{"id":56248,"date":"2017-08-02T11:48:01","date_gmt":"2017-08-02T15:48:01","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?p=56248"},"modified":"2022-09-12T12:13:48","modified_gmt":"2022-09-12T16:13:48","slug":"bu-tanglewood-celebrates-institute-celebrates-50th-anniversary","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/news\/articles\/2017\/bu-tanglewood-celebrates-institute-celebrates-50th-anniversary\/","title":{"rendered":"BU Tanglewood Institute Celebrates 50th Anniversary"},"content":{"rendered":"\n
\n\t
\n\t\t\t\t\t
August 2, 2017<\/div>\n\t\t\n\t\t\t\t
\n\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\tTwitter<\/span><\/span>\n\t\t\tFacebook<\/span><\/span>\n\t\t\t<\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n

By Susan Seligson | Photos by Natasha Moustache
<\/em><\/p>\n

Originally published in the spring 2017 issue of Esprit<\/a>.<\/em><\/p>\n

BU Tanglewood Institute, a CFA summer program for gifted high school musicians, celebrated its 50th anniversary August 6, 2016, highlighted by a concert for students and alumni at the Tanglewood Music Center\u2019s Seiji Ozawa Hall.<\/em><\/p>\n

\u201cIt was the best summer of my life.\u201d<\/p>\n

\u201cA defining moment in my life that forced me to be better.\u201d<\/p>\n

\u201cThis place sparks joy.\u201d<\/p>\n

\u201cIt had the magic of Hogwarts without the evil.\u201d<\/p>\n

These were just a few of the tributes and memories shared by alumni of Boston University\u2019s summer program for gifted high school instrumentalists and vocalists (many also BU alums), which has paved the way for careers at the top rungs of the music world. They returned to Lenox, Mass., on August 6 to celebrate the 50th anniversary of the Boston University\u00a0<\/span>Tanglewood Institute<\/a>\u00a0<\/span>(BUTI).<\/p>\n

Situated a mile from the Tanglewood Music Center and part of a verdant sweep of fields, hills, concert stages, and rehearsal studios, BUTI hosts 350 students for summers of rigorous practice, camaraderie, and as event emcee and Lauren Ambrose (BUTI\u201994,\u201995) put it, \u201cmarinating in the music\u201d and the example of the\u00a0<\/span>Boston Symphony Orchestra<\/a>\u00a0<\/span>(BSO).<\/p>\n

The day began with a piano recital and a panel discussion and migrated to the\u00a0<\/span>Tanglewood Music Center<\/a>, the summer home of the BSO (which numbers 15 BUTI alums among its musicians), for a student and alumni concert, followed by a reception, where accolades and wine flowed. It was a day marked by a parade of luminaries, from Ambrose, best known for her Emmy-nominated role as Claire Fisher in HBO\u2019s\u00a0<\/span>Six Feet Under<\/em>, to National Public Radio personality\u00a0<\/span>Ron Della Chiesa\u00a0<\/span>(CGS\u201957, COM\u201959), voice of WGBH\u2019s BSO broadcasts, to orchestra conductors, opera singers, and composers who traveled from all over the country. University President Robert A. Brown took to the concert stage and the podium at the reception, attended by Beverly Brown, Jean Morrison, University provost, Lynne Allen, CFA dean ad interim, and BUTI faculty past and present.<\/p>\n

\"Ken-David<\/a>
BSO assistant conductor and BUTI alum Ken-David Masur (from left) shares a celebratory moment with honoree Phyllis Hoffman (\u201961,\u201967), former longtime BUTI executive director, Hilary Respass, present executive director, and BUTI alum Lauren Ambrose, a singer and actress best known for her role in HBO\u2019s Six Feet Under.<\/figcaption><\/figure>\n

It was also a day of surprises\u2014a plaque awarded to BUTI founder Wilbur Fullbright (GRS\u201960), a CFA professor emeritus of music and former School of Music director, who was unable to attend, and the announcement, by BUTI executive director\u00a0<\/span>Hilary Respass<\/a>, of a scholarship named for longtime BUTI executive director Phyllis Hoffman (\u201961,\u201967), a CFA professor and chair of the voice department, who also received a plaque and is credited with being the soul of the life-changing program.<\/p>\n

