{"id":104077,"date":"2023-09-12T15:03:36","date_gmt":"2023-09-12T19:03:36","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?post_type=bu-article&#038;p=104077"},"modified":"2023-10-26T13:25:10","modified_gmt":"2023-10-26T17:25:10","slug":"27th-fringe-festival-celebrates-collaboration-in-the-arts-across-boston-university-college-of-fine-arts","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/news\/articles\/2023\/27th-fringe-festival-celebrates-collaboration-in-the-arts-across-boston-university-college-of-fine-arts\/","title":{"rendered":"27th Fringe Festival celebrates collaboration in the arts across Boston University College of Fine Arts"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin news-block-editorial-leadin is-style-side-by-side has-media has-flip has-media-focus-center-middle has-secondary-theme\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"1707\" height=\"2560\" src=\"\/cfa\/files\/2023\/09\/September-Comm-Ave-1-scaled.jpg\" class=\"\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-scaled.jpg 1707w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-424x636.jpg 424w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-683x1024.jpg 683w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-768x1152.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-1024x1536.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-1365x2048.jpg 1365w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/September-Comm-Ave-1-667x1000.jpg 667w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">Visual Arts<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t27th Fringe Festival celebrates new works and collaboration in the arts \t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\"><em>The decades-long collaboration between BU School of Theatre and Opera Institute expands to uplift new and unique works in music and visual arts in addition to producing new and rarely performed works of opera and theatre<\/em><\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar js-block-editorial-metabar news-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">September 12, 2023<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<div class=\"wp-block-editorial-introparagraph is-style-dropcap-dimensional has-dropcap has-dropcap-color-secondary\"><div class=\"wp-block-editorial-introparagraph-content\"><p>Boston University College of Fine Arts (CFA) announces the Fall 2023 Fringe Festival lineup, featuring works produced by Boston University School of Music:&nbsp;<a href=\"https:\/\/www.bu.edu\/cfa\/music\/opera\/\">Opera Institute<\/a>&nbsp;and <a href=\"https:\/\/www.bu.edu\/cfa\/theatre\/\">School of Theatre<\/a>. Spurred by the dynamic and diverse programs within BU College of Fine Arts, this year\u2019s Fringe features additional programming from BU <a href=\"https:\/\/www.bu.edu\/cfa\/visual-arts\/\">School of Visual Arts<\/a> and <a href=\"https:\/\/www.bu.edu\/cfa\/music\/\">School of Music<\/a>. For nearly three decades, the <a href=\"https:\/\/www.bu.edu\/cfa\/music\/opera\/fringe-festival\/\">Fringe Festival<\/a> at Boston University has celebrated and amplified new works, shown in spare and minimal productions. The festival\u2019s mission historically has brought new and rarely performed significant works in the opera and theatre repertoire, to audiences in unique theatrical settings. Find a complete list of events below.<\/p><\/div><\/div>\n\n\n\n<p>\u201cThe 2023 Fringe Festival establishes BU College of Fine Arts&#8217; enduring commitment to the creation of original and innovative work by our artistic community,\u201d according to <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/susan-e-mickey\/\">Susan Mickey<\/a>, Director of BU School of Theatre, and <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/william-lumpkin\/\">William Lumpkin<\/a>, artistic director of BU Opera Institute.<\/p>\n\n\n\n<p>Launching Fringe this year are the <strong>Next Stage Workshops<\/strong>, presented by the School of Theatre\u2019s New Play Initiative and curated by playwright <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/kirsten-greenidge\/\">Kirsten Greenidge<\/a>, Associate Professor and head of BU School of Theatre\u2019s Playwriting program. This \u201con-its-feet\u201d workshop play experience focuses on different areas of the writing process and projects in development.