{"id":97562,"date":"2018-11-30T14:18:00","date_gmt":"2018-11-30T19:18:00","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?post_type=bu-article&#038;p=97562"},"modified":"2023-02-01T13:49:51","modified_gmt":"2023-02-01T18:49:51","slug":"behind-the-curtain","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/magazine\/articles\/2018\/behind-the-curtain\/","title":{"rendered":"Behind the Curtain"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin magazine-block-editorial-leadin is-style-text-over-image has-media has-box has-media-focus-center-middle has-text-position-x-right\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"550\" height=\"367\" src=\"\/cfa\/files\/2023\/02\/cfabooth_0002_18-1613-CFABOOTH-014.jpeg\" class=\"\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0002_18-1613-CFABOOTH-014.jpeg 550w, https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0002_18-1613-CFABOOTH-014-450x300.jpeg 450w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-leadin-caption wp-prepress-component-caption\">Photos by Natasha Moustache and Jason Kimball<\/p>\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">Theatre<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tBehind the Curtain\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\">Designing angel wings. Rigging lights. Dyeing dress shoes. Here\u2019s what it takes to stage a show at the new Booth Theatre.<\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar magazine-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">November 30, 2018<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t\t\t\t<ul data-credit-type=\"By\">\n\t\t\t\t\t\t<li><a href=\"https:\/\/www.bu.edu\/cfa\/magazine\/authors\/andrew-thurston\/\">Andrew Thurston<\/a><\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<div class=\"wp-block-editorial-introparagraph magazine-block-editorial-introparagraph is-style-dropcap-default has-dropcap has-dropcap-color-tertiary has-dropcap-color-quaternary\"><div class=\"wp-block-editorial-introparagraph-content\"><p>The two-part&nbsp;<em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Angels_in_America\">Angels in America: A Gay Fantasia on National Themes<\/a><\/em>&nbsp;is an intense production: during seven hours of total stage time, lead actors are also required to take on a couple of minor roles&nbsp;<em>and<\/em>&nbsp;help shuffle props during rapid scene shifts.&nbsp;<a href=\"https:\/\/www.britannica.com\/biography\/Tony-Kushner\">Tony Kushner<\/a>\u2019s multi-award\u2013winning exploration of AIDS in 1980s New York is the perfect showcase for the&nbsp;<a href=\"https:\/\/www.bu.edu\/cfa\/news-events\/venues\/joan-edgar-booth-theatre\/\">Joan &amp; Edgar Booth Theatre<\/a>, which was built as a fluid space\u2014seats rise, trapdoors disappear, runways emerge. One moment it can be a traditional theater with an end stage, the next a theater in the round.<\/p><\/div><\/div>\n\n\n\n<p>CFA staged&nbsp;<em>Angels in America<\/em>&nbsp;at Booth in October 2018, splitting the production\u2019s two parts into consecutive runs with different directors and casts\u2014though not sparing the actors multiple parts. A fortnight before opening night,&nbsp;<em>CFA<\/em>&nbsp;magazine was given exclusive behind-the-scenes access to watch the play take shape.<\/p>\n\n\n\n<p>Stepping backstage at Booth is like peeking into&nbsp;<a href=\"http:\/\/www.narnia.com\/us\/\">Narnia<\/a>. The black box of the theater is 21,000 square feet, but the theater complex itself is 75,000 square feet. Entire worlds emerge from behind almost every door: a mini millinery with mannequin heads, hats, and fabric; a hanger-like set design workshop full of whirring machine tools; rooms stuffed with wigs and clothes of every stripe. Some clash with noise, students and faculty swirling around each other as they build props or test lighting setups; others, like the classrooms that double as workshops (or is it vice versa?) for set and costume designers, charged with quiet concentration.<\/p>\n\n\n\n<h2 class=\"has-magenta-color has-text-color\">Scenery and Paint Shop<\/h2>\n\n\n\n<p>The double-height scenery and paint shop is big enough to accommodate the production of sets for two shows at the same time\u2014even while another is being staged. Raw materials arrive on a loading dock and are milled down on-site, then shaped and assembled. A section of the space has a wooden floor to mimic the theater.<\/p>\n\n\n\n<p>\u201cNot only can we assemble scenery here,\u201d says&nbsp;<a href=\"https:\/\/www.bu.edu\/cfa\/profile\/johnny-kontogiannis\/\">Johnny Kontogiannis<\/a>&nbsp;(\u201902,\u201920), Booth\u2019s production manager, \u201cwe can actually do a setup of the whole set. That way, we can see how it all goes together and work out the kinks right here.\u201d<\/p>\n\n\n\n<p>The theater complex also has classrooms and studios for scene designers. \u201cA big part of our teaching is getting on our feet and doing,\u201d says Kontogiannis. \u201cOur ideal situation is to say to students, here\u2019s a theater, here\u2019s some money, go put on a show; then, we help guide it.