{"id":2378,"date":"2021-06-17T12:41:29","date_gmt":"2021-06-17T16:41:29","guid":{"rendered":"https:\/\/www.bu.edu\/core\/?page_id=2378"},"modified":"2022-04-27T11:25:06","modified_gmt":"2022-04-27T15:25:06","slug":"issue-30","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/core\/community\/journal\/issue-30\/","title":{"rendered":"The Journal: Issue 30"},"content":{"rendered":"<p><img loading=\"lazy\" src=\"\/core\/files\/2021\/06\/core-journal-cover-2021.jpg\" alt=\"\" class=\"alignright\" width=\"240\" height=\"\" \/><\/p>\n<p>The Journal is produced by student editors in the CAS Core Curriculum, primarily those enrolled in HUB CC192: Collegiate Publishing Workshop. Our mission is to expand our engagement with great works, great questions, and great ideas, empowered by our study of the liberal arts, and to share these conversations with communities beyond the classroom.\u00a0The Journal is published annually and is available at no cost to members of the CAS community and interested members of the public as supplies allow; <a href=\"mailto:corejournal@gmail.com\">contact the staff<\/a> to pick up a copy. Select issues can be purchased through Amazon.com.<\/p>\n<h3>Table of Contents, with links to online exclusives<\/h3>\n<p><strong><a href=\"http:\/\/bu.edu\/core\/files\/2021\/06\/journal21.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">&gt;&gt; Click here to open the full issue PDF in a new window<\/a><\/strong><\/p>\n<p><em>A note on the layout: Where punctuation occurs inside a pair of quotation marks, the editors intend the reader to understand that the punctuation is either original to the material being quoted, or appears there by convention, as in the case of periods after article titles in \u2018Works Consulted\u2019 lists.<\/em><\/p>\n<p><strong>Editor\u2019s Note &#8211; Vanessa Hanger<\/strong> (p.8; <a href=\"http:\/\/blogs.bu.edu\/core\/2021\/06\/19\/journal-30-editor-note\/\" target=\"_blank\" rel=\"noopener noreferrer\">or read at the Core blog)<\/a><\/p>\n<p><strong>Essays &amp; Criticism<\/strong><\/p>\n<ul>\n<li>Nietzsche\u2019s Textual Panopticon<br \/>\n<em>by Daniel Cardosi (p.12)<\/em><\/li>\n<li>A Discussion of Ritual<br \/>\n<em>by Kei Kwan Queena Lau (p.22)<\/em><\/li>\n<li>Militarization and Predatory Recruiting in Gaming Spaces During COVID-19<br \/>\n<em>by Carolyn Zou (p.26)<\/em><\/li>\n<li>Austen\u2019s Letter-Writing &amp; Self-Authorship<br \/>\n<em>by Marina Berardino (p.46)<\/em><\/li>\n<li>How to Become\u2014or Remain\u2014An Ideal Person<br \/>\n<em>by Jonas Raedler (p.59)<\/em><\/li>\n<li>A review of <em>Together in a Sudden Strangeness<br \/>\nby Maggie Farren (p.72)<\/em><\/li>\n<li>Notes on an Ending<br \/>\n<em>by Sabine Ollivier-Yamin (p.78)<\/em><\/li>\n<li>Persian Romance Through a Sufi Lens<br \/>\n<em>by Arezu Monshizadeh (p.82)<\/em><\/li>\n<li>Grief and Violence as Disfiguration<br \/>\n<em>by Vivian Dai (p.90)<\/em><\/li>\n<li>Grief and the Great Books<br \/>\n<em>by Nyah Patel (p.102)<\/em><\/li>\n<li>Art in the Age of Artificial Intelligence<br \/>\n<em>by Sigourney Schultz (p.126)<\/em><\/li>\n<\/ul>\n<p><strong>Creative Writing<\/strong><\/p>\n<ul>\n<li>In Bloom<br \/>\n<em>by Cory Willingham (p.16; <a href=\"https:\/\/youtu.be\/y1jFNNw5AW0\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>At Night, in the Backland<br \/>\n<em>by Carlos Eduardo Santos Torres (p.17; <a href=\"https:\/\/www.youtube.com\/watch?v=SQjRATdavvQ\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>When the Bough Breaks<br \/>\n<em>by Alexandra Mascarello (p.21)<\/em><\/li>\n<li>A Distanced Love<br \/>\n<em>by Eva Ragonese (p.25; <a href=\"https:\/\/www.youtube.com\/watch?v=Z80Rn-yPx-Y\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Reading<br \/>\n<em>by Cat Dossett (p.32)<\/em><\/li>\n<li>A Letter To My Brother<br \/>\n<em>by Jenna Riedl (p.42; <a href=\"https:\/\/youtu.be\/MQQMJD6Hil4\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Wasting<br \/>\n<em>by Maggie Farren (p.45; <a