{"id":91581,"date":"2021-10-08T17:00:00","date_gmt":"2021-10-08T22:00:00","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?post_type=bu-article&#038;p=91581"},"modified":"2023-02-01T14:53:14","modified_gmt":"2023-02-01T19:53:14","slug":"modern-classics","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/magazine\/articles\/2021\/modern-classics\/","title":{"rendered":"Modern Classics"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin magazine-block-editorial-leadin is-style-default-alt has-media has-media-focus-center-middle\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"2560\" height=\"1767\" src=\"\/cfa\/files\/2022\/08\/Overthrown-scaled.jpg\" class=\"\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-scaled.jpg 2560w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-636x439.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-1024x707.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-768x530.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-1536x1060.jpg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-2048x1414.jpg 2048w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Overthrown-1449x1000.jpg 1449w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-leadin-caption wp-prepress-component-caption\">Evan Morse creates sculptures that reference ancient styles while addressing modern themes.\u00a0<em>Overthrown<\/em>, 2021, patinated plaster, 27 x 39 x 2 in. All images courtesy of Evan Morse.<br><\/p>\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">CFA Alumni<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tModern Classics\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\">Sculptor Evan Morse uses ancient, timeless styles to comment on\u2014and poke fun at\u2014contemporary society<\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar magazine-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t\t\t\t<ul data-credit-type=\"By\">\n\t\t\t\t\t\t<li><a href=\"https:\/\/www.bu.edu\/cfa\/magazine\/authors\/andrew-thurston\/\">Andrew Thurston<\/a><\/li>\n\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<p>When ancient Greeks or Romans worked out, they didn\u2019t hit the showers to freshen up; instead, they grabbed a strigil\u2014a long, curved blade\u2014and scraped off the dirt and sweat.<\/p>\n\n\n\n<p>The habit was so widespread it inspired a host of votive sculptures,&nbsp;<em>Apoxyomenos<\/em>, the Scraper. Each statue showed a naked male athlete\u2014rippled muscles and distant gaze\u2014scouring the film from his skin. The most famous was carved by Lysippos in the fourth century BCE.<\/p>\n\n\n\n<p>In his 2020 take on the Scraper, award-winning sculptor&nbsp;<a href=\"https:\/\/morsesculpture.com\/\">Evan Morse<\/a>, whose work puts a modern twist on classical art, replaced the strigil with a more contemporary tool: stick deodorant.<\/p>\n\n\n\n<p>The painted polychrome plaster&nbsp;<em>Athlete with Deodorant<\/em>&nbsp;shows a nude male in the timeless pose of&nbsp;<em>Apoxyomenos<\/em>\u2014but with a blue towel tossed behind him and a bright red Old Spice Original in hand. The statue was modeled on a friend who qualified for the US Olympic marathon trials.<\/p>\n\n\n\n<div class=\"wp-block-editorial-photoessay magazine-block-editorial-photoessay alignwide wp-block-photoessay js-block-editorial-photoessay\"><div class=\"photo-row-tall-1-1\">\n<div class=\"photo-1\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"683\" height=\"1024\" src=\"\/cfa\/files\/2022\/08\/Athlete-1-683x1024.jpg\" alt=\"\" class=\"wp-image-91600\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-683x1024.jpg 683w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-424x636.jpg 424w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-768x1152.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-1024x1536.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-1365x2048.jpg 1365w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-667x1000.jpg 667w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Athlete-1-scaled.jpg 1707w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><figcaption><p class=\"wp-block-photoessay-media-caption wp-prepress-component-caption\"><em>Athlete with Deodorant<\/em>, 2020, painted polychrome plaster, 39 x 14 x 16 in., is a modern twist on classical Greek sculpture.<\/p><\/figcaption><\/figure><\/div><\/div>\n\n\n\n<div class=\"photo-1\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"771\" height=\"1024\" src=\"\/cfa\/files\/2022\/08\/Earth-Shaper-771x1024.jpg\" alt=\"\" class=\"wp-image-91602\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-771x1024.jpg 771w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-479x636.jpg 479w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-768x1019.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-1157x1536.jpg 1157w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-1543x2048.jpg 1543w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-753x1000.jpg 753w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Earth-Shaper-scaled.jpg 1929w\" sizes=\"(max-width: 771px) 100vw, 771px\" \/><figcaption><p class=\"wp-block-photoessay-media-caption wp-prepress-component-caption\"><em>Humanity as Earth-Shaper<\/em>, 2020, patinated plaster, 42 x 32 x 4 in. The relief sculpture shows a woman caring for a lone plant in an industrial world.<\/p><\/figcaption><\/figure><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:250px\" aria-hidden=\"true\" class=\"wp-block-spacer alignfull has-primary-background-color overlap-top-250\"><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u201cIn a lot of my work, I\u2019m thinking about how humans are inherently the same as we have been across time\u2014just little aspects of our culture have changed,\u201d says Morse (\u201915).