{"id":28907,"date":"2019-10-01T19:23:43","date_gmt":"2019-10-01T23:23:43","guid":{"rendered":"http:\/\/www.bu.edu\/com\/?post_type=bu-article&#038;p=28907"},"modified":"2021-04-30T17:24:38","modified_gmt":"2021-04-30T21:24:38","slug":"bob-fishman-is-ahead-of-the-game","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/com\/articles\/bob-fishman-is-ahead-of-the-game\/","title":{"rendered":"Bob Fishman Is Ahead of the Game"},"content":{"rendered":"\n<p class=\"has-drop-cap is-style-default\">By 9 am on a steamy Florida morning in September, tour buses have already begun unloading football fans outside Hard Rock Stadium. Nearby tailgaters begin setting up grills, coolers and beach chairs. Kickoff for the Miami Dolphins\u2013New England Patriots matchup is four hours away, but the football world is already focused on this game. Fans, gamblers, fantasy football managers, Patriots lovers and Patriots haters all want to see if Antonio Brown\u2014signed by the Patriots on the preceding Monday and accused of rape the next day\u2014will play.<\/p>\n\n\n\n<p class=\"is-style-default\">It\u2019s week two of the 2019 NFL season and seated in the second of four tractor trailers that make up his team\u2019s mobile production studio, Bob Fishman (\u201969), the director of CBS Sports\u2019 broadcast of the game, talks into his headset. \u201cYou\u2019re excused from the camera meeting,\u201d he tells one of his camera operators, giving him an early assignment: wait for the Patriots bus to arrive and get a shot of Brown stepping off. The CBS crew working the game consists of more than 40 people, but it\u2019s Fishman who will call the shots that make up the live broadcast.<\/p>\n\n\n\n<p class=\"is-style-default\">Fifteen minutes later, he sits down with his camera crew in a nearby catering tent. \u201cDom, your day is about to change,\u201d he says to the operator of camera 20, perched high above the 50-yard line. He gives him the job of following Brown all game, whether he\u2019s playing or not. Then Fishman runs through other potential story lines for the day. He mentions the Patriots\u2019 past struggles in hot weather. \u201cWatch for guys sucking oxygen or standing under fans,\u201d he says. And he mentions the two teams\u2019 owners: \u201cKraft and Steven Ross\u2014we must get on-screen today,\u201d he says.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large\"><img loading=\"lazy\" width=\"332\" height=\"555\" src=\"\/com\/files\/2021\/04\/bob-fishman-alumni-article.jpg\" alt=\"\" class=\"wp-image-29319\"\/><figcaption>Fishman\u2019s 44-year career at CBS Sports has included 20 Daytona 500s, 27 US Opens, 37 NCAA basketball tournaments and three Olympic Games. He\u2019ll be inducted into the Sports Broadcasting Hall of Fame in December 2019.\u00a0<em>Photo by John P. Filo\/CBS<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left is-style-default\">He\u2019s laying the groundwork for shots he may need in the game. Each play, and there will be more than 120 of them, is a mini-story that Fishman tells on the fly using replays and other shots that provide context for the action. To do so, he will coordinate with producer Mark Wolff, associate director Brian Jagoda and technical director Terri Rozic to select replays, reaction shots and graphics. All of this happens at a rapid pace, with Fishman directing cuts from one shot to another just seconds before the images appear on millions of television screens. \u201cWe\u2019re not creating the game, we\u2019re documenting the game,\u201d he says. \u201cBut you can turn it into a creative process by juxtaposing the winners and losers in a creative way.\u201d<\/p>\n\n\n\n<p class=\"is-style-default\">Fishman ends his camera crew meeting with a simple message: \u201cI love you guys being aggressive, but let\u2019s always get back for the snap.