{"id":27857,"date":"2021-04-15T16:07:02","date_gmt":"2021-04-15T20:07:02","guid":{"rendered":"http:\/\/www.bu.edu\/com\/?post_type=bu-article&#038;p=27857"},"modified":"2021-05-10T09:54:58","modified_gmt":"2021-05-10T13:54:58","slug":"faith-in-films","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/com\/articles\/faith-in-films\/","title":{"rendered":"Faith in Films"},"content":{"rendered":"\n<p class=\"has-drop-cap\">Some filmmakers get catapulted into the business by a powerful Hollywood agent, others get spotted by festival judges. Martin Doblmeier, a longtime producer of public television documentaries, got his big break from an unlikelier source: Mother Teresa.<\/p>\n\n\n\n<p>In 1980, the future saint was on her first trip to the United States, staying at the Missionaries of Charity convent in New York City. The sisters tried to keep the visit low-key, but Mother Teresa was already a celebrated figure\u2014she\u2019d won the Nobel Peace Prize a year earlier. Word got out: worshipers gathered in the streets, the press covered her visits to soup kitchens and mass. But Mother Teresa granted only one interview\u2014not to the <em>New York Times<\/em> or <em>Washington Post<\/em>, but to Doblmeier (\u201980), then a rookie producer and fresh out of graduate school. He landed the career-defining scoop after building a rapport with the sisters while scouting stories for a new magazine-style show on religion and society he was developing, <em>Real to Reel<\/em>. Soon after, one of them called him up and offered the extraordinary exclusive.<\/p>\n\n\n\n<p>\u201cI was way of out of my league,\u201d he says. \u201cBut I spent two days with Mother Teresa and made a little film.\u201d<\/p>\n\n\n\n<p>He titled the 20-minute <em>Real to Reel<\/em> piece after a quote from their interview\u2014a sentiment Mother Teresa often drew on\u2014<em>Works of love are works of peace<\/em>.<\/p>\n\n\n\n<p>During their time together, they talked about her care for the poor and the Nobel prize, but Doblmeier also asked Mother Teresa for some advice about his own life and career.<\/p>\n\n\n\n<p>\u201cI said, \u2018I want to start doing films on religion, I\u2019m getting kind of serious about this. You travel the world, you hear these great stories, who would you suggest I might want to go and see?\u2019\u201d says Doblmeier. \u201cShe said, \u2018Go see a man by the name of Jean Vanier, he lives in France.\u2019\u201d<\/p>\n\n\n\n<p>Vanier was the Catholic founder of L\u2019Arche International, an organization supporting programs and homes for people with intellectual disabilities. A few years after his meeting with Mother Teresa, Doblmeier had raised enough funds to visit Vanier in France and begin filming his story. <a href=\"https:\/\/www.amazon.com\/Heart-Has-Its-Reasons\/dp\/B002JE8UHK\"><em>The Heart Has Its Reasons<\/em><\/a>, Doblmeier\u2019s Gabriel Award-winning documentary on Vanier and his work, was released in 1984 and broadcast on television on both sides of the Atlantic.<\/p>\n\n\n\n<p>Since then, Doblmeier has produced more than 30 films\u2014most for public television and with a focus on religion, faith or spirituality\u2014and won dozens of awards, including three regional Emmys. His latest is <a href=\"https:\/\/journeyfilms.com\/sa-about\/\"><em>Spiritual Audacity: The Abraham Joshua Heschel Story<\/em><\/a>, which premiered on public television stations on May 5. Heschel was an influential Jewish theologian who fled the Nazis and became a key figure in the American civil rights and antiwar movements in the 1960s.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-vimeo\"><iframe loading=\"lazy\" title=\"Spiritual Audacity: The Abraham Joshua Heschel Story\" src=\"https:\/\/player.vimeo.com\/video\/463681025?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>\u201cWe have found a niche with public television\u2014it\u2019s our corner,\u201d says Doblmeier, founder and president of <a href=\"https:\/\/journeyfilms.com\/\">Journey Films<\/a>. \u201cThey have confidence in us after so many years; we have confidence that they\u2019re going to give us the freedom that we want.