Place of growth, music, and mischief<\/h2>\n

It was hard to rub shoulders with someone who was not a talented musician or the parent of one. The alums, faculty, and former faculty\u2014some career musicians, some not\u2014returned to a cherished place of growth, music, and mischief, exchanging greetings and hugs and posing for photos.\u00a0<\/span>Ann Howard Jones<\/a>, 24-year BUTI choral instructor and a CFA professor emerita and director of choral activities, a woman who launched a thousand careers, allemanded her way from embrace to embrace along the green and under the party tent. A panel of alumni, moderated by Hoffman, was not only a paean of gratitude (they struggled to respond when she asked what they would change at BUTI), but also an illustration of the creative lives outside performance and teaching that the young BUTI musicians have made. BUTI alum and vocalist Amy Matthews, for example, is now host of a string of home renovation shows on HGTV. But because it was BUTI, the high point of the day was the music.<\/p>\n

The crowd at Seiji Ozawa Hall\u2019s Florence Gould Auditorium was filled to near its 1,200-seat capacity as BUTI alum Ken-David Masur, assistant conductor of the BSO, led a program of upbeat, soulful works by Wagner, Brahms, BUTI alum Lawrence Wolfe, and former Tanglewood general advisor Leonard Bernstein (Hon.\u201983), with a rendition of \u201cMake Our Garden Grow\u201d from his musical\u00a0<\/span>Candide<\/em>. With six BUTI alumni soloists and a chorus augmented by alumni (easily spotted by their many postpubescent decades and red carnations). The result, a thunderous choral finale, sent a rush of goose bumps through audience members who had been fanning themselves with their programs in the humid August heat. The female musicians wore white, lending an ethereal air to the proceedings. Ambrose gave a closing nod to all those \u201cwho have had their artistry and their hearts opened\u201d by the BUTI experience.<\/p>\n

\"Lauren<\/a>
Emcee Ambrose and the Young Artists Orchestra at BUTI\u2019s 50th anniversary concert in Tanglewood\u2019s Seiji Ozawa Hall.<\/figcaption><\/figure>\n

The concert, which included two pieces composed by alums for the occasion, featured several guest conductors, including Jones (Handel\u2019s Coronation Anthem #1), BUTI alum Samuel Z. Solomon, who teaches percussion at the Boston Conservatory, BU, and BUTI, and Katie Woolf (\u201905), a choral conductor at Harvard and former member of the Marsh Chapel Choir, known as a musical innovator who has traveled the world combining musical performances with community service. Solomon conducted\u00a0<\/span>Pulses, Cycles, Clouds<\/em>, a 50th anniversary composition by Nico Muhly (BUTI\u201996,\u201997), and Woolf conducted Frank Ticheli\u2019s choral piece\u00a0<\/span>Earth Song<\/em>\u00a0<\/span>and two selections from Tarik O\u2019Regan\u2019s\u00a0<\/span>Triptych<\/em>. A Zoltan Kodaly string trio,\u00a0<\/span>Serenade, Opus 12<\/em>, featured violinists Peter Zazofsky and Lucia Lin and violist and BUTI alum Steven Ansell, all members of the\u00a0<\/span>Muir String Quartet<\/a>, in residence at CFA. Commissioned for the event,\u00a0<\/span>Land Lines<\/em>, by Timo Andres (BUTI\u201900,\u201901), was performed by an all-brass ensemble with the purpose, says the composer, \u201cof setting some wild echoes flying.\u201d There was a dose of whimsy in the second alum piece, Wolfe\u2019s all-bass medley of his BUTI standouts, among them Beethoven\u2019s Ninth Symphony and Fifth Symphony. And in introducing Brahms\u2019\u00a0<\/span>Academic Festival Overture<\/em>, Masur, the son of former New York Philharmonic director Kurt Masur and a natural in warming up an audience, explained that the piece reflects Brahms\u2019 little-known sense of humor and urged them to keep an ear open for some well-worn college and drinking songs.<\/p>\n

