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129 result(s) found.

  • Jihye Chang Sung

    Senior Lecturer in Music, Piano
    Dr. Jihye Chang Sung enjoys a diverse career as a soloist, collaborator, educator, scholar, and advocate for new music in the United States and abroad. Her performances focus on the creative process of collaborating with living composers, curating programs that connect to various audiences, and giving context to contemporary works. She is a recipient of […]
  • Leland Owen Clarke

    Professor of the Practice, Musicology & Ethnomusicology
    Leland Clarke started playing piano when he was six years old and composed his first song at seventeen. Classically trained by Helen Ewing, Dorsha Dockett and John Ross, the Boston, Massachusetts raised pianist increasingly turned to his songwriting as a way of expressing himself, and by the time Leland was a sophomore in college, he […]
  • Victor Coelho

    Professor of Music; Director, Center for Early Music Studies; Chair, Department of Historical Performance
    Victor Coelho is Professor of Music in the Department of Musicology and Ethnomusicology, Director of the Center for Early Music Studies, Chair of the Dept. of Historical Performance, and a faculty member in the American and New England Studies Program. A graduate of Berkeley (BA) and UCLA (PhD), and a Fellow of Villa I Tatti, […]
  • Richard Cornell

    Professor of Music, Composition and Music Theory
    Richard Cornell works in a range of symphonic and chamber music forms, as well as computer-mediated sound art. He has awards from the Fromm Music Foundation, National Endowment for the Arts, Massachusetts Cultural Council, and the New England Foundation for the Arts. The chamber orchestra A Far Cry, Boston Modern Orchestra Project, Boston Musica Viva, […]
  • Geralyn Coticone

    Lecturer in Music, Flute
    Master teacher and clinician, Geralyn Coticone, lauded for her insight and support of both the music and the musician, has taught throughout the country, including places such as the New World Symphony, the Masterworks Festival, New England Conservatory, the National Flute Association Conventions, the University of Iowa Piccolo Intensive and the University of North Carolina. […]
  • Radio Cremata

    Lecturer, Music Education
    Dr. Radio Cremata is Associate Professor and chair of Music Education at Ithaca College. He earned his doctorate degree in music education from Boston University, his master’s degree from Florida International University and his bachelor’s degree from the University of Miami. Before coming to Ithaca College, Dr. Cremata taught in Miami, FL. Dr. Cremata is actively involved with […]
  • Diana Dansereau

    Associate Professor, Music Education; Chair, Music Education; 4+1 Program Advisor, School of Music
    Diana R. Dansereau, Associate Professor of Music, and Chair of Music Education, is dedicated to enriching the musical lives of young children. She demonstrates this by researching music learning in early childhood; implementing innovative musical experiences in early childhood and elementary settings; working with pre- and in-service music teachers to critically analyze research and practice; […]
  • Hazel Dean Davis

    Lecturer in Horn
    Hazel Dean Davis is an in-demand orchestral, chamber, and Broadway hornist living in Arlington, Massachusetts. She played the solo horn chair in the revival of 1776 on Broadway in New York City in 2022-2023 and on the national tour in 2023, and is a longtime member of the Boston Pops Esplanade Orchestra in Boston. From […]
  • André de Quadros

    Professor of Music, Music Education
    André de Quadros, music educator, conductor, ethnomusicologist, writer, and human rights activist has conducted and undertaken research in over forty countries. His professional work has taken him to the most diverse settings, spanning professional ensembles, and projects with prisons, peacebuilding and reconciliation, psychosocial rehabilitation, refugees and asylum-seekers, poverty locations, and victims of torture and trauma. Dr. […]
  • Ruth Debrot

    Senior Lecturer, Music Education
    Ruth A. Debrot espouses a joyful approach to music-making. Presently, she is the Coordinator of Music Teacher Licensure and Lecturer in Music Education at Boston University. She has held university appointments at The City College of New York and University of Massachusetts Lowell. Debrot serves as the chair of the Student Life and Honors Committee. […]
  • James Demler