<\/p>\n\n\n\n<p>\u201cThe Next Stage Workshops offer a glimpse into work establishing an identity,\u201d says Mickey. \u201c<em>Marcus or the Secret of Sweet<\/em> allows us a chance to explore a beautiful play created specifically for a BU audience. We are proud to kick off the 2023 school year by celebrating the artist\u2019s voice.\u201d<\/p>\n\n\n\n<p>The play <strong><em>Marcus, or the Secret of Sweet<\/em><\/strong> by Tarell Alvin McCraney&nbsp;comes to the stage of the Joan &amp; Edgar Booth Theatre, October 20 \u2013 22, 2023. Directed by Roz Bevan (CFA\u201919), <em>Marcus<\/em> is a poignant and fiercely humorous coming-of-age story of a young gay man in the South, days before Hurricane Katrina strikes the projects of Louisiana.<\/p>\n\n\n\n<p>Boston University Opera Institute, in collaboration with the School of Theatre, presents its first opera productions of the academic year in Studio ONE: <strong><em>Alice Tierney<\/em><\/strong> (music director: Allison Voth, stage director: Claire Choquette) and <strong><em>Hydrogen Jukebox<\/em><\/strong> (music director: Matthew Larson, stage director, Sarah Dahnke).<\/p>\n\n\n\n<p>The opera productions part of the 27<sup>th<\/sup> Fringe at BU \u201cgive our students the opportunity to explore new and compelling theatrical works with young and upcoming stage directors,\u201d say Lumpkin and <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/oshin-gregorian\/\">Oshin Gregorian<\/a>, managing director of the Opera Institute.&nbsp;\u201cThis is a particularly student-forward experience, with the inclusion of student conductors in the graduate conducting program.\u201d<\/p>\n\n\n\n<p><em>Alice Tierney<\/em>, with music by Melissa Dunphy and libretto by Jacqueline Goldfinger, explores the mythic stories surrounding the death of the real-life 19th-century \u201cdissipated woman\u201d Alice Tierney, who was found hanging by her own petticoats on a fence in a seedy Philadelphia neighborhood in 1880. Despite suspicious circumstances, the death was ruled accidental and never investigated by police. But who was Alice? Find out October 13 \u2013 15, 2023.<\/p>\n\n\n\n<p><em>Hydrogen Jukebox, <\/em>with music by Philip Glass and libretto by Allen Ginsburg, was created as a portrait of America from the 1950s through the 1980s, composed after a chance meeting between composer, Philip Glass, and Beat poet, Allen Ginsberg. Through Glass\u2019 minimalist style, and Ginsberg\u2019s poetry on topics ranging from the anti-war movement to the environment, the opera touches on many of America\u2019s enduring social issues. It comes to Studio ONE as part of Fringe Festival October 27 \u2013 29, 2023.<\/p>\n\n\n\n<p>Also included in the Fringe lineup is \u201c<strong>The Gutter<\/strong>,\u201d an exhibition presented by BU School of Visual Arts and its MFA Visual Narrative Class of 2024, on view from September 15 \u2013 October 2 in the CFA Commonwealth Gallery. BU\u2019s Visual Narrative MFA program explores sequential art storytelling practices, allowing students the opportunity to craft stories in the medium of comics, long form graphic novels, picture books and other media that integrate written and visual language.<\/p>\n\n\n\n<p>Boston University School of Music presents <strong><em>BRUSH|REED<\/em><\/strong>, a collaboration between artist and musician to explore the parallels of painting and sound through live performance, in 808 Gallery on Wednesday, September 27. Dr. Jennifer Bill (saxophone) and Linnea Maas (visual artist) will engage the audience through color, pitch, representational lines, rhythm, intensity, and expression for an aural visual experience.<\/p>\n\n\n\n<p><strong><em>Sutasoma: The Tale of a Buddhist Prince<\/em><\/strong> will be presented by the Balinese Shadow Play Music Ensemble at Boston University in the CFA Concert Hall on Saturday, September 30. Professor Brita Heimarck directs the Balinese Music Ensemble in this adaptation of the 14th century kakawin (Old Javanese) text from Indonesia.