\u201d<\/p>\n\n\n\n<h3 id=\"half-finished\">A Half-Finished Film<\/h3>\n\n\n\n<p>Like many creative endeavors\u2014movies, plays, books, albums\u2014<em>Spiritual Audacity<\/em> was almost sidelined by the COVID-19 pandemic. By spring 2020, Doblmeier and his team had interviews with Congressman John Lewis (Hon.\u201918), philosopher Cornel West and other luminaries in the digital can and were about to begin editing: cutting footage and splicing in archival material. Then museums and archives closed.<\/p>\n\n\n\n<p>\u201cThere\u2019s nothing in the world that\u2019s more useless than a half-finished film,\u201d says Doblmeier. Without the crucial archival footage, \u201cwe had giant holes in the film.\u201d<\/p>\n\n\n\n<p>Eventually, the process stuttered back into life and the film inched toward completion.<\/p>\n\n\n\n<p><em>Spiritual Audacity<\/em> recounts Heschel\u2019s exceptional life, including his arrest by the Nazis in 1938 and his participation in the 1965 Selma marches alongside Martin Luther King, Jr. (GRS\u201955, Hon.\u201959). One of those featured in the film is Heschel\u2019s daughter, Susannah, now chair of Jewish Studies at Dartmouth College.<\/p>\n\n\n\n<p>\u201cWhat she recognizes so clearly is how genuine the love and support continues to be for her father within the civil rights movement,\u201d says Doblmeier, who also interviewed Jesse Jackson and Andrew Young for the film. \u201cThey had a lot in common, Heschel and King: they understood injustice, they understood the need to stand up against it.\u201d<\/p>\n\n\n\n<p>In March, the Religion Communicators Council gave <em>Spiritual Audacity<\/em>\u2014which is part of a series by Doblmeier that includes films on <a href=\"https:\/\/journeyfilms.com\/batw\/\">Howard Thurman<\/a> (Hon.\u201967) and <a href=\"https:\/\/journeyfilms.com\/roth-about\/\">Dorothy Day<\/a>\u2014a <a href=\"https:\/\/religioncommunicators.org\/after-year-of-isolation-2021-wilbur-award-winners-paint-story-of-resilience\/\">2021 Wilbur Award for best documentary<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-vimeo\"><iframe loading=\"lazy\" title=\"Backs Against The Wall: The Howard Thurman Story\" src=\"https:\/\/player.vimeo.com\/video\/306231010?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Doblmeier had first pitched the film back in 2018\u2014most of his films take about 18 months to two years to make, from green light to premiere. Before hitting record though, Doblmeier has to fundraise.<\/p>\n\n\n\n<p>\u201cThe moment you put a television crew out on the road\u2014with all the expenses, equipment and everything else\u2014you just can\u2019t do these films without funding,\u201d he says. Doblmeier approaches institutions and foundations to back his work. \u201cYou\u2019ve got to build a network of support around it to actually go out and get it done.\u201d<\/p>\n\n\n\n<p>That\u2019s become more pressing with the rise of streaming. In the past, Journey Films would receive significant additional revenue from DVD sales. Now, says Doblmeier, people don\u2019t tend to search much beyond their various streaming subscriptions. Many of his films are available from on-demand services\u2014and also get theatrical and digital releases before their TV debuts\u2014but those additional revenues from DVDs \u201chave really, really diminished.\u201d<\/p>\n\n\n\n<h3><strong>Shifting Religious Attitudes<\/strong><\/h3>\n\n\n\n<p>It\u2019s not the only change he\u2019s grappling with. When Doblmeier first started out in the business, he could count on broad public interest in issues of faith\u2014and on a high religious literacy among his audience. Not anymore. Church attendance is tumbling. According to the Pew Research Center, the number of Americans describing themselves as<a href=\"https:\/\/www.pewforum.org\/2019\/10\/17\/in-u-s-decline-of-christianity-continues-at-rapid-pace\/\"> religiously unaffiliated has jumped from 17 percent to 26 percent<\/a> in the past decade.<\/p>\n\n\n\n<p>\u201cWhen people are not only ignorant of religions and religious terminology, but suspicious of it, have had personal experiences that disappointed them, a barrier goes up,\u201d says Doblmeier. \u201cI have to get through that. I look to present the story right from the outset on a human level, to see the common denominators that we have as human beings beyond the religion question.