>\nGraywolf<\/td>\n2024<\/td>\n<\/tr>\n
Lili Anolik, 2003<\/td>\nDidion & Babitz<\/em><\/td>\nScribner<\/td>\n2024<\/td>\n<\/tr>\n
Carl Phillips, 1993 and Erin Belieu, 1995<\/td>\nPersonal Best: Makers on Their Poems that Matter Most<\/em><\/td>\nCopper Canyon Press<\/td>\n2023<\/td>\n<\/tr>\n
Ani Gjika, 2011<\/td>\nAn Unruled Body: A Poet’s Memoir<\/em><\/td>\nRestless Books<\/td>\n2023<\/td>\n<\/tr>\n
Tess Taylor, 2006<\/td>\nLeaning toward Light: Poems for Gardens and the Hands that Tend Them<\/em><\/td>\nStorey<\/td>\n2023<\/td>\n<\/tr>\n
Jhumpa Lahiri, 1993<\/td>\nTranslating Myself and Others<\/em><\/td>\nPrinceton University Press<\/td>\n2022<\/td>\n<\/tr>\n
Susan Barba, 2012<\/td>\nAmerican Wildflowers: A Literary Field Guide<\/em><\/td>\nAbrams Books<\/td>\n2022<\/td>\n<\/tr>\n
John Rosengren, 1994<\/td>\nClassic Baseball: Timeless Tales, Immortal Moments<\/em><\/td>\nRowman & Littlefield<\/td>\n2022<\/td>\n<\/tr>\n
Charlotte Gordon, 1991<\/td>\nMary Shelley: A Very Short Introduction<\/em><\/td>\nOxford University Press<\/td>\n2022<\/td>\n<\/tr>\n
Peter Ho Davies, 1993<\/td>\nThe Art of Revision: The Last Word<\/em><\/td>\nGraywolf<\/td>\n2021<\/td>\n<\/tr>\n
Lisa Taddeo, 2017<\/td>\nThree Women<\/em><\/td>\nSimon & Schuster<\/td>\n2019<\/td>\n<\/tr>\n
Ha Jin, 1993<\/td>\nThe Banished Immortal: A Life of Li Bai<\/em><\/td>\nPantheon Books<\/td>\n2018<\/td>\n<\/tr>\n
Nell Stevens, 2013<\/td>\nThe Victorian and the Romantic: A Memoir, a Love Story, and a Friendship Across Time<\/em><\/td>\nPenguin Random House<\/td>\n2018<\/td>\n<\/tr>\n
J.D. Daniels, 2003<\/td>\nThe Correspondence: Essays<\/em><\/td>\nFarrar, Straus and Giroux<\/td>\n2017<\/td>\n<\/tr>\n
David Grann, 1994<\/td>\nKillers of the Flower Moon: The Osage Murders and the Birth of the FBI<\/em><\/td>\nDoubleday<\/td>\n2017<\/td>\n<\/tr>\n
Deepak Singh, 2018<\/td>\nHow May I Help You?: An Immigrant’s Journey from MBA to Minimum Wage<\/em><\/td>\nUniversity of California Press<\/td>\n2017<\/td>\n<\/tr>\n
Nell Stevens, 2013<\/td>\nBleaker House<\/em><\/td>\nDoubleday<\/td>\n2017<\/td>\n<\/tr>\n
Christopher Castellani, 1999<\/td>\nThe Art of Perspective: Who Tells the Story<\/em><\/td>\nGraywolf<\/td>\n2016<\/td>\n<\/tr>\n
William Giraldi, 2004<\/td>\nThe Hero’s Body: A Memoir<\/em><\/td>\nLiveright\/Norton<\/td>\n2016<\/td>\n<\/tr>\n
Jhumpa Lahiri, 1993<\/td>\nIn Other Words<\/em><\/td>\nKnopf<\/td>\n2016<\/td>\n<\/tr>\n
Charlotte Gordon, 1991<\/td>\nRomantic Outlaws<\/em><\/td>\nRandom House<\/td>\n2015<\/td>\n<\/tr>\n
Elizabeth Alexander, 1987<\/td>\nThe Light of the World: A Memoir<\/em><\/td>\nGrand Central Publishing<\/td>\n2015<\/td>\n<\/tr>\n
Matthew Battles, 1996<\/td>\nLibrary: An Unquiet History<\/em><\/td>\nNorton<\/td>\n2015<\/td>\n<\/tr>\n
Matthew Battles, 1996<\/td>\nPalimpsest: A History of the Written Word<\/em><\/td>\nNorton<\/td>\n2015<\/td>\n<\/tr>\n