\u201d<\/p>\n\n\n\n<p class=\"is-style-default\">In 44 years with CBS Sports, Fishman has directed 27 US Open Tennis Championships, 20 Daytona 500 NASCAR races, three Olympic figure skating competitions, two World Series and countless other events including college football, professional basketball, and horse racing. Fishman now works just NFL and NCAA basketball games. He\u2019s CBS\u2019 lead director for the NCAA basketball tournament\u2014\u201cMarch Madness\u201d\u2014a role he\u2019s filled since the first time it was broadcast, in 1982, with just one exception: Fishman missed the 1990 tournament to receive a bone marrow transplant for non-Hodgkin\u2019s lymphoma. He\u2019s received 16 Emmys, three Directors Guild of America awards, and in December he\u2019ll be inducted into the <a href=\"https:\/\/www.sportsbroadcastinghalloffame.org\/2019\/08\/06\/sports-broadcasting-hall-of-fame-announces-class-of-2019\/\">Sports Broadcasting Hall of Fame<\/a>.<\/p>\n\n\n\n<h3>Broadcast Pioneer <\/h3>\n\n\n\n<p class=\"is-style-default\">Fishman\u2019s first exposure to broadcast sports came as a kid in the Virgin Islands where his parents managed a resort. He could pick up Spanish-language broadcasts from Puerto Rico and rebroadcast baseball games of his beloved Dodgers on shortwave radio early in the morning. \u201cI wanted to be a baseball announcer,\u201d he says. He also played soccer, which took him to Claremont Men\u2019s College (now Claremont McKenna) before he transferred to BU. At COM, he studied film and television production and knew he wanted to apply that to sports. \u201cI realized I wasn\u2019t going to be an announcer because there were a lot of people better than me,\u201d Fishman says. \u201cBut I had an affinity for behind-the-scenes stuff.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio is-style-background-yellow\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-youtube\"><iframe loading=\"lazy\" title=\"Apollo 17 launch countdown, Walter Cronkite on CBS with ABC and NBC news coverage, December 6, 1972\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/OJOq1NRG9fE?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.bu.edu\/com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption>Fishman&#8217;s big break came when he had to step in and direct CBS coverage of the Apollo 17 launch, hosted by Walter Cronkite. <em>Dan Beaumont Space Museum<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">From COM, Fishman landed a job at a CBS affiliate in Philadelphia then jumped to CBS News in 1972. His big break came later that year during the Apollo 17 launch. The director got food poisoning and Fishman, the only other CBS crew member with a Director\u2019s Guild card, was suddenly in charge of Walter Cronkite\u2019s broadcast of the last US mission to the moon. He still had his eyes on sports though, and when his boss was named president of CBS Sports, Fishman finally got his chance. \u201cThe idea of working with multiple cameras, and the unpredictability of directing sports events, working without scripts, appealed to me,\u201d he says.<\/p>\n\n\n\n<p class=\"is-style-default\">Televised sports, as we know them today, were just beginning to take shape, allowing Fishman to play a pioneering role. He directed the first version of &lt;em&gt;NFL Today&lt;\/em&gt;, the CBS studio show that still airs on Sundays. For Super Bowl X, he was associate director for an ambitious multisite pregame show. You could even give him some credit for NASCAR\u2019s popularity. He was the first director to put a camera inside the cars, and his 1979 broadcast of the Daytona 500\u2014the first time the race was shown live, from start to finish\u2014drew an audience of 15 million.<\/p>\n\n\n\n<p class=\"is-style-default\">Even as he\u2019s found new ways to look at sports, Fishman has held the games themselves sacred. \u201cMy goal is to never miss live action,\u201d he says. \u201cYou stay on one camera until the play is over. Then do whatever you want to get your reaction shots, your replays, your emotional shots, your cheering crowd shots. That\u2019s always been my mantra, and that\u2019s my mantra when I\u2019m teaching younger guys at CBS.\u201d<\/p>\n\n\n\n<p class=\"is-style-default\">Despite that commitment to capturing every play, Fishman\u2019s favorite moments happen away from the action. When he talks about his first NCAA tournament, in 1982, he doesn\u2019t mention a teenaged Michael Jordan sealing the win for North Carolina with a jump shot in the closing seconds. Instead, he recalls Georgetown head coach John Thompson\u2019s emotional embrace of Freddie Brown, who had turned the ball over to end the game. Anyone who has watched March Madness, or even just the \u201cOne Shining Moment\u201d montage that CBS produces at the end of the tournament each year, has felt the emotional tug of Fishman\u2019s shot selections.