\u201d<\/p>\n\n\n\n<p>He says that addressing issues everyone faces\u2014no matter their faith, or lack of\u2014helps him continue to reach a broad audience. In 2016\u2019s <a href=\"https:\/\/journeyfilms.com\/chaplains\/#aboutchaplains\"><em>Chaplains<\/em><\/a>, Doblmeier interviewed chaplains from different religions, but investigated how they offer support to people who don\u2019t share their faith. His <a href=\"https:\/\/www.amazon.com\/Bonhoeffer-Martin-Doblmeier\/dp\/B0716Z9QP2\">2003 feature, <em>Bonhoeffer<\/em><\/a>, tells the story of a German theologian who plots to assassinate Adolf Hitler\u2014a resistance that costs him his life. The<a href=\"https:\/\/www.washingtonpost.com\/wp-dyn\/content\/article\/2003\/07\/11\/AR2005033116822.html\"> <em>Washington Post<\/em> called it a \u201cstory of bravery.\u201d<\/a><\/p>\n\n\n\n<p>Doblmeier has also had personal experience of disappointment in a religious figure\u2014and it goes back to one of his very first films. In February 2020, it emerged that Jean Vanier\u2014the nonprofit founder some had tipped for beatification when he\u2019d died in 2019\u2014had sexually abused women for decades.<\/p>\n\n\n\n<p>\u201cHe\u2019s now become a symbol of religious hypocrisy,\u201d says Doblmeier. He says <em>The Heart Has Its Reasons<\/em> has become a \u201cportrait of a man who shamed himself by his personal behavior\u201d and expects the Vanier scandal to shape his approach to future interviews.<\/p>\n\n\n\n<p>\u201cFor me, as a filmmaker, it\u2019s become a real eye-opening way of reminding myself that sometimes the things you see on the surface aren\u2019t what\u2019s really there,\u201d says Doblmeier. \u201cYou still have to be open to the fact that\u2014just as with the story of Jean Vanier\u2014you can be deceived.\u201d<\/p>\n\n\n\n<p>But the experience hasn\u2019t dimmed his interest in telling stories of faith. Doblmeier majored in religious studies for his undergraduate degree and started his media career writing for the Catholic Church\u2019s <em>Providence Visitor<\/em> newspaper. A broadcast journalism master\u2019s degree at COM set him on his current path, but religion has \u201calways kind of been my thing. It\u2019s kept me pretty entertained. And there\u2019s never been a shortage of good ideas.\u201d<\/p>\n\n\n\n<p>He\u2019s tightlipped about his next projects, but also focused on promoting <em>Spiritual Audacity<\/em>. Typically, that\u2019d involve screenings and lectures across the country, but COVID means he\u2019s doing it all from home.<\/p>\n\n\n\n<p class=\"is-style-end-of-article\">\u201cIt\u2019s not in person\u2014I don\u2019t think it\u2019s as engaging\u2014but people are showing up,\u201d says Doblmeier. \u201cThis is the way we\u2019re adjusting, trying to get the films out, get people aware of the films.\u201d&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some filmmakers get catapulted into the business by a powerful Hollywood agent, others get spotted by festival judges. Martin Doblmeier,&hellip;<\/p>\n","protected":false},"author":1386,"featured_media":29679,"template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"categories":[962,9],"tags":[56],"bu-publication":[],"discipline-type":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/27857"}],"collection":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/users\/1386"}],"version-history":[{"count":14,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/27857\/revisions"}],"predecessor-version":[{"id":29829,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-article\/27857\/revisions\/29829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media\/29679"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media?parent=27857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/categories?post=27857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/tags?post=27857"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu-publication?post=27857"},{"taxonomy":"discipline-type","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/discipline-type?post=27857"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/bu_edition?post=27857"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/com\/wp-json\/wp\/v2\/media_type?post=27857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}