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-background-color has-cyan-color\"\/>\n\n\n\n<div class=\"wp-block-editorial-photoessay news-block-editorial-photoessay alignwide wp-block-photoessay js-block-editorial-photoessay\"><div class=\"photo-row-fourths-4\">\n<div class=\"photo-4\"><div class=\"wp-block-photoessay-media\"><figure><img loading=\"lazy\" width=\"1024\" height=\"341\" src=\"\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL-1024x341.png\" alt=\"\" class=\"wp-image-104081\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL-1024x341.png 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL-636x212.png 636w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL-768x256.png 768w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL-810x270.png 810w, https:\/\/www.bu.edu\/cfa\/files\/2023\/09\/Fringe-Festival-BannerFRINGE-FESTIVAL.png 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div><\/div>\n<\/div><\/div>\n\n\n\n<h3 class=\"has-black-color has-text-color\"><em>Next Stage Workshops<\/em><\/h3>\n\n\n\n<p>The School of Theatre New Play Initiative presents a series of Next Stage workshops, scenes, and plays. These Next Stage pieces are directed by undergraduate directors and will flower as the next step in the fruition of these new plays by BU students. The nature of the presentation and the work is determined by the needs of the play. Curated by playwright&nbsp;<a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/kirsten-greenidge\/\">Kirsten Greenidge<\/a>, this \u201con-its-feet\u201d workshop or play experience focuses on different areas of the writing or specific parts of a project in the process of development. The Next Stage Workshops offer free admission. <\/p>\n\n\n\n<p>Visit <a href=\"https:\/\/www.bu.edu\/cfa\/theatre\/season\">bu.edu\/cfa\/theatre\/season<\/a>, or contact&nbsp;<a href=\"mailto:theatre@bu.edu\">theatre@bu.edu<\/a>&nbsp;for more information.<\/p>\n\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-2cbbfa5c\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-2cbbfa5c-toggle\">\n\t\t\t\t\tLike Flies: A Rage Play\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-2cbbfa5c-panel\">\n\t\t\t\n\n<p><em>Like Flies: A Rage Play<\/em> is written &amp; directed by Maggie Kearnan (CAS&#8217;25)<\/p>\n\n\n\n<p><strong>September 22 \u2013 23, 2023 <\/strong><\/p>\n\n\n\n<p><strong>CFA 354<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>Presented by the Boston University School of Theatre New Play Initiative in association with&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\">Boston Playwrights\u2019 Theatre<\/a>. <\/p>\n\n\n\n<p>When a mysterious new midwife comes to town, a group of women think she might have solutions for more than just childbirth. She might also have something to solve an epidemic of cruel men.&nbsp;<em>Like Flies: A Rage Play<\/em>&nbsp;is a witchy thriller with movement, sound, murder, secrets, and an ensemble of women claiming the freedom they are due.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-e4ce4c46\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-e4ce4c46-toggle\">\n\t\t\t\t\tPriscilla\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-e4ce4c46-panel\">\n\t\t\t\n\n<p><em>Priscilla<\/em>, by Edward Sturm (CFA&#8217;24) is directed by Emma Cahoon (CFA&#8217;24)<\/p>\n\n\n\n<p><strong>September 23 \u2013 24, 2023<\/strong><\/p>\n\n\n\n<p><strong>Joan &amp; Edgar Booth Theatre<\/strong> \u2022 820 Commonwealth Ave., Brookline<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-037aa955\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-037aa955-toggle\">\n\t\t\t\t\tDown Neck\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-037aa955-panel\">\n\t\t\t\n\n<p><em>Down Neck<\/em>, written by Tina Esper (CAS&#8217;25) and directed by Gregg Wiggans (CFA&#8217;25)<\/p>\n\n\n\n<p><strong>September 29 \u2013 30, 2023<\/strong><\/p>\n\n\n\n<p><strong>CFA 354<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>Presented by the Boston University School of Theatre New Play Initiative in association with&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\">Boston Playwrights\u2019 Theatre<\/a>. Inspired by a short story by Brazilian novelist, Clarice Lispector,&nbsp;<em>Down Neck<\/em>&nbsp;explores the meaning of womanhood and its ripple effect on an immigrant family in Newark, New Jersey.