A rare gem that makes a difference<\/h2>\n

\u201cI am proud to call BUTI a member of the extended BU community,\u201d Brown told those gathered for the reception, the timeless lush backdrop of Tanglewood behind him. (\u201cYou\u2019re not looking at me, you\u2019re looking at the scenery,\u201d he joked.) He called BUTI \u201cone of those rare gems that make a difference in people\u2019s lives.\u201d The BU president was one of many speakers who paid tribute to BUTI founder Wilbur Fullbright. In 1965, BSO musical director Erich Leinsdorf envisioned an educational outreach initiative by BU, based at the Tanglewood Music Center, and proposed it to Edward Stein, then CFA dean, who asked Fullbright to take charge of the project. BUTI launched its first season less than six months after that handshake, and has since evolved into an eight-week summer program drawing students from 14 to 22 who arrive at Lenox from all 50 states and many foreign countries. They study with BU faculty, participate in BSO master classes, and sit in on its rehearsals. Most important, said alums on the panel, it is a place where young people who felt marginalized back home (\u201cgeeky\u201d was the operative word) by their musical talent and drive became part of a community of young people who shared their passions. BUTI advisory council member and alum Seth Johnson \u201cwas the best violinist in Minnesota when I came here,\u201d he said, and was humbled, inspired, and awakened by the community he found\u2014each and every one the best of the best.<\/p>\n

\"Beverly<\/a>
Beverly Brown (from left), composer and BUTI alum Lawrence Wolfe, and BU President Robert A. Brown at the reception honoring BUTI\u2019s 50th anniversary.<\/figcaption><\/figure>\n

Taking her turn at the podium, Allen heaped praise on Hoffman for her 22 years of \u201ca talented juggling act\u201d that nurtured BUTI\u2019s diversity and international reach, its prominence in the community (the BUTI young people\u2019s choir has sung for three Boston Pops concerts), and overall, for \u201cputting BUTI on the map.\u201d Presented with a BUTI cake (and a superhero cape), Hoffman expressed her pride not only in the talent honed in the studio sheds dotting the vast lawns, but in the fact that so many BUTI alums are \u201cperforming acts of social conscience.\u201d<\/p>\n

As Respass and Hoffman are fond of saying, the arts play a crucial role not just in entertainment, but also in character development, intellectual growth, and competence. \u201cI think STEM should be STEAM,\u201d said Hoffman, making a plea for adding arts to the mix of science, technology, engineering, and math (STEM) in the conversation about young people\u2019s success in today\u2019s world.<\/p>\n

Before the guests drifted off, Della Chiesa, dressed in eye-popping shades of orange, returned to the podium to offer a line from Broadway lyricist Cy Coleman: \u201cThe best is yet to come.\u201d<\/p>\n

A version of this article originally appeared in\u00a0<\/span>BU Today<\/a><\/em>.<\/p>\n

Read more articles in\u00a0Esprit<\/a>, the\u00a0publication for alumni and friends of the Boston University College of Fine Arts.\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

By Susan Seligson | Photos by Natasha Moustache Originally published in the spring 2017 issue of Esprit. BU Tanglewood Institute, a CFA summer program for gifted high school musicians, celebrated its 50th anniversary August 6, 2016, highlighted by a concert for students and alumni at the Tanglewood Music Center\u2019s Seiji Ozawa Hall. \u201cIt was the […]<\/p>\n","protected":false},"author":13703,"featured_media":56250,"comment_status":"closed","ping_status":"open","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[313],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/56248"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/13703"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=56248"}],"version-history":[{"count":2,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/56248\/revisions"}],"predecessor-version":[{"id":92948,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/56248\/revisions\/92948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/56250"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=56248"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=56248"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=56248"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=56248"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=56248"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=56248"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=56248"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=56248"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=56248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}