href=\"https:\/\/www.youtube.com\/watch?v=xGxYNGRB0EM\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Corona Verse\/ Spare a Drink<br \/>\n<em>by Greye Dunn (p.58; <a href=\"https:\/\/youtu.be\/m4-232gOxQA\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Inconsequentially<br \/>\n<em>by <\/em>Roberto Cordova (p.63)<\/li>\n<li>Hollow Grounds<br \/>\n<em>by Bella T. Fong (p.64)<\/em><\/li>\n<li>A Pandemic Year in Texts<br \/>\n<em>by Monica Courtney (p.69; <a href=\"https:\/\/youtu.be\/h2cRchvUtKo\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Looking Back<br \/>\n<em>by Samantha Vatalaro (p.75)<\/em><\/li>\n<li>The Burning Stacks<br \/>\n<em>by Zachary Bos (p.76; <a href=\"https:\/\/youtu.be\/eIgR6Qx4Ew4\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Two Poems<br \/>\n<em>by Andrew Kelbley (p.80)<\/em><\/li>\n<li>Two Weeks<br \/>\n<em>by Zo\u00eb Figueroa (p.94; <a href=\"https:\/\/youtu.be\/GXz3WlbVi1c\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Anaphora<br \/>\n<em>by Ryan Ives (p.101)<\/em><\/li>\n<li>Polyphemus\u2019 Lament<br \/>\n<em>by Brian Ko (p.106)<\/em><\/li>\n<li>Spring in Griggs Park<br \/>\n<em>by Sassan Tabatabai (p.112; <a href=\"https:\/\/youtu.be\/MUgAKu3zriM\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>If Eden Were a Woman<br \/>\n<em>by Junia Genevieve Janvier (p.119; <a href=\"https:\/\/youtu.be\/2Am6M_dpRwE\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Just Go<br \/>\n<em>by Veronica Booth (p.157; <a href=\"https:\/\/youtu.be\/GV0AbCtcceU\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<\/ul>\n<p><strong>Features &amp; Multimodal<\/strong><\/p>\n<ul>\n<li>Art in an Age of Anxiety<br \/>\n<em>by Isabel Plower, Ziwen Xie, Tammy Dong and Avi Nguyen (p.37)<\/em><\/li>\n<li>Making a Musical During Lockdown<br \/>\n<em>by Isabella Very (p.43; <a href=\"https:\/\/www.alreadyhomemusical.com\" target=\"_blank\" rel=\"noopener noreferrer\">view online<\/a>)<\/em><\/li>\n<li>Video: Balloons<br \/>\n<em>by Noelle No (p.105; <a href=\"https:\/\/youtu.be\/sHeZCNuMvo0\" target=\"_blank\" rel=\"noopener noreferrer\">view online<\/a>)<\/em><\/li>\n<li>A Conversation with Gregory Kerr<br \/>\n<em>by Bruce Hallgren and Nyah Patel (p.114; <a href=\"https:\/\/www.bu.edu\/core\/story\/an-interview-with-gregory-kerr\/\" target=\"_blank\" rel=\"noopener noreferrer\">read the full version<\/a>)<\/em><\/li>\n<li>Experiences Abroad During COVID<br \/>\n<em>compiled by Marco Rotella w\/Zachary Bos (p.145)<\/em><\/li>\n<li>Learning During the New Normal<br \/>\n<em>by Miho Namba (p.140)<\/em><\/li>\n<li>Video: Dido<br \/>\n<em>by Seynedhee Avenie (<a href=\"https:\/\/youtu.be\/VRa4Z1aN4OA\" target=\"_blank\" rel=\"noopener noreferrer\">online exclusive<\/a><a href=\"https:\/\/youtu.be\/VRa4Z1aN4OA\" target=\"_blank\" rel=\"noopener noreferrer\"><\/a>)<\/em><\/li>\n<\/ul>\n<p><strong>Reports &amp; Briefings<\/strong><\/p>\n<ul>\n<li>SARS-CoV-2: Symptoms and Selection<br \/>\n<em>by Jack Norton (p.66)<\/em><\/li>\n<li>The Costs of Single-Use Plastics in Healthcare<br \/>\n<em>by Jennifer Motzer (p.95)<\/em><\/li>\n<li>A Letter to Envoy Kerry re: Climate Change<br \/>\n<em>by Riya Beri (p.108)<\/em><\/li>\n<li>Ethnographic Insight into the Lives of Chinese International Students During COVID<br \/>\n<em>by Tian Liao (p.138)<\/em><\/li>\n<\/ul>\n<p><strong>Arts &amp; Photography<\/strong><\/p>\n<ul>\n<li>Normal People<br \/>\n<em>by Onosereme Ofoman (cover)<\/em><\/li>\n<li>Song: Going to the Virtual Show<br \/>\n<em>by Brian Jorgensen (p.10; <a href=\"https:\/\/youtu.be\/VRa4Z1aN4OA\" target=\"_blank\" rel=\"noopener noreferrer\">listen as part of a reading of the Menaechmi<\/a>)<\/em><\/li>\n<li>Spring, Beacon Street<br \/>\n<em>by Elisabeth Graves (p.15)<\/em><\/li>\n<li>Faces<br \/>\n<em>by Alexandra Mascarello (p.20)<\/em><\/li>\n<li>Spring, Back Bay<br \/>\n<em>by Elisabeth Graves (p.24)<\/em><\/li>\n<li>Comic: A Legacy<br \/>\n<em>by Isabel Mejia (p.33)<\/em><\/li>\n<li>Travels in China and Tibet<br \/>\n<em>by David Green (p.52)<\/em><\/li>\n<li>Reflection<br \/>\n<em>by