{"id":8159,"date":"2020-09-15T15:16:28","date_gmt":"2020-09-15T19:16:28","guid":{"rendered":"https:\/\/www.bu.edu\/cfa-magazine\/?page_id=8159"},"modified":"2021-06-29T17:22:53","modified_gmt":"2021-06-29T21:22:53","slug":"fall-2020","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/cfa-magazine\/archives\/fall-2020\/","title":{"rendered":"Fall 2020"},"content":{"rendered":"<div id=\"spring20\">\n<div class=\"feature_container cfa-style fall19 \">\n<div class=\"feature-details coverstory\"><a title=\"Objects of Her Affection\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/anna-valdez-objects-of-affection\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Cover-Story-Valdez.jpg\" alt=\"Objects of Her Affection\" \/><\/a><\/div>\n<div class=\"feature-details\">\n<h3>Objects of Her Affection<\/h3>\n<p>Anna Valdez (&#8217;13) incorporates personal stories into her lush, plant-filled paintings<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/anna-valdez-objects-of-affection\/\" class=\"button\"> Read More <\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container2 cfa-style\">\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"The Future of Opera\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/lidiya-yankovskaya-future-of-opera\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Feature-Opera.jpg\" alt=\"The Future of Opera\" \/><\/a><\/p>\n<h3><a title=\"Future of Opera\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/lidiya-yankovskaya-future-of-opera\/\">The Future of Opera<\/a><\/h3>\n<p>Lidiya Yankovskaya (&#8217;10) is one of America\u2019s few women conductors and a force for change<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"Mining the Past, Mirroring the Present\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/adrienne-elise-tarver-painting\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Feature-Tarver.jpg\" alt=\"Mining the Past, Mirroring the Present\" \/><\/a><\/p>\n<h3><a title=\"Mining the Past, Mirroring the Present\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/adrienne-elise-tarver-painting\/\">Mining the Past, Mirroring the Present<\/a><\/h3>\n<p>Adrienne Elise Tarver (\u201907) explores perceptions of Black women in her art<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Changing Minds\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/michael-chiklis-changing-minds-coyote\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Feature-ChangingMinds.jpg\" alt=\"The Art of Investing\" \/><\/a><\/p>\n<h3><a title=\"Changing Minds\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/michael-chiklis-changing-minds-coyote\/\">Changing Minds<\/a><\/h3>\n<p>Michael Chiklis (\u201985) on how he reinvented himself as an actor and his new show, <em>Coyote<\/em><\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Paintings on the Doors\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/lena-mccarthy-paintings-on-the-doors-muralist\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Feature-ThePaintingsOnTheDoors1.jpg\" alt=\"Paintings on the Doors\" \/><\/a><\/p>\n<h3><a title=\"Backstage Pass\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/lena-mccarthy-paintings-on-the-doors-muralist\/\">Paintings on the Doors<\/a><\/h3>\n<p>How muralist Lena McCarthy (\u201914) transformed a Victorian firehouse<\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container2 cfa-style boxes sans\">\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"A Note From Harvey\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/a-note-from-harvey-on-calls-for-justice\/\"><img src=\"\/cfa-magazine\/files\/2020\/05\/harrcvey-sm.png\" alt=\"A Note From Harvey\" \/><\/a><\/p>\n<h3><a title=\"A Note From Harvey\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/a-note-from-harvey-on-calls-for-justice\/\">A Note from Harvey<\/a><\/h3>\n<p>&#8220;Our current students are rejecting the inheritance of systemic racism,&#8221; says Harvey Young, CFA Dean. &#8220;They have taken to the streets to call for justice.