\u201d<\/p>\n\n\n\n<h2 class=\"has-magenta-color has-text-color\">Lighting and Sound Design<\/h2>\n\n\n\n<p>Booth\u2019s ceiling holds a grid of nine lighting rigs. Each one can be moved independently, flying to the ground for lights to be hung, then set at different levels to alter the atmosphere or focus onstage.<\/p>\n\n\n\n<div class=\"wp-block-editorial-photoessay magazine-block-editorial-photoessay wp-block-photoessay js-block-editorial-photoessay\"><div class=\"photo-row-full-f\">\n<div class=\"photo-f\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"550\" height=\"367\" src=\"\/cfa\/files\/2023\/02\/cfabooth_0001_18-1613-CFABOOTH-023.jpeg\" alt=\"\" class=\"wp-image-97566\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0001_18-1613-CFABOOTH-023.jpeg 550w, https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0001_18-1613-CFABOOTH-023-450x300.jpeg 450w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p>Kontogiannis calls the space a playground: \u201cIn a proscenium theater [a theater with a frame, or proscenium], you have a more defined relationship, you\u2019re looking through a frame; here, you\u2019re behind the proscenium and we\u2019re inhabiting one space. That\u2019s an important part of how we approach the storytelling\u2014we\u2019ve brought the audience into the space of the story.\u201d Backstage, there\u2019s a lighting and sound design lab for students to practice.<\/p>\n\n\n\n<h2 class=\"has-magenta-color has-text-color\">Costume Shop<\/h2>\n\n\n\n<p>The costume shop does double duty. During the day, a partition is pulled across the room: on one side, faculty teach classes; on the other, students work on their projects for upcoming shows. At night, the entire room is dedicated to production preparation. \u201cWe teach it and then we make it,\u201d says Kontogiannis. Small side rooms have space for actors to step in for fittings. All the students can also head into the lighting and sound design lab to see how a costume looks when plunged into the spotlight. \u201cA student will take the thing they\u2019ve learned and implement it very quickly,\u201d says Kontogiannis.<\/p>\n\n\n\n<div class=\"wp-block-editorial-photoessay magazine-block-editorial-photoessay alignwide wp-block-photoessay js-block-editorial-photoessay\"><div class=\"photo-row-square-s-s-s\">\n<div class=\"photo-s\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"550\" height=\"367\" src=\"\/cfa\/files\/2023\/02\/cfabooth_0003_18-1613-CFABOOTH-002.jpeg\" alt=\"\" class=\"wp-image-97567\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0003_18-1613-CFABOOTH-002.jpeg 550w, https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0003_18-1613-CFABOOTH-002-450x300.jpeg 450w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"photo-s\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"550\" height=\"367\" src=\"\/cfa\/files\/2023\/02\/cfabooth_0004_Layer-0-copy.jpeg\" alt=\"\" class=\"wp-image-97568\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0004_Layer-0-copy.jpeg 550w, https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0004_Layer-0-copy-450x300.jpeg 450w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><\/div><\/div>\n\n\n\n<div class=\"photo-s\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"550\" height=\"367\" src=\"\/cfa\/files\/2023\/02\/cfabooth_0000_Hue_Saturation-1.jpeg\" alt=\"\" class=\"wp-image-97569\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0000_Hue_Saturation-1.jpeg 550w, https:\/\/www.bu.edu\/cfa\/files\/2023\/02\/cfabooth_0000_Hue_Saturation-1-450x300.jpeg 450w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/figure><\/div><\/div>\n<\/div><\/div>\n\n\n\n<p>\u201cImagine your grandmother\u2019s attic,\u201d says Kontogiannis of Booth\u2019s costume shop, stocked with props and costumes. In one room, tables, couches, phones, typewriters, and every conceivable kind of knickknack fill shelves and storage bins; in another, a two-story dry-cleaning storage system holds clothes sorted by gender and period.<\/p>\n\n\n\n<p class=\"is-style-end-of-article\">Kontogiannis, who formerly taught at Ithaca College and has also worked on Broadway, admits it would have been easy for BU to have stuck it all in a suburban warehouse, but says there\u2019s something compelling about being able to browse the rooms, to touch the objects and be inspired. \u201cWe actually think of these rooms more as libraries than storage. You could click through clothes on a computer, but it\u2019s not the same as feeling them.\u201d If a costume isn\u2019t quite right, students can also dye or tailor them to fit the actor or time period.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube alignwide wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"responsive-video responsive-youtube\"><iframe loading=\"lazy\" title=\"Designing the Costumes for &quot;Angels in America&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FGWTixr2lu0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption>Go behind the scenes with Chloe Moore (\u201920) and her team of costumers as they work on Booth Theatre\u2019s production of&nbsp;<em>Angels in America<\/em>.