Stacy Mattingly, 2011<\/td>\nCaptive: The Untold Story of the Atlanta Hostage Hero<\/em><\/td>\nWilliam Morrow \/ HarperCollins<\/td>\n2015<\/td>\n<\/tr>\n
Qais Akbar Omar, 2014<\/td>\nA Night in the Emperor’s Garden<\/em><\/td>\nUniversity of Chicago Press<\/td>\n2015<\/td>\n<\/tr>\n
Carl Phillips, 1993<\/td>\nThe Art of Daring: Risk, Restlessness, Imagination<\/em><\/td>\nGraywolf<\/td>\n2014<\/td>\n<\/tr>\n
John Rosengren, 1994<\/td>\nThe Fight of Their Lives: How Juan Marichal and John Roseboro Turned Baseball’s Ugliest Brawl into a Story of Forgiveness and Redemption<\/em><\/td>\nRowman and Littlefield<\/td>\n2014<\/td>\n<\/tr>\n
Glyn Maxwell, 1988<\/td>\nOn Poetry<\/em><\/td>\nHarvard University Press<\/td>\n2013<\/td>\n<\/tr>\n
Richard Rubin, 1991<\/td>\nThe Last of the Doughboys: The Forgotten Generation and Their Forgotten World War<\/em><\/td>\nHoughton Mifflin Harcourt<\/td>\n2013<\/td>\n<\/tr>\n
Qais Akbar Omar, 2014<\/td>\nA Fort of Nine Towers: An Afghan Family Story<\/em><\/td>\nFarrar, Straus & Giroux<\/td>\n2013<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

TRANSLATIONS<\/strong><\/p>\n\n\n\n\n<\/tr>\n\n\n\n\n\n\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Below is an selective list of books published by our alumni. Email administrator Annaka Saari […]<\/p>\n","protected":false},"author":8422,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"bu-landing","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/pages\/2476"}],"collection":[{"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/users\/8422"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/comments?post=2476"}],"version-history":[{"count":50,"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/pages\/2476\/revisions"}],"predecessor-version":[{"id":3884,"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/pages\/2476\/revisions\/3884"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/creativewriting\/wp-json\/wp\/v2\/media?parent=2476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

Author, Class Year<\/th>\nTitle<\/th>\nPublisher<\/th>\nRelease Year<\/th>\n<\/tr>\n<\/thead>\n
Eleanor Goodman, 2003<\/td>\nIron Moon: An Anthology of Chinese Worker Poetry<\/em><\/td>\nWhite Pine Press<\/td>\n2017<\/td>\n<\/tr>\n
Eleanor Goodman, 2003<\/td>\nThe Boots of Wisdom<\/em>, translation of Di Zang’s poetry<\/td>\nZephyr Press<\/td>\n2017<\/td>\n<\/tr>\n
Eleanor Goodman, 2003<\/td>\nDays When I Hide My Corpse in a Cardboard Box: Selected Poems of Natalia Chan<\/em><\/td>\nZephyr Press<\/td>\n2017<\/td>\n<\/tr>\n
Laura Marris, 2013<\/td>\nThe Safe House<\/em>, translation of Christophe Boltanski’s novel<\/td>\nUniversity of Chicago Press<\/td>\n2017<\/td>\n<\/tr>\n
Eleanor Goodman, 2003<\/td>\nSomething Crosses My Mind<\/em>, translation of Wang Xiaoni’s poetry<\/td>\nZephyr Press<\/td>\n2014<\/td>\n<\/tr>\n
Heather Green, 2009<\/td>\nNoontimes Won<\/em>, translation of Tristan Tzara\u2019s poetry<\/td>\nOctopus Books<\/td>\n2015<\/td>\n<\/tr>\n