<\/p>\n\n\n\n<p class=\"is-style-default\">\u201cHe has that sixth sense that I think the great directors in history have\u2014whether it\u2019s in live television, episodic television, feature film\u2014to understand what their audience wants,\u201d says Jim Nantz, CBS\u2019 lead play-by-play announcer for NFL, NCAA basketball and golf. \u201cNow, what Bob does is harder. He doesn\u2019t get any second takes, or third, or fourth takes. You make a decision and you gotta live with it\u2014and his shows are just mistake free.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio is-style-background-yellow\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-youtube\"><iframe loading=\"lazy\" title=\"One Shining Moment | 2019 March Madness\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hUTI_oAJqa4?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.bu.edu\/com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption>In between live action, Fishman likes to focus on emotional moments\u2014many of them evident in the March Madness &#8220;One Shining Moment&#8221; montage that CBS produces at the close of each year&#8217;s tournament. <em>NCAA<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"is-style-default\">Even watching something as mundane as Robert Mueller\u2019s testimony before Congress in July, Fishman sees missed opportunities. \u201cIf I was directing this and I had free reign, I would be going to town on the reaction shots, positive or negative,\u201d he says. He speculates that the expressions of a liberal listening to a conservative\u2019s line of questioning, or vice versa, would make good TV. \u201cBut we\u2019re not seeing that because they\u2019re keeping the camera on Mueller.\u201d<\/p>\n\n\n\n<p class=\"is-style-default\">\u201cHe just has this keen ability, even though he\u2019s sitting in a production truck, to know what\u2019s going on inside of an entire arena,\u201d Nantz says. \u201cHe sees it all and feels it all better than anyone who\u2019s ever done it.\u201d<\/p>\n\n\n\n<h3>A Sunday Tradition<\/h3>\n\n\n\n<p class=\"is-style-default\">For tens of millions of Americans, Sunday means the NFL on TV. In the midst of an evolving television landscape, with streaming services and cable channels drawing viewers away from the major networks, the NFL has remained a ratings stalwart. In 2018, 64 of the 100 top-rated television shows were NFL games (another 25 were other live sports). On the day the Dolphins\u2013Patriots played, an estimated 15 million people watched games on CBS.<\/p>\n\n\n\n<p class=\"is-style-default\">\u201cIf you don\u2019t have a major sports package of some sort, you\u2019re not in the game,\u201d Fishman says. \u201cI think CBS found that out when we lost the football contract [in 1993]. We had college football, but on Sundays we had nothing.\u201d In 2011, four networks\u2014CBS, Fox, ESPN and NBC\u2014agreed to pay nearly $40 billion for nine years of NFL broadcast rights. Given the symbiotic relationship between the NFL and its broadcast partners, it\u2019s not entirely surprising when the Patriots\u2019 billionaire owner, Robert Kraft, climbs into Fishman\u2019s trailer to chat with him and Wolff pregame before heading to his luxury box.<\/p>\n\n\n\n<p class=\"is-style-default\">As the Patriots prepare to kick off, the broadcasting team of Ian Eagle and Dan Fouts does a two-minute intro and Fishman jumps into action. \u201cRoll Elvis! Music! Font in! Roll B! Dissolve!\u201d he calls out, cueing a series of graphics and replays. While each of Fishman\u2019s cameras is designated by number, various graphics (including Font) and replay feeds (like Elvis) have been named to avoid confusion. With that segment wrapped, it\u2019s finally game time.<\/p>\n\n\n\n<p class=\"is-style-default\">\u201cYour game!\u201d Jagoda calls out. \u201cGo, Bobby!\u201d Wolff adds. On most of the screens, Patriots kicker Stephen Gostkowski boots the ball into the Dolphins&#8217; end zone. Fishman leans forward, body tensing as the action begins. \u201cReady 6! Take 6! Hit the slab!