<\/p>\n\n\n\n<p><em>Athlete with Deodorant<\/em>&nbsp;is part of Morse\u2019s Idols series, which also includes a relief of a nude woman walking a robot dog, a statue of a man wearing a cow-patterned onesie, a bust flossing its teeth, and a marble icon stuffing a burrito in his mouth. Morse works mostly in clay, plaster, and stone, using ancient styles and techniques to highlight present-day themes. Based in Newton, Mass., he also sculpts\u2014in nonpandemic times, at least\u2014in studios in Carrara, Italy, and West Rutland, Vt.<\/p>\n\n\n\n<p>\u201cThere\u2019s usually a little humor in my work,\u201d says Morse. \u201cIt\u2019s important for me to have fun. But as I\u2019ve been doing more political work\u2014and it\u2019s hard not to be more political at this stage\u2014it\u2019s hard to balance that out, because some of it can be so negative.\u201d<\/p>\n\n\n\n<div class=\"wp-block-bu-pullquote magazine-block-bu-pullquote alignwide is-style-modern has-image-focus-center-middle has-quaternary-theme-text\"><div class=\"wp-block-bu-pullquote-inner\"><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">I find the reductive aspect of stone carving appealing. There&#8217;s the resistance from the stone. I like the traditional methods of working.<\/div><footer class=\"caption\"><\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<p>On one side of 2020\u2019s&nbsp;<em>Sacrificial Altar for Plastic Water Bottles<\/em>, a relief shows a woman filling a bottle at a public spring: her jeans and sneakers set in contrast to the antique goddess figure perched on the fountain\u2019s plinth. The 19-inch-high piece, made from terra-cotta, was inspired by a water fountain Morse saw in Lucca, Italy, and the empty bottles littering his neighborhood and the politics of clean drinking water.<\/p>\n\n\n\n<p>\u201cI was thinking about offerings to the gods and the marks we leave, our legacy,\u201d says Morse. The altar is part of a series incorporating found objects that includes reliquaries for dog fur, food packages, even toenail clippers. \u201cI\u2019m also making the sculpture more of a functional object than just a purely aesthetic thing.\u201d<\/p>\n\n\n\n<p>Morse and his wife, Taylor Apostol (\u201915)\u2014also a sculptor\u2014recently launched&nbsp;<a href=\"https:\/\/www.goathousestudio.com\/about-us\">Goathouse Studio<\/a>, a website and business to promote their commissioned work: their latest is a marble portrait bust of author and poet Julia C. R. Dorr for Rutland, Vt. But practicality doesn\u2019t always top his agenda.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" width=\"768\" height=\"1024\" src=\"\/cfa\/files\/2022\/08\/Working-1-768x1024.jpg\" alt=\"\" class=\"wp-image-91610\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-768x1024.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-477x636.jpg 477w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-1152x1536.jpg 1152w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-1536x2048.jpg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-500x667.jpg 500w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-1000x1334.jpg 1000w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-750x1000.jpg 750w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-600x800.jpg 600w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Working-1-scaled.jpg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption>Morse carves a marble sculpture.<\/figcaption><\/figure><\/div>\n\n\n\n<p>\u201cI\u2019m not thinking, \u2018What\u2019s the work I can make that\u2019s going to sell?\u2019\u201d says Morse, whose art is largely supported by grants. \u201cI\u2019m thinking about the best work I can make.\u201d<\/p>\n\n\n\n<p>While some of his peers use computer-aided milling, Morse does everything by hand; each sculpture takes months. \u201cI find the reductive aspect of stone carving appealing. There\u2019s the resistance from the stone. I like the traditional methods of working.\u201d<\/p>\n\n\n\n<p>The only technology involved is the camera he uses to capture inspiration for future work\u2014sometimes he\u2019ll also turn to photo editing software to combine images.<\/p>\n\n\n\n<p>Like the plastic bottle altar,&nbsp;<em>Umbrella Saint<\/em>&nbsp;was also sparked by a photograph Morse took in Italy. Hewn from marble, the sculpture looks like it\u2019s been torn from the walls of a medieval European cathedral: a stoic male standing in a half-domed niche, the hint of a smile on his lips. And yet this pious character isn\u2019t wearing robes, but a hoodie; isn\u2019t holding a cross, but umbrellas.<\/p>\n\n\n\n<p>\u201cThe central figure was inspired by these immigrant street sellers. The guy that I photographed was from Senegal, so it\u2019s about this immigrant who is legally there, but still only on the fringe, still an outsider,\u201d says Morse, who paid the seller for his time, keeping in contact to share images of the 2017 statue, which is part of his Idols series. \u201cI was putting this outsider figure\u2014who\u2019s now Italian\u2014into the context of this Renaissance-style architectural niche. Saints always have their token items, and I was seeing these guys standing like statues with their token items like umbrellas or lighters.\u201d<\/p>\n\n\n\n<div class=\"wp-block-editorial-photoessay magazine-block-editorial-photoessay alignwide wp-block-photoessay js-block-editorial-photoessay\"><div class=\"photo-row-thirds-1-1-1\">\n<div class=\"photo-1\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"767\" height=\"1024\" src=\"\/cfa\/files\/2022\/08\/Burrito-Idol-767x1024.jpg\" alt=\"\" class=\"wp-image-91611\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-767x1024.jpg 767w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-477x636.jpg 477w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-768x1024.