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-ed06df64\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-ed06df64-toggle\">\n\t\t\t\t\tCars, Candy, and Other Colorful Things\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-ed06df64-panel\">\n\t\t\t\n\n<p><em>Cars, Candy, and Other Colorful Things<\/em> by Gaby Tovar (CFA&#8217;25)<\/p>\n\n\n\n<p><strong>September 30 \u2013 October 1, 2023<\/strong><\/p>\n\n\n\n<p><strong>Joan &amp; Edgar Booth Theatre<\/strong> \u2022 820 Commonwealth Ave., Brookline<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-28a0a32d\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-28a0a32d-toggle\">\n\t\t\t\t\t<em>broke (not broken), lost n found<\/em>\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-28a0a32d-panel\">\n\t\t\t\n\n<p><em>broke (not broken), lost n found<\/em> is written by Isabelle Sanatdar Stevens (CAS&#8217;25). Directed by Madeline Riddick-Seals<\/p>\n\n\n\n<p><strong>October 6 \u2013 7, 2023<\/strong><\/p>\n\n\n\n<p><strong>CFA 354<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>Presented by the Boston University School of Theatre New Play Initiative in association with <a href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\">Boston Playwrights\u2019 Theatre<\/a>. College is hard, and being a low-income, first-gen American student can make it even harder, but when the highest paying job on-campus is as an RA, you do what you gotta do to try and bridge the gap. Four students bond over their shared role in the campus community, and the shared aspects of their backgrounds. Challenges arise as they navigate the high demands of the job while balancing schoolwork and the ever-evolving nature of their personal lives. They may be broke, but they\u2019re definitely not broken\u2014especially now that they have each other.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-37710f2e\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-37710f2e-toggle\">\n\t\t\t\t\tDelinquents Never Stay for Long\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-37710f2e-panel\">\n\t\t\t\n\n<p><em>Delinquents Never Stay for Long<\/em>, by JoJo (CFA&#8217;24) and directed by Charlie Berger (CFA&#8217;24)<\/p>\n\n\n\n<p><strong>October 7 \u2013 8, 2023<\/strong><\/p>\n\n\n\n<p><strong>Joan &amp; Edgar Booth Theatre<\/strong> \u2022 820 Commonwealth Ave., Brookline<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n\t<div\n\t\tclass=\"wp-block-bu-collapsible js-wp-block-bu-collapsible is-open icon-style-arrows is-style-outline\"\n\t\tstyle=\"\"\n\t\tid=\"bu-collapsible-939c3968\"\n\t\tdata-default-open=\"false\"\n\t>\n\t\t<h5 class=\"bu-collapsible-heading\">\n\t\t\t\t\t\t\t<button class=\"bu-block-collapsible-toggle js-bu-block-collapsible-toggle\" id=\"bu-collapsible-939c3968-toggle\">\n\t\t\t\t\tGinkgo Express\t\t\t\t<\/button>\n\t\t\t\t\t<\/h5>\n\t\t\t\t<div class=\"bu-block-collapsible-content js-bu-block-collapsible-content\" id=\"bu-collapsible-939c3968-panel\">\n\t\t\t\n\n<p><em>Ginkgo Express<\/em>, written by Brandon Zang (CAS&#8217;25) and directed by Terri McMahon<\/p>\n\n\n\n<p><strong>October 13 \u2013 14, 2023<\/strong><\/p>\n\n\n\n<p><strong>CFA 354<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>Presented by the Boston University School of Theatre New Play Initiative in association with&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.bu.edu\/bpt\/performances\/fringe-festival-2023\/\" target=\"_blank\">Boston Playwrights\u2019 Theatre<\/a>. As the world comes to an end in 2099, a teenager boards a train across the Pacific Ocean to reunite the last two ginkgo trees. On the other side, in the ancient Chinese village of Tianmushan, a jaded college grad has returned to take over as chief and preserve her father\u2019s final legacy. With each day that brings them closer, relationships rekindle and bridges are burned. As the prospect of saving the ginkgo tree becomes less and less plausible, both must decide if their earnest\u2014or futile\u2014attempt to save their history is worth the price of a future shrouded in the ashes of their mistakes.