\u201d he says, ordering a graphic over the left side of a shot of Dolphins quarterback Ryan Fitzpatrick. He waves a black Sharpie in his right hand, the anonymous conductor of a performance being watched by millions. \u201cMy goal is to put them in the best seat in the house,\u201d he says of the TV audience.<\/p>\n\n\n\n<p class=\"is-style-default\">Fishman, Wolff, Rozic and Jagoda sit in front of a wall of monitors: 25 screens, some split into as many as nine feeds, display more than 100 images. Yet more monitors fill a second room deeper in the trailer, where the graphics team sits; next door, another trailer is home to the video replay team. Fishman focuses on the screens showing feeds from his 12 camera operators, who give him a 360-degree view of the field.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-style-teal-background-left\"><p>He just has this keen ability, even though he\u2019s sitting in a production truck, to know what\u2019s going on inside of an entire arena. He sees it all and feels it all better than anyone who\u2019s ever done it.<\/p><cite>Jim Nantz<\/cite><\/blockquote>\n\n\n\n<p class=\"is-style-default\">To an untrained eye, and ear, the pace is dizzying and the atmosphere frantic. Jagoda, Wolff and Fishman all speak at once. Fishman\u2019s left hand is perched over controls that allow him to talk to the announcers when necessary; his camera crew, on the other hand, gets an uninterrupted Fishman feed through their headsets. Rozic pulls the necessary instructions out of that chaos and calmly punches buttons on her massive control board. Her cuts, dissolves and sweeping graphics stitch the entire broadcast together.<\/p>\n\n\n\n<p class=\"is-style-default\">The Dolphins punt and the Patriots begin their first drive. \u201cBrown\u2019s coming in!\u201d someone calls out. Fishman is ready. \u201cStay with him, 20 and 2,\u201d he says to the camera crew. Tom Brady passes to his new wide receiver for a gain of 18 yards and viewers immediately see the play again from multiple angles. Later in the half, Brown catches a 20-yard touchdown pass and leaps into the stands. \u201cWhoa!\u201d Fishman exclaims. \u201cReady 4! Take 4! Back to Y! Out to 3!\u201d<\/p>\n\n\n\n<p class=\"is-style-default\">Viewers see a sequence of replays and reaction shots that tell the story of the play in a neat 38-second package. \u201cWe are very aggressive with multiple shots after a play,\u201d Fishman says. \u201cI\u2019m like a kid in a candy store, looking at 12 monitors. I see a shot\u2014then all of a sudden I see a better shot.\u201d Fishman cuts back to the live action moments before the extra point kick.<\/p>\n\n\n\n<div class=\"wp-block-group has-bucom-yellow-background-color has-background is-style-group-fullwidth\"><div class=\"wp-block-group__inner-container\">\n<h4>Shot-by-shot breakdown of a Tom Brady touchdown run<\/h4>\n\n\n\n<p class=\"is-style-default\"><div class=\"bu-slideshow-container bob-fishman-shot-by-shot\" id=\"bu-slideshow-container-21613\" data-slideshow-name=\"bob-fishman-shot-by-shot\" data-slideshow-delay=\"5000\" style=\"width: auto; \"><div class='slideshow-loader active'><div class='loader-animation'><\/div><p>loading slideshow...<\/p><\/div><div class=\"bu-slideshow-slides\"><ul class=\"bu-slideshow transition-fade\" id=\"bu-slideshow-21613\"><li id=\"bu-slideshow-21613_0\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/1-1-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 1: A live shot of Tom Brady rushing for a touchdown leads into a sequence of replays and reactions.<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_1\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/2-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 2: Bob Fishman in the production trailer: \u201cReady 5! Take 5!\u201d Play-by-play announcer Ian Eagle: \r\n\u201cBrady hammers it in!\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_2\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/3-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 3: Fishman: \u201cReady 3! Take 3!