{"id":100581,"date":"2023-05-11T10:21:11","date_gmt":"2023-05-11T14:21:11","guid":{"rendered":"http:\/\/www.bu.edu\/cfa\/?post_type=bu-article&#038;p=100581"},"modified":"2023-05-11T10:21:11","modified_gmt":"2023-05-11T14:21:11","slug":"art-house-is-bus-homegrown-sitcom","status":"publish","type":"bu-article","link":"https:\/\/www.bu.edu\/cfa\/news\/articles\/2023\/art-house-is-bus-homegrown-sitcom\/","title":{"rendered":"Art House Is BU\u2019s Homegrown Sitcom"},"content":{"rendered":"\t<div class=\"wp-block-editorial-leadin news-block-editorial-leadin is-style-emphasis-on-text has-media has-box has-media-focus-right-top\">\n\t\t<div class=\"container-lockup\">\n\n\t\t\t<div class=\"wp-block-leadin-media\">\n\t\t\t\t\n\t\t\t\t<img width=\"2000\" height=\"1335\" src=\"\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat.jpeg\" class=\"\" alt=\"Summer Sage, played by Michaela Lazarou (CFA\u201924) dancing and Candy Baker, played by Katie McRae (CFA\u201923), and Lil Bub, played by Aidan Close (CFA\u201923) watching\" loading=\"lazy\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat.jpeg 2000w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-636x425.jpeg 636w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-1024x684.jpeg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-768x512.jpeg 768w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-1536x1025.jpeg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-1498x1000.jpeg 1498w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-900x600.jpeg 900w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-450x300.jpeg 450w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-227-feat-600x400.jpeg 600w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\n\t\t\t\n\t\t\t\t<div class=\"container-words-outer\">\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"wp-block-editorial-leadin-caption wp-prepress-component-caption\">A comic highlight of\u00a0<em>Art House<\/em>\u00a0was the demented interpretive dances by Summer Sage, played by Michaela Lazarou (CFA\u201924) and their impact on Candy Baker, played by Katie McRae (CFA\u201923), and Lil Bub, played by Aidan Close (CFA\u201923). Photo by Michael D. Spencer<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"container-words-inner\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"wp-prepress-tag\">Theatre<\/span>\n\t\t\t\t\t\t\t\t<h1 class=\"head\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<em>Art House\u00a0<\/em>Is BU\u2019s Homegrown Sitcom\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h4 class=\"deck\">CFA School of Theatre and COM Department of Film and Television collaborate to get laughs<\/h4>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t<\/div>\n\n\t\t\t\n\t\t<\/div>\n\n\t\t\n\t<\/div>\n\n\t\n<div class=\"wp-prepress-component-metabar js-block-editorial-metabar news-prepress-layout-metabar\">\n\t<div class=\"wp-prepress-component-metabar-wrapper\">\n\t\t\t\t\t<div class=\"wp-prepress-component-metabar-date\">May 11, 2023<\/div>\n\t\t\n\t\t\t\t<div class=\"wp-prepress-component-metabar-credits\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"wp-prepress-component-metabar-share js-bu-prepress-share-tools\">\n\t\t\t<span class=\"icon-twitter\"><span>Twitter<\/span><\/span>\n\t\t\t<span class=\"icon-facebook\"><span>Facebook<\/span><\/span>\n\t\t\t<span class=\"icon-action\"><\/span>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\t\n\n\n<p>This article was first published in <a href=\"https:\/\/www.bu.edu\/articles\/2023\/art-house-is-bu-homegrown-sitcom\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>BU Today<\/em><\/a> on May 10, 2023. By Joel Brown<\/p>\n\n\n\n<h5 id=\"headline-1\" class=\"wp-block-editorial-headline news-block-editorial-headline is-style-default\">Excerpt<\/h5>\n\n\n\n<p>Twentysomething Barb returns to her family home after a breakup to find a quartet of artists using it as a studio and crash pad: an interpretive dancer, an obsessive baker, a sculptor, and an inept but enthusiastic rapper.&nbsp;<\/p>\n\n\n\n<p>\u201cHop on this beat with me!\u201d the rapper says.<\/p>\n\n\n\n<p>Barb, understandably, pulls out her can of mace: \u201cYou have three seconds to back away.