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t\n\n\n<h3><em>Alice Tierney<\/em><\/h3>\n\n\n\n<p><strong><em>A co-production of BU Opera Institute and School of Theatre<\/em><\/strong><\/p>\n\n\n\n<h5>OCTOBER 13 &#8211; 15, 2023<\/h5>\n\n\n\n<p>Music by Melissa Dunphy<br>Libretto by Jacqueline Goldfinger<br>Music Director \u2022 Allison Voth<br>Stage Director \u2022 Claire Choquette<\/p>\n\n\n\n<p><strong>Studio ONE<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p><em>Alice Tierney<\/em>&nbsp;explores the mythic stories surrounding the death of the real-life 19th-Century \u201cdissipated woman\u201d Alice Tierney. Tierney was found hanging by her own petticoats on a fence in a seedy Philadelphia neighborhood early one morning in 1880. Despite suspicious circumstances, the death was ruled accidental and never investigated by police. But who was Alice? Can four grad students investigating the site discover the truth? \u2013&nbsp;<a href=\"http:\/\/www.melissadunphy.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">melissadunphy.com<\/a><\/p>\n\n\n\n<p><a class=\"wp-block-button wp-block-bu-button has-secondary-theme\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176624\">Tickets<\/a><\/p>\n\n\n\n<h3><em>Marcus; or the Secret of Sweet<\/em><\/h3>\n\n\n\n<p><strong><em>Presented by Boston University School of Theatre<\/em><\/strong><\/p>\n\n\n\n<h5>October 20 \u2013 22, 2023<\/h5>\n\n\n\n<p>By Tarell Alvin McCraney<br>Directed by Roz Bevan (CFA\u201919)<\/p>\n\n\n\n<p><strong>Joan &amp; Edgar Booth Theatre \u2022 <\/strong>820 Commonwealth Ave., Brookline<\/p>\n\n\n\n<p>Marcus is sixteen and \u201csweet.\u201d Days before Hurricane Katrina strikes the projects of Louisiana, Marcus keeps having dreams about a mysterious man and a ton of rain. The currents of his life converge, overflowing into his close-knit community and launching the search for his sexual and personal identity on a cultural landscape infused with mysterious family creeds. The poignant and fiercely humorous coming-of-age story of a young gay man in the South, Marcus is the stirring conclusion of The Brother\/Sister Plays.<\/p>\n\n\n\n<p><a class=\"wp-block-button wp-block-bu-button has-primary-theme\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176629\">Tickets<\/a><\/p>\n\n\n\n<h3><em>Hydrogen Jukebox<\/em><\/h3>\n\n\n\n<p><em>A co-production of BU Opera Institute and School of Theatre<\/em><\/p>\n\n\n\n<p>Music by Philip Glass<br>Libretto by Allen Ginsburg<br>Music Director \u2022 <a href=\"v\">Matthew Larson<\/a><br>Stage Director \u2022 Sarah Dahnke<\/p>\n\n\n\n<p><strong>October 27 \u2013 29, 2023<\/strong><br><strong>Studio ONE \u2022 <\/strong>855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>Created as a portrait of America from the 1950s through the 1980s,&nbsp;<em>Hydrogen Jukebox<\/em>&nbsp;was composed after a chance meeting between composer, Philip Glass, and Beat poet, Allen Ginsberg. Through Glass\u2019 minimalist style, and Ginsberg\u2019s poetry on topics ranging from the anti-war movement to the environment, the opera touches on many of America\u2019s enduring social issues.<\/p>\n\n\n\n<p><a class=\"wp-block-button wp-block-bu-button has-secondary-theme\" href=\"https:\/\/ci.ovationtix.com\/36437\/production\/1176628\">tickets<\/a><\/p>\n\n\n\n<h3><em>The Gutter<\/em><\/h3>\n\n\n\n<p><em>The Gutter is presented by BU <a href=\"https:\/\/www.bu.edu\/cfa\/visual-arts\/\">School of Visual Arts<\/a> and its MFA <a href=\"https:\/\/www.bu.edu\/cfa\/academics\/degrees-programs\/visual-narrative\/mfa\/\">Visual Narrative<\/a> Class of 2024.<\/em><\/p>\n\n\n\n<p><strong>On view from September 15 \u2013 October 2, 2023<\/strong><\/p>\n\n\n\n<p><strong>CFA Commonwealth Gallery<\/strong>, 855 Commonwealth Ave., Boston (first floor)<\/p>\n\n\n\n<p><strong>Reception \u2022<\/strong> Friday, September 29, 7pm, Commonwealth Gallery<\/p>\n\n\n\n<p>\u201cAlthough most of the action happens inside the panels, all of the rhythm and flow of storytelling happens in the gutter,\u201d say curators and MFA Visual Narrative students Sadie Sauders (CFA\u201924) and Ella Scheuerell (CFA\u201924). \u201cWhen a drawing protrudes into the gutter, it can be dramatic. When a page has no gutters or too many gutters, it can be overwhelming. When the gutters are evenly spaced and clear, it can provide readers with a sense of order and tranquility. The gutter has the power to influence the reader without their even knowing. In all its meanings, the gutter is a necessity, despite its sometimes-negative connotation. Without it, rainwater would damage our homes, and bowling balls would become wrecking balls. Comics might not make sense. So perhaps next time you meet a cartoonist, instead of telling them to get their minds out the gutter, perhaps encourage them to get&nbsp;their minds into the gutter, because that is where all the magic happens.