\u201d<\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_3\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/4-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 4: Fishman: \u201cReady 5! Take 5!\u201d Eagle: \u201cAnd the Patriots build on their lead, late stages of the third quarter.\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_4\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/5-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 5: Fishman: \u201cReady X! Dissolve to X!\u201d Analyst Dan Fouts: \u201cYou can see Tom taking the snap from center. But he was crouched down almost in a sprinter-type of stance with his left leg behind his right leg\u2026\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_5\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/6-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 6: \u201c...just powering over the top of Ted Karras. Help from Shaq Mason and Joe Thuney\u2026\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_6\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/7-1-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 7: \u201c...And a big gap by the Dolphins, not anticipating the quarterback sneak.\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_7\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/8-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 8: Fishman: \u201cReady 9! Take 9!\u201d Fouts: \u201cThat may have been Brady just taking it on his own when he saw that hole in the defensive line.\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_8\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/9-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 9: Fishman: \u201cReady, out to 8! Take 8!\u201d Eagle: \u201cSo a touchdown through the air for Brady and a touchdown on the ground for Brady.\u201d <\/p><\/div><\/div><\/li><li id=\"bu-slideshow-21613_9\" class=\"slide \"><div class=\"bu-slide-container slide-caption-bottom-center\"><img src=\"\/com\/files\/2019\/09\/10-1-1024x571.jpg\" alt=\"\" \/><div class=\"bu-slide-caption caption-bottom-center\"><p class=\"bu-slide-caption-text\">Shot 10: Fishman: \u201cReady 9! Take 9!\u201d After one final shot of Tom Brady, CBS cuts to a commercial.<\/p><\/div><\/div><\/li><\/ul><\/div><div class=\"bu-slideshow-arrows\" id=\"bu-slideshow-21613_arrows\"><a class=\"bu-slideshow-arrow-left\" href=\"#\"><\/a><a class=\"bu-slideshow-arrow-right\" href=\"#\"><\/a><\/div><\/div><\/p>\n\n\n\n<p class=\"is-style-default\">Here\u2019s how Fishman directed the 60 seconds following a Tom Brady rushing touchdown against the Miami Dolphins on September 15, 2019. <em>Screenshots courtesy of CBS Sports and the NFL<\/em><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"is-style-default\">In the fourth quarter, with New England comfortably in the lead, Patriots linebacker Jamie Collins intercepts a pass and runs 69 yards for a touchdown. While Collins is still running, Fishman\u2019s slate blue eyes scan the screens for his next few shots. \u201cI have a great reaction on camera 7,\u201d he says to Wolff. They run the replay and viewers see Kalen Ballage, the Dolphin who deflected the pass into Collins\u2019 arms, slow to a stop in front of the camera and bend over in frustration. In the background, Collins sprints into distance. The winner\/loser juxtaposition perfectly summarizes the Patriots\u2019 43-0 rout.<\/p>\n\n\n\n<p class=\"is-style-end-of-article\">Once the clock runs out and the network has cut back to New York, Fishman begins letting his camera operators go and thanking others in the replay and graphics crews. In a few days, it\u2019ll be off to another game and another set of stories. \u201cSee you in Kansas City,\u201d he says, before removing his headset.<\/p>\n\n\n\n<h3>Fishman&#8217;s Top Five<\/h3>\n\n\n\n<div class=\"wp-block-group has-bucom-yellow-background-color has-background\"><div class=\"wp-block-group__inner-container\">\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio is-style-background-full-width\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-youtube\"><iframe loading=\"lazy\" title=\"From The Vault: The last lap of the 1979 Daytona 500\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mucSyo9yLLQ?