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-1151x1536.jpg 1151w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-1535x2048.jpg 1535w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-500x667.jpg 500w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-1000x1334.jpg 1000w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-1536x2048.jpg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-749x1000.jpg 749w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-600x800.jpg 600w, https:\/\/www.bu.edu\/cfa\/files\/2022\/08\/Burrito-Idol-scaled.jpg 1918w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><figcaption><p class=\"wp-block-photoessay-media-caption wp-prepress-component-caption\"><em>Burrito Idol<\/em>, 2017, marble, gold leaf, aluminum foil, 15.5 x 7 x 10 in., recalls the hunched pose of Auguste Rodin\u2019s\u00a0<em>The Thinker<\/em><\/p><\/figcaption><\/figure><\/div><\/div>\n\n\n\n<div class=\"photo-1\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"557\" height=\"1024\" src=\"\/cfa\/files\/2021\/10\/Umbrella-Saint-557x1024.jpg\" alt=\"\" class=\"wp-image-91612\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-557x1024.jpg 557w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-346x636.jpg 346w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-768x1411.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-836x1536.jpg 836w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-1115x2048.jpg 1115w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-544x1000.jpg 544w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Umbrella-Saint-scaled.jpg 1393w\" sizes=\"(max-width: 557px) 100vw, 557px\" \/><figcaption><p class=\"wp-block-photoessay-media-caption wp-prepress-component-caption\"><em>Umbrella Saint<\/em>, 2017, marble, 36 x 16 x 6.5 in., was inspired by a photo Morse took in Italy of an immigrant street seller<\/p><\/figcaption><\/figure><\/div><\/div>\n\n\n\n<div class=\"photo-1\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"778\" height=\"1024\" src=\"\/cfa\/files\/2021\/10\/Altar-778x1024.jpg\" alt=\"\" class=\"wp-image-91613\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-778x1024.jpg 778w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-483x636.jpg 483w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-768x1011.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-1167x1536.jpg 1167w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-1556x2048.jpg 1556w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-760x1000.jpg 760w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/Altar-scaled.jpg 1946w\" sizes=\"(max-width: 778px) 100vw, 778px\" \/><figcaption><p class=\"wp-block-photoessay-media-caption wp-prepress-component-caption\">Morse considers the politics of clean drinking water in\u00a0<em>Sacrificial Altar for Plastic Water Bottles<\/em>, 2020, terra-cotta, pigment, 19 x 12 x 12 in.<\/p><\/figcaption><\/figure><\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:250px\" aria-hidden=\"true\" class=\"wp-block-spacer alignfull has-primary-background-color overlap-top-250\"><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>With the pandemic limiting his opportunities to explore Europe, particularly its historic cities laced with public art and sculpture, inspiration for more recent pieces has come closer to home.&nbsp;<em>Overthrown<\/em>, a 2021 relief in patinated plaster, shows a parent tumbling from a couch, kids clambering around, toys littering the floor. The models were his brother-in-law and nephew.<\/p>\n\n\n\n<p>\u201cI started with the idea of that tragic hero,\u201d says Morse, who admits the piece also captures his own feelings on parenthood. \u201cBut then I was thinking about making it more indicative of the general anxiety of the past year\u2014people locked in their houses all day, trying to work and manage the kids at the same time.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When ancient Greeks or Romans worked out, they didn\u2019t hit the showers to freshen up; instead, they grabbed a strigil\u2014a long, curved blade\u2014and scraped off the dirt and sweat. The habit was so widespread it inspired a host of votive sculptures,&nbsp;Apoxyomenos, the Scraper. Each statue showed a naked male athlete\u2014rippled muscles and distant gaze\u2014scouring the [&hellip;]<\/p>\n","protected":false},"author":13922,"featured_media":91609,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[191],"magazine-article-category":[372,379],"magazine-topic":[],"news-article-category":[],"news-topic":[],"bu_edition":[381],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/91581"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/13922"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=91581"}],"version-history":[{"count":18,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/91581\/revisions"}],"predecessor-version":[{"id":92705,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/91581\/revisions\/92705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/91609"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=91581"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=91581"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=91581"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=91581"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=91581"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=91581"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=91581"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=91581"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=91581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}