{"id":35981,"date":"2019-02-13T16:18:24","date_gmt":"2019-02-13T21:18:24","guid":{"rendered":"https:\/\/www.bu.edu\/cgs\/?post_type=profile&#038;p=35981"},"modified":"2026-04-14T11:03:10","modified_gmt":"2026-04-14T15:03:10","slug":"john-fawell","status":"publish","type":"profile","link":"https:\/\/www.bu.edu\/cgs\/profile\/john-fawell\/","title":{"rendered":"John Fawell"},"content":{"rendered":"<h3><strong>Research Interests<\/strong><\/h3>\n<p>19th-century European literature; film, particularly studio-era Hollywood<\/p>\n<h3><strong>Selected Publications<\/strong><\/h3>\n<h4><strong>Books<\/strong><\/h4>\n<p><em><a href=\"https:\/\/www.amazon.com\/Charlie-Chaplin-Reference-Significant-Figures\/dp\/1538146053\/ref=sr_1_8?crid=2V3M2DF8V312L&amp;keywords=john+fawell&amp;qid=1680014066&amp;s=books&amp;sprefix=john+fawell%2Cstripbooks%2C80&amp;sr=1-8&amp;ufe=app_do%3Aamzn1.fos.f5122f16-c3e8-4386-bf32-63e904010ad0\">Charlie Chaplin: A Reference Guide to His Life and Works<\/a>, <\/em>Rowman &amp; Littlefield, 2023<\/p>\n<p><em><a href=\"https:\/\/web.archive.org\/web\/20201103101736\/https:\/\/www.amazon.com\/Ernst-Lubitschs-Student-Prince-Heidelberg-ebook\/dp\/B07DXD1B8Z\">Ernst Lubitsch\u2019s Student Prince in Old Heidelberg: The Art of the Classical Hollywood Film<\/a>,<span>\u00a0<\/span><\/em><span>Rowman &amp; Littlefield, 2018<\/span><\/p>\n<p><a href=\"http:\/\/www.amazon.com\/Essence-Chaplin-Style-Rhythm-Master\/dp\/0786476346\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1412969397&amp;sr=1-1\"><em>The Essence of Chaplin: The Style, the Rhythm and the Grace of a Master<\/em><\/a>, McFarland Press, 2014.<\/p>\n<p><a href=\"http:\/\/www.amazon.com\/The-Hidden-Art-Hollywood-Defense\/dp\/0313356920\"><em>The Hidden Art of Hollywood: In Defense of the Studio Era Film<\/em><\/a>, Praeger Press, 2008.<\/p>\n<p><em><a href=\"http:\/\/www.amazon.com\/Sergio-Leones-Once-Upon-Time\/dp\/0786420928\">The Art of Sergio Leone\u2019s Once Upon a Time in the West: A Critical Appreciation<\/a>,<span>\u00a0<\/span><\/em>McFarland Press, 2005.<\/p>\n<p><a href=\"http:\/\/www.amazon.com\/Hitchcocks-Rear-Window-Well-Made-Film\/dp\/080932606X\/ref=sr_1_7?s=books&amp;ie=UTF8&amp;qid=1412969397&amp;sr=1-7\"><em>Hitchcock\u2019 Rear Window: The Well-Made Film<\/em><\/a>, Southern Illinois University Press, 2001, (paperback version, 2004).<\/p>\n<table>\n<tbody>\n<tr>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.11-AM-209x300.png\" alt=\"\" width=\"209\" height=\"300\" class=\"alignnone size-medium wp-image-47165\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.11-AM-209x300.png 209w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.11-AM.png 480w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/td>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.56-AM-193x300.png\" alt=\"\" width=\"193\" height=\"300\" class=\"alignnone size-medium wp-image-47166\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.56-AM-193x300.png 193w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.56-AM.png 432w\" sizes=\"(max-width: 193px) 100vw, 193px\" \/><\/td>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.21-AM-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignnone size-medium wp-image-47167\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.21-AM-199x300.png 199w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.21-AM.png 452w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/td>\n<\/tr>\n<tr>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.42-AM-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignnone size-medium wp-image-47168\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.42-AM-199x300.png 199w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.42-AM.png 454w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/td>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.32-AM-188x300.png\" alt=\"\" width=\"188\" height=\"300\" class=\"alignnone size-medium wp-image-47169\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.32-AM-188x300.png 