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/www.bu.edu\/com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<p class=\"is-style-default\">In 44 years at CBS Sports, Bob Fishman has directed thousands of broadcasts, from figure skating to football, swimming to stock-car racing. &lt;cite&gt;COMtalk&lt;\/cite&gt; asked for five of his all-time favorite moments:<\/p>\n\n\n\n<h4>1979 Daytona 500<\/h4>\n\n\n\n<p class=\"is-style-default\">NASCAR\u2019s marquee event had never before been broadcast live from start to finish, but the 1979 race offered a thrilling last lap that ended with leaders Cale Yarborough and Donnie Allison in a post-crash fistfight on the infield\u2014and Richard Petty in the winner\u2019s circle (watch above). \u201cThat one show vaulted NASCAR to the front pages of every newspaper in the country,\u201d Fishman recalls.<\/p>\n\n\n\n<h4>1982 Men&#8217;s NCAA Basketball Championship<\/h4>\n\n\n\n<p class=\"is-style-default\">One of Fishman\u2019s fondest memories comes from his first <a href=\"https:\/\/www.youtube.com\/watch?v=ZIY7vAjCCDQ\">NCAA championship game<\/a>. What he remembers best isn\u2019t the dramatic jump shot by freshman Michael Jordan to seal the win for North Carolina. He recalls what followed the game\u2019s final play, when Georgetown\u2019s Freddie Brown turned the ball over. Georgetown coach John Thompson hugged his player and whispered in his ear. \u201cThat\u2019s the essence of the tournament,\u201d Fishman says. \u201cThat\u2019s the essence of what I like, the emotion of the game.\u201d <\/p>\n\n\n\n<h4>1993 World Series<\/h4>\n\n\n\n<p class=\"is-style-default\">Only twice in 114 years has a World Series ended with a home run\u2014in 1960, when the Pittsburgh Pirates\u2019 Bill Mazeroski homered against the New York Yankees, and again in 1993, when Fishman\u2019s cameras captured the Philadelphia Phillies\u2019 Mitch Williams\u2019 <a href=\"https:\/\/www.youtube.com\/watch?v=-F5HwiGm7lg\">fateful final pitch<\/a> to the Blue Jays\u2019 Joe Carter.<\/p>\n\n\n\n<h4>1994 Olympic Women\u2019s Figure Skating<\/h4>\n\n\n\n<p class=\"is-style-default\">Just seven weeks after being attacked by associates of the ex-husband of her rival\u2014and Olympic teammate\u2014Tonya Harding, <a href=\"https:\/\/www.youtube.com\/watch?v=zV-SfAOmI1M\">Nancy Kerrigan skated to a silver medal<\/a> at the Lillehammer Olympic Games. <\/p>\n\n\n\n<h4>2012 AFC Divisional Playoff<\/h4>\n\n\n\n<p class=\"is-style-default\">The Baltimore Ravens and Denver Broncos needed two overtimes to settle \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=RpTlVbsrwPU\">The Mile High Miracle.<\/a>\u201d In the closing seconds, the CBS team captured a moment the announcers had never seen before: a kicker practicing on the field in between plays. Moments later, that kicker\u2014Justin Tucker of the Ravens\u2014clinched the game with a 47-yard field goal. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>By 9 am on a steamy Florida morning in September, tour buses have already begun unloading football fans outside Hard&hellip;<\/p>\n","protected":false},"author":1654,"featured_media":29002,"template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"categories":[962,9],"tags":[82],"bu-publication":[],"discipline-type":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/28907"}],"collection":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/users\/1654"}],"version-history":[{"count":7,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/28907\/revisions"}],"predecessor-version":[{"id":29326,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/28907\/revisions\/29326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media\/29002"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media?parent=28907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/categories?post=28907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/tags?post=28907"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-publication?post=28907"},{"taxonomy":"discipline-type","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/discipline-type?post=28907"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu_edition?post=28907"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media_type?post=28907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}