{"id":132905,"date":"2026-08-18T10:45:23","date_gmt":"2026-08-18T14:45:23","guid":{"rendered":"https:\/\/www.bu.edu\/cfa\/?post_type=bu-article&#038;p=132905"},"modified":"2026-08-18T10:46:09","modified_gmt":"2026-08-18T14:46:09","slug":"kendall-ramseur-democracy-concerto","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/news\/articles\/2026\/kendall-ramseur-democracy-concerto\/","title":{"rendered":"Sons of Serendip\u2019s Kendall Ramseur Goes Solo"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin news-block-editorial-leadin is-style-side-by-side has-media has-box has-media-focus-center-middle\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"1335\" height=\"2000\" src=\"\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto.jpg\" class=\"\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto.jpg 1335w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto-425x636.jpg 425w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto-684x1024.jpg 684w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto-768x1151.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto-1025x1536.jpg 1025w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Son-of-Serendip-Kendall-Ramseur-Democracy-Concerto-668x1000.jpg 668w\" sizes=\"(max-width: 1335px) 100vw, 1335px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-leadin-caption wp-prepress-component-caption\">Kendall Ramseur (CFA\u201912), a cellist, composer, and former member of\u00a0the musical quartet Sons of Serendip, at his home on August 4, 2026. His latest piece,\u00a0<em>A Nation Becoming: The Democracy Concerto<\/em>, cowritten with the artist BLKBOK,\u00a0will have its world premiere on August 28. Photo by Jackie Ricciardi<\/p>\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">Music<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tSons of Serendip\u2019s Kendall Ramseur Goes Solo\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\">Latest project from the CFA alum\u2014a cellist and composer\u2014is a concerto celebrating America\u2019s democracy<\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar js-block-editorial-metabar news-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">August 18, 2026<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<p>This article was originally published in <em><a href=\"https:\/\/www.bu.edu\/articles\/2026\/kendall-ramseur-the-democracy-concerto\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bostonia<\/a><\/em> on August 13, 2026. By John O&#8217;Rourke<\/p>\n\n\n\n<div class=\"wp-block-editorial-introparagraph news-block-editorial-introparagraph is-style-dropcap-outlined has-dropcap has-dropcap-color-quaternary\"><h4>EXCERPT<\/h4><div class=\"wp-block-editorial-introparagraph-content\"><p>It\u2019s the moment cellist and composer <strong>Kendall Ramseur<\/strong> has been anticipating for months. On Thursday, his latest work, co-written with the pianist and composer BLKBOK (Charles Wilson III), will have its world premiere before an audience of 2,500 just outside Washington, D.C.&nbsp;<em>A Nation Becoming: The Democracy Concerto<\/em>&nbsp;is one of the most ambitious to date for Ramseur (CFA\u201912), who shot to fame as a cofounder of the musical quartet<a rel=\"noreferrer noopener\" href=\"https:\/\/www.sonsofserendip.com\/#newmusichome\" target=\"_blank\">&nbsp;Sons of Serendip<\/a>&nbsp;12 years ago, when the band won an audition to appear on&nbsp;<em>America\u2019s Got Talent<\/em>&nbsp;and advanced to the finals. They went on to release several albums and tour widely, appearing with the Boston Pops, the Cincinnati Symphony Orchestra, and&nbsp;<em>Wicked&nbsp;<\/em>singer and actor Cynthia Erivo.&nbsp;<\/p><\/div><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" src=\"\/cfa\/files\/2026\/08\/Kendall-Ramseur-BLKBOK-The-Democracy-Concerto.jpg\" alt=\"\" class=\"wp-image-132910\" width=\"334\" height=\"500\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-BLKBOK-The-Democracy-Concerto.jpg 668w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-BLKBOK-The-Democracy-Concerto-425x636.jpg 425w\" sizes=\"(max-width: 334px) 100vw, 334px\" \/><figcaption><em>Ramseur (left) and BLKBOK during a workshop of A Nation Becoming: The Democracy Concerto at the Atlas Performing Arts Center in Washington, D.C., June 23, 2026. Photo by TEAMTRI.<\/em><br><\/figcaption><\/figure><\/div>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.kendallramseur.com\/\" target=\"_blank\">Ramseur<\/a>&nbsp;left the group in 2022 and has pursued a solo career since then, composing scores for podcasts, large-scale concert works and multidisciplinary collaborations that blend music, film, and storytelling.&nbsp;<\/p>\n\n\n\n<p>The&nbsp;<em>Democracy Concerto<\/em>, comprising three movements for full orchestra and a 50-member choir,<em>&nbsp;<\/em>draws on many musical influences, from Johann Sebastian Bach and Mozart to early American composers and more contemporary artists, such as jazz greats Thelonious Monk and Louis Armstrong and gospel singers Richard Smallwood and Smokie Norful.<\/p>\n\n\n\n<p>\u201cThere\u2019s classical and baroque in the first movement,\u201d Ramseur says. \u201cThe second movement introduces some jazz elements, and the third movement introduces more classical influences, along with contemporary gospel and soul.