\u201d<\/p>\n\n\n\n<p>Welcome to\u00a0<em>Art House<\/em>, a sitcom co-produced by the College of Communication Department of Film and Television and the <a href=\"http:\/\/bu.edu\/cfa\/theatre\">College of Fine Arts School of Theatre (SOT)<\/a>. Student actors, directors, designers, writers, and camera operators from both ends of Comm Ave created the show under the watchful eyes of industry-veteran faculty.\u00a0<\/p>\n\n\n\n<p>A traditional three-camera sitcom shot before a live audience\u2014like&nbsp;<em>I Love Lucy<\/em>&nbsp;and&nbsp;<em>All in the Family<\/em>\u2014<em>Art House&nbsp;<\/em>was taped over several nights at the Joan &amp; Edgar Booth Theatre in late April. An elaborate three-room set and a live audience gave it that Hollywood feel.<\/p>\n\n\n\n<p>Halfway between live theater and a single-camera show like\u00a0<em>The Office<\/em>, few\u00a0multi-camera sitcoms have been produced these last few years. But Acsa Welker (CFA\u201923), who plays Barb, says, \u201cHonestly, it feels like the perfect learning space, because it\u2019s kind of the best marriage of the two forms. I just feel kind of ready to\u2014hopefully\u2014step onto a set in the future. Even if it\u2019s not the same, I still feel like I\u2019ve learned a lot.\u201d<\/p>\n\n\n\n<h3 id=\"headline-2\" class=\"wp-block-editorial-headline news-block-editorial-headline is-style-emphasis-color\">A first-time collaboration<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.bu.edu\/com\/profile\/paul-schneider\/\" target=\"_blank\" rel=\"noreferrer noopener\">Paul Schneider<\/a>, COM professor of film and television and department chair, and&nbsp;<a href=\"https:\/\/www.bu.edu\/articles\/2020\/susan-mickey-brings-a-designers-eye-to-the-school-of-theatre\/\" target=\"_blank\" rel=\"noreferrer noopener\">Susan Mickey<\/a>, CFA professor of costume design and director of the School of Theatre, started talking about a collaboration two years ago. Work began in earnest in spring 2022.&nbsp;<\/p>\n\n\n\n<p>\u201cThere\u2019s nothing for us to fall back on in terms of what other universities have done or anything else,\u201d Schneider says. \u201cWe\u2019re taking a step off into the unknown.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" width=\"1024\" height=\"683\" src=\"\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-1024x683.jpeg\" alt=\"Film students preparing to fim the sitcom Art House.\" class=\"wp-image-100584\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-1024x683.jpeg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-636x424.jpeg 636w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-768x512.jpeg 768w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-1536x1025.jpeg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-1499x1000.jpeg 1499w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-900x600.jpeg 900w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-450x300.jpeg 450w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize-600x400.jpeg 600w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1263-SITCOM-173-resize.jpeg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><em>Art House<\/em>\u00a0is the first collaboration between the College of Communication Department of Film and Television and the College of Fine Arts School of Theatre. Photo by Michael D. Spencer<\/figcaption><\/figure>\n\n\n\n<p>\u201cWe were looking for different means of expression in which our students could perform, collaborate, and travel their artistic journeys,\u201d says Mickey. \u201cWe\u2019re a natural fit. We\u2019re hoping this will be the impetus for more work together.\u201d<\/p>\n\n\n\n<p>COM Students working on the show could get academic credit through a class created for&nbsp;<em>Art House,<\/em>&nbsp;while it was one of the scheduled productions at CFA for which students there could get credit. By last fall the writing staff was hard at work, with about 20 students from COM and the School of Theatre undergraduate playwriting program. Eventually there were table reads with the cast. Gags came and went, as did characters, while the best survived to the final shooting script.