\u201d<\/p>\n\n\n\n<h3><em>BRUSH|REED<\/em><\/h3>\n\n\n\n<p><em>Presented by the BU College of Fine Arts <a href=\"https:\/\/www.bu.edu\/cfa\/music\/\">School of Music<\/a><\/em><\/p>\n\n\n\n<p><strong>Wednesday, September 27, 2023<\/strong><\/p>\n\n\n\n<p>Noon performance followed by an open discussion with the artists<\/p>\n\n\n\n<p><strong>808 Gallery<\/strong>, 808 Commonwealth Ave., Brookline<\/p>\n\n\n\n<p>Featuring <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/jennifer-bill\/\">Dr. Jennifer Bill<\/a> (saxophone) and Linnea Maas (visual artist), <em>BRUSH|REED<\/em> is a collaboration between artist and musician to explore the parallels of painting and sound through live performance. BRUSH|REED engages an audience through color, pitch, representational lines, rhythm, intensity, and expression: an aural visual experience. The artists come together to explore the parallels between painting and music via live performances. Jennifer transforms the printed notes of her musical score into lush soundscapes, Linnea further interprets the music into visual color and form on her fresh canvas. The live art that blooms at every <em>BRUSH|REED<\/em> performance captivates and resonates with the audiences. The paintings that emerge establish a visual memory of the sights, sounds, and emotions of each intimate affair, impressing upon each audience member a feeling of symbiosis between the two disciplines presented to them.&nbsp;Learn more at <a href=\"http:\/\/www.brushreed.com\">brushreed.com<\/a>.<\/p>\n\n\n\n<h3><em>Sutasoma: The Tale of a Buddhist Prince<\/em><\/h3>\n\n\n\n<p>Presented by the BU College of Fine Arts School of Music<\/p>\n\n\n\n<p>Directed by Associate Professor <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/brita-heimarck\/\">Brita Heimarck<\/a><\/p>\n\n\n\n<p><strong>Saturday, September 30, 2023<\/strong><\/p>\n\n\n\n<p><strong>CFA Concert Hall<\/strong> \u2022 855 Commonwealth Ave., Boston<\/p>\n\n\n\n<p>The Balinese Shadow Play Music Ensemble at Boston University presents <em>Sutasoma: The Tale of a Buddhist Prince<\/em>, directed by Associate Professor <a href=\"https:\/\/www.bu.edu\/cfa\/about\/contact-directions\/directory\/brita-heimarck\/\">Brita Heimarck<\/a>. We will present an adaptation of this 14th century kakawin (Old Javanese) text from Indonesia. The story follows Buddha, reincarnated as Sutasoma, the son of the King of Hastina. Pious Sutasoma had no desire to marry and become a king, so one night he fled the palace, sought refuge in the forest, and found his way to a monastery in the mountains. Through meditation his spiritual power grew, and many kings urged him to fight a demon king (Purusada or Kalmasapada) who was ravaging the land and killing many people. Nymphs and a god disguised as a goddess tried to tempt Sutasoma into marrying and taking his rightful place as a warrior of peace. But Sutasoma transformed his enemies into disciples seeking the spiritual path. Finally, he agreed to marry the beautiful daughter of King Dasabahu, and he discovered that she too had achieved an exalted level of spiritual insight.\u201d<\/p>\n\n\n\t<aside class=\"wp-block-editorial-relatedstories is-style-card has-three news-block-editorial-relatedstories\">\n\t\t<h3 class=\"wp-block-editorial-relatedstories-title\">Related<\/h3>\n\t\t<ul class=\"wp-block-editorial-relatedstories-list\">\n\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"2000\" height=\"1335\" src=\"\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1.jpeg 2000w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-636x425.jpeg 636w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-1024x684.jpeg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-768x512.jpeg 768w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-1536x1025.jpeg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-1498x1000.jpeg 1498w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-900x600.jpeg 900w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-450x300.jpeg 450w, https:\/\/www.bu.edu\/cfa\/files\/2022\/10\/crop-22-1621-FRINGE-017-1-600x400.jpeg 