<em>&nbsp;Jason Kimball<\/em><\/figcaption><\/figure>\n\n\n\t<aside class=\"wp-block-editorial-relatedstories is-style-card has-three magazine-block-editorial-relatedstories\">\n\t\t<h3 class=\"wp-block-editorial-relatedstories-title\">Related<\/h3>\n\t\t<ul class=\"wp-block-editorial-relatedstories-list\">\n\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"1200\" height=\"800\" src=\"\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344.jpg 1200w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-636x424.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-1024x683.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-768x512.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-900x600.jpg 900w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-450x300.jpg 450w, https:\/\/www.bu.edu\/cfa\/files\/2022\/11\/Let_The_Right_One_In_0344-600x400.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>Theatre<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/news\/articles\/2022\/boston-globe-review-in-a-chilling-let-the-right-one-in-there-will-be-blood\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">Boston Globe review: In a chilling \u2018Let the Right One In,\u2019 there will be blood<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">November 1, 2022<\/p>\n\t\t\t\t\t\t<div class=\"wp-prepress-component-article-share wp-prepress-component-article-share-sharedby-news\"><span class=\"wp-prepress-component-article-share-label\">Shared from<\/span> <span class=\"wp-prepress-component-article-share-source\"><div class=\"editorial-branding editorial-branding-news bu-prepress-branding-type-text\"><div class=\"editorial-branding-wrap\">News<\/div><\/div><\/span><\/div>\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"1200\" height=\"910\" src=\"\/cfa\/files\/2020\/06\/Greg-Livoti-thumbnail.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2020\/06\/Greg-Livoti-thumbnail.jpg 1200w, https:\/\/www.bu.edu\/cfa\/files\/2020\/06\/Greg-Livoti-thumbnail-636x482.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2020\/06\/Greg-Livoti-thumbnail-1024x777.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2020\/06\/Greg-Livoti-thumbnail-768x582.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>CFA Alumni<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/magazine\/articles\/2020\/backstage-pass\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">Backstage Pass<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">June 9, 2020<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"1220\" height=\"692\" src=\"\/cfa\/files\/2023\/01\/Stage-Magic-Banner-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/01\/Stage-Magic-Banner-1.jpg 1220w, https:\/\/www.bu.edu\/cfa\/files\/2023\/01\/Stage-Magic-Banner-1-636x361.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2023\/01\/Stage-Magic-Banner-1-1024x581.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/01\/Stage-Magic-Banner-1-768x436.jpg 768w\" sizes=\"(max-width: 1220px) 100vw, 1220px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>Theatre<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/magazine\/articles\/2019\/stage-magic\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">Stage Magic<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">November 18, 2019<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t<\/aside>\n\t","protected":false},"excerpt":{"rendered":"<p>CFA staged&nbsp;Angels in America&nbsp;at Booth in October 2018, splitting the production\u2019s two parts into consecutive runs with different directors and casts\u2014though not sparing the actors multiple parts. A fortnight before opening night,&nbsp;CFA&nbsp;magazine was given exclusive behind-the-scenes access to watch the play take shape. Stepping backstage at Booth is like peeking into&nbsp;Narnia. The black box of [&hellip;]<\/p>\n","protected":false},"author":14125,"featured_media":97564,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[191],"magazine-article-category":[373,378],"magazine-topic":[],"news-article-category":[],"news-topic":[],"bu_edition":[388],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/97562"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/14125"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=97562"}],"version-history":[{"count":7,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/97562\/revisions"}],"predecessor-version":[{"id":97658,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/97562\/revisions\/97658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/97564"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=97562"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=97562"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=97562"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=97562"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=97562"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=97562"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=97562"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=97562"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=97562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}