<\/p>\n\n\n\n<p>Ramseur and BLKBOK began work on the concerto&nbsp;in November 2025, writing the score for piano and cello, with Ramseur later creating the orchestration for other instruments in his studio in Woburn, Mass. It took the duo seven months to finish the concerto. Earlier this summer, they traveled to Washington, D.C. for a series of workshops where they refined it, rehearsing with a 40-piece orchestra and a small choir.&nbsp;<\/p>\n\n\n\n<p>&#8230;<\/p>\n\n\n\n<h3>Exploring the idea of democracy<\/h3>\n\n\n\n<p><em>A Nation Becoming: The Democracy Concerto&nbsp;<\/em>was commissioned by the nonprofit research institute&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.policylink.org\/\" target=\"_blank\">PolicyLink<\/a>. Ramseur and BLKBOK were introduced to the organization\u2019s CEO, Michael McAfee, when they were guests at the 2024 Hatch Summit, an annual gathering of innovative thinkers, artists, and changemakers from around the globe.&nbsp;<\/p>\n\n\n\n<p>McAfee says he was immediately impressed by Ramseur\u2019s musical talent and his \u201cremarkable ability to connect people emotionally across differences.&nbsp;<\/p>\n\n\n\n<p>\u201cWhen I witnessed the emotional power of Kendall\u2019s music, I knew his gifts could help advance our Governing for All agenda\u2014our long-term effort to redesign America\u2019s democracy and economy so they truly serve everyone,\u201d he says.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-bu-pullquote news-block-bu-pullquote alignwide is-style-modern has-image has-image-focus-center-middle\"><div class=\"wp-block-bu-pullquote-inner\"><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><img loading=\"lazy\" width=\"1498\" height=\"1000\" class=\"bu-blocks-background wp-image-132911\" src=\"\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto.jpg\" alt=\"\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto.jpg 1498w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-636x425.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-1024x684.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-768x512.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-900x600.jpg 900w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-450x300.jpg 450w, https:\/\/www.bu.edu\/cfa\/files\/2026\/08\/Kendall-Ramseur-Workshop-Washington-DC-The-Democracy-Concerto-600x400.jpg 600w\" sizes=\"(max-width: 1498px) 100vw, 1498px\" \/><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">&#8220;The concerto is about people. It\u2019s about belonging, it\u2019s about stories and hope. It\u2019s about our shared humanity. Our hope is that the concerto will invite people to listen differently to one another and to reflect on who we are, who we\u2019ve been, and who we can still become.<br\/><\/div><footer class=\"caption\"><br\/><em><strong>-Kendall Ramseur (CFA&#8217;12)<\/strong><\/em><\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<h3>Growing up with music<\/h3>\n\n\n\n<p>Ramseur grew up in Charlotte, N.C., surrounded by music. \u201cMy dad was always playing Motown. He loved to act like he was DJing in the front room. And I would wake up to my mom singing songs of worship.\u201d After his father purchased an upright piano for him, Ramseur began creating his own melodies. At the age of 10, he heard a teacher play the cello and was smitten.&nbsp;<\/p>\n\n\n\n<p>\u201cIt was almost as if it had its own soul,\u201d he recalls.&nbsp;<\/p>\n\n\n\n<p>After graduating from the University of the North Carolina School of the Arts, he began searching for a master\u2019s program. A&nbsp;former professor urged him to contact Marc Johnson, a renowned cellist and professor of music at BU\u2019s College of Fine Arts School of Music, who died in 2014. Ramseur traveled to Boston for a lesson with Johnson and was struck by his talent and his humility.&nbsp;<\/p>\n\n\n\n<p>\u201cI also shared with Marc that I was a composer, and asked if he\u2019d be open to me bringing original pieces and working on those,\u201d says Ramseur. \u201cHe was so open and excited by the idea. He wasn\u2019t just interested in developing a classical musician, he was interested in developing a whole musician.\u201d Based on that first meeting, Ramseur decided to study for a master\u2019s in cello performance at CFA.&nbsp;<\/p>\n\n\n\n<p><a class=\"aligncenter wp-block-button wp-block-bu-button news-block-button is-style-accent\" href=\"https:\/\/www.bu.edu\/articles\/2026\/kendall-ramseur-the-democracy-concerto\/\">more in bostonia<\/a><\/p>\n\n\n\t<aside class=\"wp-block-editorial-relatedstories is-style-card has-three news-block-editorial-relatedstories\">\n\t\t<h3 class=\"wp-block-editorial-relatedstories-title\">Related<\/h3>\n\t\t<ul class=\"wp-block-editorial-relatedstories-list\">\n\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"1080\" height=\"1080\" src=\"\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur.png\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Proud to BU podcast promo of feature on Kendall Ramseur\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur.png 1080w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-636x636.png 636w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-1024x1024.png 1024w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-150x150.png 150w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-768x768.png 768w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-1000x1000.png 1000w, https:\/\/www.bu.edu\/cfa\/files\/2024\/03\/bu-cfa-proud-to-bu-podcast-kendall-ramseur-500x500.png 500w, 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Cellist Kendall Ramseur (CFA&#8217;12)<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">March 26, 2024<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"2460\" height=\"1200\" src=\"\/cfa\/files\/2021\/08\/Spring-21-banner-Conversation.