    Assistant Professor, Voice
    Bass-baritone James Demler is known for his versatile range of repertory, spanning the operatic, oratorio, concert, and popular music genres. He has been an annual favorite with Boston's Odyssey Opera, with recent roles as Jov in Dvorak's Dimitrij, Pietro de Wissant in Donizetti's L'Assedio di Calais, Geronte in Gounod's Le Medecin Malgre Lui, and most […]
  • Daniel Doña

    Senior Lecturer in Music, Viola; Director of Undergraduate Studies; Coordinator, String Chamber Music
    Violist Daniel Doña has distinguished himself as an active international performer and pedagogue. His collaborations with musicians from multiple traditions has led him to explore the beauty of a polystylistic musical space, gaining praise for being “especially at home in this harmonic world” (San Francisco Classical Voice).  He serves on the viola faculty of the […]
  • Lynn Eustis

    Associate Professor, Voice; Chair of Voice, School of Music
    Lynn Eustis, soprano, is currently Chair of Voice and Associate Professor of Voice at Boston University, where she joined the faculty in fall 2012.  From 1999-2012 she served on the voice faculty at the University of North Texas, where she was also Director of Graduate Studies in Music.  She holds the Doctor of Music degree […]
  • Terry Everson

    Professor, Trumpet; Director, Trumpet Workshop, BU Tanglewood Institute
    “A trumpet player’s trumpet player,” in the words of one of his frequent collaborators, Terry Everson has performed at 15 International Trumpet Guild Conferences since 1980. His first international acclaim occurred in 1988, when the ITG sponsored two major competitions on consecutive days: one specializing in Baroque/Classical, the other in Twentieth Century literature. Everson shocked […]
  • John Ferrillo

    Lecturer in Music, Oboe; Co-Director, Oboe Workshop, BU Tanglewood Institute
    John Ferrillo joined the Boston Symphony Orchestra as principal oboe at the start of the 2001 Tanglewood season, having appeared with the orchestra several times as a guest performer in recent seasons. From 1986 to 2001 he was principal oboe of the Metropolitan Opera Orchestra. He studied with John deLancie at the Curtis Institute, and […]
  • Joshua Fineberg

    Professor, Composition; Director, Center for New Music; Director, Electronic Music Studio
    Joshua Fineberg began his musical studies at the age of five; they have included – in addition to composition – violin, guitar, piano, harpsichord and conducting. He completed his undergraduate studies at the Peabody Conservatory with Morris Moshe Cotel where he won first prize in the bi-annual Virginia Carty de Lillo Composition Competition. In 1991, […]
  • Sarah Freiberg Ellison

    Lecturer, Historical Performance
    Sarah Freiberg is a tenured member of the Handel and Haydn Society and Emmanuel Music. Cellist for Blue Hill Bach and the Kennebec Early Music Festival, she has performed with Boston Baroque, the New York Collegium, Philharmonia Baroque Orchestra (San Francisco), Portland Baroque (Oregon), Seattle Baroque, the Boston Early Music Festival Orchestra and Arion (Montreal). […]
  • Timothy Genis

    Lecturer in Music, Percussion; Coordinator, Percussion
    Timothy Genis joined the Boston Symphony Orchestra in May 1993 as assistant timpani of the BSO and timpani of the Boston Pops Orchestra. Mr. Genis attended the Juilliard School and the Eastman School of Music. From July 1991 until his BSO appointment, he was associate timpani and assistant principal percussion of the Honolulu Symphony. Previously […]
  • John Genovese

    Lecturer, Music Theory
    John Genovese has been involved with BU Online Music Education Program since its inception in 2005, serving as a facilitator and instructor, and developing the music theory tutorial. He has served as a Teaching Assistant at Boston University, UC–San Diego, and the Boston University Tanglewood Institute, where he was also Assistant Administrative Director from 2000 […]
  • Nancy Goeres

    Lecturer in Music, Bassoon
    Principal Bassoonist Nancy Goeres joined the Pittsburgh Symphony Orchestra in 1984. Prior to the Pittsburgh Symphony Orchestra, Goeres held similar positions with the Florida Orchestra, the Caracas Philharmonic and the Cincinnati Symphony. Ms. Goeres serves on the faculties of Boston University and Carnegie Mellon University, and the music festivals of Aspen and Sarasota. In addition […]