<\/p>\n\n\n\n<div class=\"wp-block-bu-pullquote news-block-bu-pullquote has-image-focus-center-middle\"><div class=\"wp-block-bu-pullquote-inner\"><figure><\/figure><blockquote><div class=\"container-lockup\"><div class=\"container-icon-outer\"><div class=\"container-icon-inner\"><\/div><\/div><div class=\"container-text\"><hr\/><div class=\"quote-sizing\">We were looking for different means of expression in which our students could perform, collaborate, and travel their artistic journeys. We\u2019re a natural fit. We\u2019re hoping this will be the impetus for more work together.<\/div><footer class=\"caption\"><br\/>-Susan Mickey, BU School of Theatre Director<\/footer><hr\/><\/div><\/div><\/blockquote><\/div><\/div>\n\n\n\n<p>When two men in welding masks carry a metal sculpture into the house, Barb glares and asks, \u201cDaft Punk?\u201d (Spoiler: It\u2019s not the headgear-friendly rock duo.)<\/p>\n\n\n\n<p>Adam Lapidus, a COM assistant professor of film and television who has written episodes of everything from&nbsp;<em>The Simpsons<\/em>&nbsp;to&nbsp;<em>Full House,<\/em>&nbsp;ran the writing staff with Bill Broadis, also an assistant professor of film and television, whose credits include&nbsp;<em>Dr. Katz: Professional Therapist.<\/em><\/p>\n\n\n\n<p>\u201cIn the real world, you know, someone has written a pilot somewhere, and the network buys it and turns it over to the staff and says, OK, let\u2019s work on this,\u201d Broadis says. \u201cWe started with nothing, so it was tough to wrangle 15 people\u2019s opinions of what should happen.\u201d<\/p>\n\n\n\n<p><em>Art House\u00a0<\/em>director Eli Canter (COM\u201923) and some writers attended the annual School of Theatre season auditions last September, where acting students demonstrated their talents in hopes of getting cast in productions during the year.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" width=\"1024\" height=\"682\" src=\"\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-1024x682.jpeg\" alt=\"Director Eli Canter (COM\u201923) and Paul Schneider, COM professor of film and television and department chair, discussing camera blocking during a rehearsal for Art House at CFA\" class=\"wp-image-100593\" srcset=\"https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-1024x682.jpeg 1024w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-636x424.jpeg 636w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-768x512.jpeg 768w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-1536x1024.jpeg 1536w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-1500x1000.jpeg 1500w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-900x600.jpeg 900w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-450x300.jpeg 450w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize-600x400.jpeg 600w, https:\/\/www.bu.edu\/cfa\/files\/2023\/05\/Art-House-23-1165-SITCOM-094-resize.jpeg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Director Eli Canter (COM\u201923) and Paul Schneider, COM professor of film and television and department chair, discussing camera blocking during a rehearsal for\u00a0<em>Art House<\/em>\u00a0at CFA. Photo by Cydney Scott<\/figcaption><\/figure><\/div>\n\n\n\n<p>Schneider had already picked Canter to direct&nbsp;<em>Art House<\/em>&nbsp;before his student film\u2014coincidentally titled&nbsp;<em>Artboy<\/em>\u2014<a href=\"https:\/\/www.bu.edu\/articles\/2023\/2023-redstone-film-festival-student-filmmaker-winners\/\" target=\"_blank\" rel=\"noreferrer noopener\">all but swept<\/a>&nbsp;the 2023&nbsp;<a href=\"https:\/\/www.bu.edu\/com\/about-com\/honors\/redstone-film-festival\/\" target=\"_blank\" rel=\"noreferrer noopener\">Redstone Film Festival<\/a>&nbsp;with top finishes, alone or tied, in almost every major category: best film, best screenplay, best cinematography, best sound design, best editing, and best actor.<\/p>\n\n\n\n<p>\u201cEverything I\u2019ve directed up until this point has been something that I\u2019ve written and come up with myself, so it\u2019s a very different experience,\u201d Canter says.<\/p>\n\n\n\n<p>\u201cAt first I thought, I\u2019m gonna have every scene storyboarded, kind of like what I\u2019m used to. And I did that. And I\u2019m happy I had that prep,\u201d he says. \u201cBut in the first few rehearsals I realized quickly, oh, wait! I actually don\u2019t know anything that we have to see. And the camera operators have to feel it out, and then we can go from there.