{"id":115787,"date":"2024-10-22T10:04:01","date_gmt":"2024-10-22T14:04:01","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?post_type=bu-article&p=115787"},"modified":"2024-10-22T10:04:56","modified_gmt":"2024-10-22T14:04:56","slug":"bu-exhibitions-venice-italy","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/news\/articles\/2024\/bu-exhibitions-venice-italy\/","title":{"rendered":"BU Talent on Display in Venice, Italy, Exhibitions"},"content":{"rendered":"\t
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CFA alums, faculty, and students are exhibiting alongside Venice Biennale, world\u2019s longest running arts and architecture festival<\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n
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October 22, 2024<\/div>\n\t\t\n\t\t\t\t
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This article was originally published in BU Today<\/a><\/em> on October 21, 2024. By Sophie Yarin<\/p>\n\n\n\n

Every year, Venice, Italy, lights up with artists and luminaries. They flood the narrow streets, weaving in and out of galleries and pavilions, taking in the most pioneering, intricate, and stunning art the world has to offer. It\u2019s the Venice Biennale<\/a>, the world\u2019s oldest arts and architecture festival, and also one of the world\u2019s most respected celebrations of creative genius. The festival switches off yearly, exhibiting the world\u2019s artists one year and architects the next\u2014and 2024 is an art year, which means that for months The Floating City has been awash with artists, dancers, musicians, thespians, and filmmakers (the Venice International Film Festival<\/a>, organized by the Biennale, is also the oldest of its kind in the world). <\/p><\/div><\/div>\n\n\n\n

This year\u2019s massive art exhibition, held within the Giardini della Biennale<\/a>, a parkland area in Venice, offers visitors a chance to see haunting installations in the German pavilion, vividly-colored handcrafts in the American pavilion, a collision of ancient and modern aesthetics in the Chinese pavilion. Outside the Giardini, dozens of galleries and pop-up shows proffer art events of their own, turning the entire city into one sprawling moveable feast.<\/p>\n\n\n\n

Among the local exhibitors is the A Plus A Gallery<\/a>\u2014a 1.5-mile boat trip from the Giardini. Inside are two concurrent exhibitions, each offering the international community a chance to view art by members of BU\u2019s visual arts community, through November 3.<\/p>\n\n\n\n

\u201cIt\u2019s the second year we\u2019ve had a Venice exhibition up at the same time as the Biennale,\u201d says Lissa Cramer<\/a> (MET\u201918), director of BU Art Galleries. \u201cIt\u2019s a great time to be an art lover in Venice.\u201d
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The first of the two shows, Hidden in the Layers<\/em><\/a>,<\/em> is an exhibition celebrating Charles Suggs<\/a> (CFA\u201920) and College of Fine Arts faculty in the School of Visual Arts. The second, Atlantic Exchange<\/em><\/a>, is a selection of more than 20 works across artistic disciplines, created by 14 CFA students and participants in the University\u2019s Study Abroad Venice Studio Arts<\/a> program. Students submitted prints, drawings, paintings, and graphic design thesis books that represented their respective studies at CFA and time spent in the study-abroad program. The show was created in partnership with Accademia di Belle Arti di Venezia and curated by Giovanni Turria, a professor at the Accademia, and his student Carolina Savio.<\/p>\n\n\n\n

\u201cThe [Venice study abroad] program provides undergraduate art and design students the exceptional opportunity to develop their practices in a city where art, art history, and history are ubiquitously manifest,\u201d says a statement by Marc Schepens<\/a> (CFA\u201912), School of Visual Arts director, a senior lecturer in art, and a painter.<\/p>\n\n\n\n

Hidden in the Layers<\/em> is a celebration of the school\u2019s print media and photography program, with faculty members Lynne Allen<\/a>, a CFA professor of art and chair of the program, Deborah Cornell<\/a>, a CFA professor of art and head of printmaking, and Toni Pepe<\/a>, a CFA assistant professor of art and head of photography, each submitting one work to the show. <\/p>\n\n\n\n

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Print media works by CFA lecturer Joshua Brennan, installed in the A Plus A Gallery in Venice. Photo by Lissa Cramer<\/figcaption><\/figure>\n\n\n\n

The stars of the exhibition are Joshua Brennan<\/a>, a CFA lecturer in printmaking and a technical associate in printmaking and photography, and Suggs, whose prints are created primarily using woodcut and monotype. Both artists have contributed a starkly contrasting arrangement of recent work\u2014yet Cramer, who curated the show alongside Stacy McKenna<\/a> (MET\u201921), CFA associate director for strategic initiatives, sought to draw out the conversational threads among each contribution.<\/p>\n\n\n\n

\u201cEach artist has a wildly varying practice from the next: Josh and Deborah lean towards abstraction while Charles, Toni, and Lynne use figural imagery,\u201d McKenna explains. \u201cThe common thread that ties them all together is in the layers\u2014both metaphorically and literally. Each work carries layers of meaning, thought, and critique, and the prints and photographs consist of print and paint layers.\u201d<\/p>\n\n\n\n

Suggs was the first artist who came to mind when Cramer began curating the exhibition. The decision was easy, she recalls. \u201cI did a studio visit with Charles while he was a student here [and] his work was stuck in my brain,\u201d she says. \u201cI was just waiting for the perfect moment to circle back to him.\u201d<\/p>\n\n\n\n

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Monotype prints in Charles Suggs\u2019 Body Stare<\/em> series are on view at the School of Visual Art\u2019s Hidden in the Layers <\/em>exhibition. Photos courtesy of Charles Suggs<\/p>\n\n\n\n

The recent CFA graduate favors neutral palettes for his lucid, confrontational prints. Works in his Body Stare<\/em> series adorn one wall of the gallery, a lineup of figures thickly rendered in blacks and browns that stare down the viewer with piercing eyes\u2014an unmistakable challenge.<\/p>\n\n\n\n

\u201cIn relation to the gaze, staring can feel accusatory and threatening,\u201d he explains. \u201cThese figures stare back at the viewer with stressed, marked bodies that can be read as anxiety.\u201d<\/p>\n\n\n\n

The Biennale is the first time Suggs is showing work internationally. It\u2019s been a long journey for him, and it\u2019s somewhat fitting to be back among old mentors. \u201cDeborah Cornell and Josh Brennan were extremely influential to me during my time at BU,\u201d he says, \u201cand it\u2019s due to them that I started working with monotypes and relief prints.\u201d<\/p>\n\n\n\n

Suggs is planning a trip to Venice to view the show, as is Brennan, who will visit toward the end of the Biennale to help remove his works from the gallery walls. McKenna and Cramer took in the festival earlier this month when they installed the show.<\/p>\n\n\n\n

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The Biennale is special every year, and it\u2019s always fun to see new works from all over the world. Our School of Visual Arts alumni, staff, and faculty are such talented artists, and this is a great way for us to share their gifts with a wider audience.<\/div>