188w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.24.32-AM.png 430w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/><\/td>\n<td><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.20.56-AM-199x300.png\" alt=\"\" width=\"199\" height=\"300\" class=\"alignnone size-medium wp-image-47161\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.20.56-AM-199x300.png 199w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2023-05-05-at-10.20.56-AM.png 454w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4><strong>DVD<\/strong><\/h4>\n<p><a href=\"https:\/\/www.amazon.com\/Rear-Window-Blu-ray-James-Stewart\/dp\/B00J2R3W1G\"><img loading=\"lazy\" src=\"\/cgs\/files\/2019\/02\/Screen-Shot-2021-01-18-at-6.52.17-PM-233x300.png\" alt=\"\" width=\"151\" height=\"194\" class=\"alignright wp-image-42163\" srcset=\"https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2021-01-18-at-6.52.17-PM-233x300.png 233w, https:\/\/www.bu.edu\/cgs\/files\/2019\/02\/Screen-Shot-2021-01-18-at-6.52.17-PM.png 472w\" sizes=\"(max-width: 151px) 100vw, 151px\" \/><\/a>Feature Commentary,<span>\u00a0<\/span><a href=\"https:\/\/www.amazon.com\/Rear-Window-Blu-ray-James-Stewart\/dp\/B00J2R3W1G\">Universal Studios Legacy Edition<\/a><span>\u00a0<\/span>of Alfred Hitchcock\u2019s<span>\u00a0<\/span><em>Rear Window,<\/em><span>\u00a0<\/span>2008 (re-released in<span>\u00a0<\/span><em>Alfred Hitchcock: The Masterpiece Collection (Limited Edition)<\/em>, Blu-ray, 2012<em>)<br \/>\n<\/em><\/p>\n<h4>Recent Articles<\/h4>\n<div>\n<p>\u201cA Universal Cinema: Against the Confusion of Chaplin\u2019s Politics with his Artistry,\u201d\u00a0Film International.\u00a017:3, 1 September 2019, pp. 92-102(11)<\/p>\n<\/div>\n<p>\u201cWhy the Neglect: Ernst Lubitsch\u2019s\u00a0The Student Prince in Old Heidelberg,\u201d featured article in\u00a0Film International\u00a0\u00a0internet site,\u00a0\u00a0July 16, 2018.<\/p>\n<p>\u201cCollaborative Learning: a Few Reservations,\u201d<span>\u00a0<\/span><em>North Dakota Quarterly,\u00a0<\/em>84:3-4, (Summer\/Fall 2017), 233-242<\/p>\n<p>\u201cExperiential Learning: a Few Reservations,\u201d<span>\u00a0<\/span><em>Academe,<span>\u00a0<\/span><\/em>103:6, (November-December 2017): online only<\/p>\n<p>\u201cInterdisciplinary Practices: A Few Reservations,\u201d<span>\u00a0<\/span><em>Academic Questions<\/em>, 29:3, (Fall 2016): 303-311.<\/p>\n<p>\u201cRomanticism, Spirituality and the Modern University,\u201d<span>\u00a0<\/span><em>Midwest Quarterly<\/em>, 65:3 (Spring 2016): 222-41<\/p>\n<p>\u201cChaplin, Satirist,\u201d in<span>\u00a0<\/span><em>La Figure de Charlot et ses avators<\/em>, eds. Morgane Jourdren and Pierre-Marie Loizeau, Rennes: Presses Universitaires de Rennes, 2015.<\/p>\n<p>\u201cAn Earthy Sacredness: Maupassant\u2019s and Van Gogh\u2019s Christian Materialism,\u201d in<span>\u00a0<\/span><em>Dynamics of Desacralization: Disenchanted Literary Talents,<span>\u00a0<\/span><\/em>ed. Paola Partenze. Goettingen Germany: V&amp;I Press, 2015.<\/p>\n<p>\u201cHardy, the Churchiest Atheist,\u201d in<span>\u00a0<\/span><i>Poetry and Religion: Figures of the Sacred, eds. Ineke Bockting, Jennifer Kilgore-Caradec, Cathy Park.<span>\u00a0<\/span><\/i>Bern: Peter Lang Press, 2013.<\/p>\n<p>\u201cThe Magnificent Ambersons,\u201d in<i><span>\u00a0<\/span>Il Cinema Americano Attreverso I Film<\/i>, ed. Leonardo Gandini. Rome: Carocci Press, 2011.<\/p>\n","protected":false},"author":13125,"template":"","_links":{"self":[{"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/profile\/35981"}],"collection":[{"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/users\/13125"}],"version-history":[{"count":9,"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/profile\/35981\/revisions"}],"predecessor-version":[{"id":47171,"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/profile\/35981\/revisions\/47171"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cgs\/wp-json\/wp\/v2\/media?parent=35981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}