\u201d<\/p>\n\n\n\n<p>There were some upsides.<\/p>\n\n\n\n<p>\u201cOn my student film sets, I\u2019m the one making sure, are the actors gonna come? What time should we start? And what are we gonna serve them for lunch? I\u2019ve had to worry about all those things myself,\u201d Canter says with a smile. \u201cVersus now, on&nbsp;<em>Art House<\/em>, the stage manager deals with all that. So that\u2019s been really nice.\u201d<\/p>\n\n\n\n<p>Early rehearsals at CFA looked similar to any SOT production, with tape on the floor representing the boundaries of the set. But in March, when they added three cameras and a \u201cvideo village\u201d where Canter and his team would watch the feed, the degree of difficulty went up.<\/p>\n\n\n\n<p>There was a lot of Hollywood-style \u201churry up and wait\u201d as blocking and camera movements were adjusted under the eagle eye of Tim Palmer, a COM professor of the practice in cinematography whose credits include the hitwoman thriller&nbsp;<em>Killing Eve<\/em>.<\/p>\n\n\n\n<p>\u201cDon\u2019t chop off his fingers,\u201d Palmertold one camera operator<em>.<\/em>&nbsp;Presumably he just meant, \u201cDon\u2019t cut them out of the frame.\u201d<\/p>\n\n\n\n<p class=\"aligncenter\"><a class=\"wp-block-button wp-block-bu-button news-block-button\" href=\"https:\/\/www.bu.edu\/articles\/2023\/art-house-is-bu-homegrown-sitcom\/\">read the full article in BU today<\/a><\/p>\n\n\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This article was first published in BU Today on May 10, 2023. By Joel Brown Twentysomething Barb returns to her family home after a breakup to find a quartet of artists using it as a studio and crash pad: an interpretive dancer, an obsessive baker, a sculptor, and an inept but enthusiastic rapper.&nbsp; \u201cHop on [&hellip;]<\/p>\n","protected":false},"author":19544,"featured_media":100579,"comment_status":"closed","ping_status":"closed","template":"","meta":{"bu_prepress_billboard":"{\"post_id\":99569,\"hed\":\"BU Presents Art House: A Live Audience Filming of an Original TV Comedy Pilot at Joan &#038; Edgar Booth Theatre\",\"dek\":\"Next Article\",\"class\":\"wp-block-editorial-billboard news-block-editorial-billboard has-media\",\"backgroundId\":\"99572\",\"backgroundUrl\":\"\\\/cfa\\\/files\\\/2023\\\/04\\\/art-house-digital_web-thumbnail.png\",\"backgroundType\":\"image\",\"backgroundOpacity\":\"100\"}","_bu_prepress_primary_term":"","_bu_prepress_primary_term_manual":""},"tags":[],"bu-publication":[192],"magazine-article-category":[],"magazine-topic":[],"news-article-category":[329],"news-topic":[],"bu_edition":[],"media_type":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/100581"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/types\/bu-article"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/users\/19544"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/comments?post=100581"}],"version-history":[{"count":7,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/100581\/revisions"}],"predecessor-version":[{"id":100594,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-article\/100581\/revisions\/100594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media\/100579"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media?parent=100581"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/tags?post=100581"},{"taxonomy":"bu-publication","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu-publication?post=100581"},{"taxonomy":"magazine-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-article-category?post=100581"},{"taxonomy":"magazine-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/magazine-topic?post=100581"},{"taxonomy":"news-article-category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-article-category?post=100581"},{"taxonomy":"news-topic","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/news-topic?post=100581"},{"taxonomy":"bu_edition","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/bu_edition?post=100581"},{"taxonomy":"media_type","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa\/wp-json\/wp\/v2\/media_type?post=100581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}