Alexandra Castro Iberico (p.64)<\/em><\/li>\n<li>Graduating Seniors<br \/>\n<em>by Laura Meyer (p.69)<\/em><\/li>\n<li>Scan Artifacts<br \/>\n<em>by Zachary Bos (p.76)<\/em><\/li>\n<li>Playlist for Enlightenment &amp; Romantic Revolt<br \/>\n<em>by Kyna Hamill (p.87; <a href=\"https:\/\/www.bit.ly\/CoreTunes21\" target=\"_blank\" rel=\"noopener noreferrer\">listen on Spotify<\/a>)<\/em><\/li>\n<li>Coronatoon Diary<br \/>\n<em>by Susan Foster (p.88)<\/em><\/li>\n<li>What Is That Covid? Blues<br \/>\n<em>by Brian Jorgensen (p.89)<\/em><\/li>\n<li>Drifting Away<br \/>\n<em>by Jaden Duenas (p.90)<\/em><\/li>\n<li>Sonata: Thusia<br \/>\n<em>by Kaitlyn DeSouza (p.98; <a href=\"https:\/\/youtu.be\/9f9gp4p1-a4\" target=\"_blank\" rel=\"noopener noreferrer\">listen here<\/a>)<\/em><\/li>\n<li>Summer, Public Garden<br \/>\n<em>by Andrew Huynh (p.113)<\/em><\/li>\n<li>Comic: A New Man in Town<br \/>\n<em>by Sneha Korlakunta (p.121)<\/em><\/li>\n<li>An Imagined Zoom<br \/>\n<em>by Alexandra Mascarello (p.137)<\/em><\/li>\n<li>Roommate Packing<br \/>\n<em>by Kehan Yin (p.143)<\/em><\/li>\n<li>Street Scenes in Bologna, Italy<br \/>\n<em>by Chloe Hite (p.146)<\/em><\/li>\n<li>Return to Chinatown<br \/>\n<em>by Andrew Huynh (p.149)<\/em><\/li>\n<li>In Limbo<br \/>\n<em>by Gwen Liu (p.166)<\/em><\/li>\n<\/ul>\n<p><strong>Analects of Core<\/strong><br \/>\nMarx trans. Fernbach (p.2); Daodejing trans. Ivanhoe (p.14); Aristotle trans. Ostwald (p.15); Confucius trans. Watson (p.24); Genesis trans. Alter (p.62); Rousseau trans. Cress (p.68); Plato trans. Reeve (p.74); Declaration of the Rights of Man &amp; Citizen (p.79); Dickinson (p.87); Semp\u00e9 (p.88); Tennyson (p.102); Freud trans. Strachey (p.136); Du Bois (p.137); Daodejing trans. Le Guin (p.166); Dante trans. Mandelbaum (p.167); and Ibn Khald\u00fbn trans. Rosenthal (p.168).<\/p>\n<p><strong>About Our Contributors and Staff<\/strong> (p.158)<\/p>\n<p>Fine print: All rights are reserved by the creators of these texts and images. Creative works published herein are works of the imagination; any resemblance to persons or beings living or dead may be coincidental, or may be artistically deliberate. Resemblance to fictional characters found originally in song, myth, art, religion or literature is in all cases meaningful, and in many cases, inspired. The Journal crest, logo and monograph introduced in this issue were concepted by Alexandra Mascarello for BU BookLab. Correspondence may be sent to the editors c\/o the Arts &amp; Sciences Core Curriculum at Boston University, 685 Commonwealth Avenue, Suite 119, in Boston, Massachusetts, 02215, or <a href=\"mailto:corejournal@gmail.com\" target=\"_blank\" rel=\"noopener noreferrer\">via email<\/a>.<\/p>\n<p><a href=\"http:\/\/bu.edu\/core\/journal\">&lt;&lt;&lt; Return to the issue archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Journal is produced by student editors in the CAS Core Curriculum, primarily those enrolled in HUB CC192: Collegiate Publishing Workshop. Our mission is to expand our engagement with great works, great questions, and great ideas, empowered by our study of the liberal arts, and to share these conversations with communities beyond the classroom.\u00a0The Journal [&hellip;]<\/p>\n","protected":false},"author":3511,"featured_media":0,"parent":230,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-templates\/landing.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/pages\/2378"}],"collection":[{"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/users\/3511"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/comments?post=2378"}],"version-history":[{"count":24,"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/pages\/2378\/revisions"}],"predecessor-version":[{"id":2438,"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/pages\/2378\/revisions\/2438"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/pages\/230"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/core\/wp-json\/wp\/v2\/media?parent=2378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}