&#8221;<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"Conversation\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/joel-christian-gill-charles-suggs-conversation\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Thumbnail-Conversation-2.jpg\" alt=\"Conversation\" \/><\/a><\/p>\n<h3><a title=\"Conversation\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/joel-christian-gill-charles-suggs-conversation\/\">Conversation<\/a><\/h3>\n<p>Artists Joel Christian Gill (\u201904) and Charles Suggs (\u201920) discuss using their work to tell lesser-known stories from Black history<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"A New Look at Set Design\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/afsoon-pajoufar-a-new-look-at-set-design\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/set-design.jpg\" alt=\"A New Look at Set Design\" \/><\/a><\/p>\n<h3><a title=\"A New Look at Set Design\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/afsoon-pajoufar-a-new-look-at-set-design\/\">A New Look at Set Design<\/a><\/h3>\n<p>Afsoon Pajoufar (\u201919) will soon be building worlds again as a New York-based set designer for theater, opera, and film<\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container2 cfa-style boxes\">\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"Muse\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/maria-decotis-muse\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/Thumbnail-Muse.jpg\" alt=\"Muse\" \/><\/a><\/p>\n<h3><a title=\"Muse\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/maria-decotis-muse\/\">Muse<\/a><\/h3>\n<p>Maria DeCotis (\u201915) turns a coronavirus press briefing into a hit video<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"Sound Bites\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/ginnifer-goodwin-russell-hornsby-sound-bites\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/SoundBites_homepage_update_615x410.jpg\" alt=\"Sound Bites\" \/><\/a><\/p>\n<h3><a title=\"Sound Bites\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/ginnifer-goodwin-russell-hornsby-sound-bites\/\">Sound Bites<\/a><\/h3>\n<p>Advice from Ginnifer Goodwin (\u201901) and Russell Hornsby (&#8217;96)<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Revitalizing Music Education\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/michael-reynolds-revitalizing-music-education-in-schools\/\"><img src=\"\/cfa-magazine\/files\/2020\/10\/CFKFMusicEducation-updated.jpg\" alt=\"Revitalizing Music Education\" \/><\/a><\/p>\n<h3><a title=\"Revitalizing Music Education\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/michael-reynolds-revitalizing-music-education-in-schools\/\">Revitalizing Music Education<\/a><\/h3>\n<p>Professor creates foundation to support string programs across the US<\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container3 mixedmedia-section cfa-style\">\n<div class=\"department1\">\n<ol>\n<li><a href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/class-notes-fall-2020\/\"><img alt=\"Class Notes\" src=\"\/cfa-magazine\/files\/2020\/11\/Zimeng_Wang-square-70.jpg\" \/><\/a><br \/>\n<h4><a href=\"https:\/\/www.bu.edu\/cfa-magazine\/2020\/11\/02\/class-notes-fall-2020\/\">Class Notes<\/a><\/h4>\n<\/li>\n<li><a href=\"http:\/\/www.bu.edu\/cfa\/alumni\/givingback\/\"><img alt=\"Thank You, Donors\" src=\"\/cfa-magazine\/files\/2018\/11\/donors-thumb.jpg\" \/><\/a><br \/>\n<h4><a href=\"http:\/\/www.bu.edu\/cfa\/alumni\/givingback\/\">Thank You, Donors<\/a><\/h4>\n<\/li>\n<li class=\"third\"><a href=\"https:\/\/www.youtube.com\/watch?v=EJdtLe4A4KI\"><img alt=\"Tour CFA\" src=\"\/cfa-magazine\/files\/2018\/11\/CFA-news-thumb.jpg\" \/><\/a><br \/>\n<h4><a href=\"https:\/\/www.youtube.com\/watch?v=EJdtLe4A4KI\">Tour CFA<\/a><\/h4>\n<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Objects of Her Affection Anna Valdez (&#8217;13) incorporates personal stories into her lush, plant-filled paintings Read More The Future of Opera Lidiya Yankovskaya (&#8217;10) is one of America\u2019s few women conductors and a force for change Mining the Past, Mirroring the Present Adrienne Elise Tarver (\u201907) explores perceptions of Black women in her art Changing [&hellip;]<\/p>\n","protected":false},"author":5235,"featured_media":0,"parent":101,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"homepage-archives.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/8159"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/users\/5235"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/comments?post=8159"}],"version-history":[{"count":31,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/8159\/revisions"}],"predecessor-version":[{"id":8776,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/8159\/revisions\/8776"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/101"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/media?parent=8159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}