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Cellists Kendall Ramseur and Laura Metcalf\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2021\/08\/Spring-21-banner-Conversation.jpg 2460w, https:\/\/www.bu.edu\/cfa\/files\/2021\/08\/Spring-21-banner-Conversation-636x310.jpg 636w, 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class=\"wp-block-editorial-relatedstories-article-title-link\">Conversation: Kendall Ramseur &#038; Laura Metcalf<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">June 8, 2021<\/p>\n\t\t\t\t\t\t<div class=\"wp-prepress-component-article-share wp-prepress-component-article-share-sharedby-magazine\"><span class=\"wp-prepress-component-article-share-label\">Shared from<\/span> <span class=\"wp-prepress-component-article-share-source\"><div class=\"editorial-branding editorial-branding-magazine bu-prepress-branding-type-inlinesvg\"><div class=\"editorial-branding-wrap\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 602.49 249.24\"><path d=\"M127.48,44.26l3.46-3.65C89.5-2.45,14.69,27.08,15.19,87.16c-.5,60.1,74.57,89.41,115.89,46.33L127.42,130C89.25,169.82,19.71,142.73,20.24,87.15,19.79,31.41,89.13,4.28,127.48,44.26Z\" \/><path 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class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"1000\" height=\"667\" src=\"\/cfa\/files\/2020\/10\/Kendall.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Kendall Ramseur\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall.jpg 1000w, https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall-636x424.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall-768x512.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall-900x600.jpg 900w, https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall-450x300.jpg 450w, https:\/\/www.bu.edu\/cfa\/files\/2020\/10\/Kendall-600x400.jpg 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>CFA Alumni<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/news\/articles\/2020\/from-bu-to-americas-got-talent-cfa-grad-shifts-perspectives-through-music\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">From BU to America\u2019s Got Talent: CFA Grad Shifts Perspectives through Music<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">October 20, 2020<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t<\/aside>\n\t\n\n","protected":false},"excerpt":{"rendered":"<p>This article was originally published in Bostonia on August 13, 2026. By John O&#8217;Rourke Ramseur&nbsp;left the group in 2022 and has pursued a solo career since then, composing scores for podcasts, large-scale concert works and multidisciplinary collaborations that blend music, film, and storytelling.&nbsp; The&nbsp;Democracy Concerto, comprising three movements for full orchestra and a 50-member choir,&nbsp;draws [&hellip;]<\/p>\n","protected":false},"author":19544,"featured_media":132911,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"{\"post_id\":94140,\"hed\":\"Conversation: Kendall Ramseur &#038; Laura Metcalf\",\"dek\":\"Next Article\",\"class\":\"wp-block-editorial-billboard news-block-editorial-billboard is-style-full-photo has-dark-overlay has-media\",\"backgroundId\":\"94134\",\"backgroundUrl\":\"\\\/cfa\\\/files\\\/2021\\\/08\\\/Spring-21-banner-Conversation-970x456.jpg\",\"backgroundType\":\"image\",\"backgroundOpacity\":\"100\"}","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[309,212],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/132905"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/19544"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=132905"}],"version-history":[{"count":11,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/132905\/revisions"}],"predecessor-version":[{"id":132919,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/132905\/revisions\/132919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/132911"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=132905"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=132905"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=132905"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=132905"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=132905"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=132905"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=132905"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=132905"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=132905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}