{"id":206,"date":"2012-03-29T16:18:07","date_gmt":"2012-03-29T20:18:07","guid":{"rendered":"https:\/\/www.bu.edu\/cfa-magazine\/?p=206"},"modified":"2014-07-30T10:52:04","modified_gmt":"2014-07-30T14:52:04","slug":"encore","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/cfa-magazine\/2012\/03\/29\/encore\/","title":{"rendered":"Encore"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"size-full wp-image-377\" title=\"Encore_Slug\" src=\"\/cfa-magazine\/files\/2012\/03\/Encore_Slug.jpg\" alt=\"Encore\" width=\"132\" height=\"40\" \/><\/p>\n<p>In the early 1970s, the Division of Music held its undergraduate course in electronic music in a lab outfitted with tape machines and a top-of-the- line ARP 2600 synthesizer. Today\u2019s electronic music students work primarily on their laptops. Below (from left), graduate students Igor Iwanek and Heather Stebbins complete a sound check before an electronic music concert with assistance from Associate Professor Joshua Fineberg.<\/p>\n<div id=\"attachment207\" style=\"width: 560px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment207\" loading=\"lazy\" class=\"size-full wp-image-207\" title=\"electronic-music-then\" src=\"\/cfa-magazine\/files\/2012\/03\/electronic-music-then.jpg\" alt=\"electronic music lab then\" width=\"550\" height=\"366\" \/><p id=\"caption-attachment207\" class=\"wp-caption-text\">Photo by BU Photography<\/p><\/div>\n<div id=\"attachment208\" style=\"width: 560px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment208\" loading=\"lazy\" class=\"size-full wp-image-208\" title=\"electronic-music-now\" src=\"\/cfa-magazine\/files\/2012\/03\/electronic-music-now.jpg\" alt=\"electronic music lab now\" width=\"550\" height=\"366\" \/><p id=\"caption-attachment208\" class=\"wp-caption-text\">Photo by Vernon Doucette<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the early 1970s, the Division of Music held its undergraduate course in electronic music in a lab outfitted with tape machines and a top-of-the- line ARP 2600 synthesizer. Today\u2019s electronic music students work primarily on their laptops. Below (from left), graduate students Igor Iwanek and Heather Stebbins complete a sound check before an electronic [&hellip;]<\/p>\n","protected":false},"author":6143,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/posts\/206"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/users\/6143"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/comments?post=206"}],"version-history":[{"count":14,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/posts\/206\/revisions"}],"predecessor-version":[{"id":528,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/posts\/206\/revisions\/528"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/media?parent=206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/categories?post=206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/tags?post=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}