600w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>BU Opera Institute<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/news\/articles\/2022\/curtains-open-on-2022-cfa-fringe-festival\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">Curtains Open on 2022 CFA Fringe Festival<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">October 21, 2022<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"2000\" height=\"1335\" src=\"\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006.jpg 2000w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-636x425.jpg 636w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-1024x684.jpg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-768x512.jpg 768w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-1536x1025.jpg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-1498x1000.jpg 1498w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-900x600.jpg 900w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-450x300.jpg 450w, https:\/\/www.bu.edu\/cfa\/files\/2021\/10\/feat-21-1497-FRINGE-006-600x400.jpg 600w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>Theatre<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/news\/articles\/2021\/cfa-kicks-off-25th-fringe-festival\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">CFA Kicks Off 25th Fringe Festival<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">October 15, 2021<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"wp-block-editorial-relatedstories-list-item\">\n\t\t\t\t\t<article class=\"wp-block-editorial-relatedstories-article\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-block-editorial-relatedstories-article-image\">\n\t\t\t\t\t\t\t\t\t<img width=\"300\" height=\"200\" src=\"\/cfa\/files\/2020\/12\/Semester-in-Photos-thumbnail-300x200-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"CFA Semester in Review BU Opera Fringe\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"wp-block-editorial-relatedstories-article-content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-category\"><span>BU Opera Institute<\/span><\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"wp-block-editorial-relatedstories-article-title\"><a href=\"https:\/\/www.bu.edu\/cfa\/news\/articles\/2021\/bu-opera-institute-presents-a-virtual-24th-fringe-festival\/\" class=\"wp-block-editorial-relatedstories-article-title-link\">BU Opera Institute presents a virtual 24th Fringe Festival<\/a><\/h4>\n\t\t\t\t\t\t\t<p class=\"wp-block-editorial-relatedstories-article-date\">April 5, 2021<\/p>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t<\/aside>\n\t\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boston University College of Fine Arts (CFA) announces the Fall 2023 Fringe Festival lineup, featuring works produced by Boston University School of Music:&nbsp;Opera Institute&nbsp;and School of Theatre. Spurred by the dynamic and diverse programs within BU College of Fine Arts, this year\u2019s Fringe features additional programming from BU School of Visual Arts and School of [&hellip;]<\/p>\n","protected":false},"author":14125,"featured_media":104078,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[325,212,329,216],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/104077"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/14125"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=104077"}],"version-history":[{"count":32,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/104077\/revisions"}],"predecessor-version":[{"id":105300,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/104077\/revisions\/105300"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/104078"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=104077"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=104077"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=104077"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=104077"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=104077"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=104077"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=104077"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=104077"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=104077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}