{"id":7282,"date":"2019-10-16T20:20:54","date_gmt":"2019-10-17T00:20:54","guid":{"rendered":"https:\/\/www.bu.edu\/cfa-magazine\/?page_id=7282"},"modified":"2019-10-16T20:20:54","modified_gmt":"2019-10-17T00:20:54","slug":"spring-2019","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/cfa-magazine\/archives\/spring-2019\/","title":{"rendered":"Spring 2019"},"content":{"rendered":"<div class=\"feature_container cfa-style spring19 \">\n<div class=\"feature-details coverstory\"><a title=\"Reimagining a Disney Classic\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/21\/the-conversation\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/homepage-2.jpg\" alt=\"Reimagining a Disney Classic\" \/><\/a><\/div>\n<div class=\"feature-details\">\n<h3><img loading=\"lazy\" src=\"\/cfa-magazine\/files\/2019\/06\/title-1.jpg\" alt=\"Actor Alfre Woodard in Disney's the Lion King\" width=\"360\" height=\"auto\" class=\"alignnone size-medium wp-image-6701\" style=\"margin-left: -15px; margin-bottom: -50px;\" srcset=\"https:\/\/www.bu.edu\/cfa-magazine\/files\/2019\/06\/title-1.jpg 836w, https:\/\/www.bu.edu\/cfa-magazine\/files\/2019\/06\/title-1-636x432.jpg 636w, https:\/\/www.bu.edu\/cfa-magazine\/files\/2019\/06\/title-1-768x522.jpg 768w\" sizes=\"(max-width: 836px) 100vw, 836px\" \/><\/h3>\n<p>Woodard (\u201974, Hon.\u201904) talks with <em>The Lion King<\/em> producer John Bartnicki (BUTI\u201902, CFA\u201907) about reimagining a Disney classic<\/p>\n<p><a href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/21\/the-conversation\/\" class=\"button\"> Read More <\/a><\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container2 cfa-style\">\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"Mapping an Opera\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/mapping-anopera\"><img src=\"\/cfa-magazine\/files\/2019\/05\/3-opera-e1559247655281.jpg\" alt=\"Mapping an Opera\" \/><\/a><\/p>\n<h3><a title=\"Mapping an Opera\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/mapping-anopera\">Mapping an Opera<\/a><\/h3>\n<p>How composer Nico Muhly (BUTI\u201996,\u201997) gets from a blank page to the Met<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"The New Black\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/the-real-thing\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/hornsyu.jpg\" alt=\"The New Black\" \/><\/a><\/p>\n<h3><a title=\"The New Black\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/the-real-thing\/\">The Real Thing<\/a><\/h3>\n<p>Russell Hornsby (\u201996) brings complexity and grace to a new kind of role in <em>The Hate U Give <\/em><\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Music Ecosystem\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/saving-the-classical-music-ecosystem\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/classical.jpg\" alt=\"Music Ecosystem\" \/><\/a><\/p>\n<h3><a title=\"Music Ecosystem\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/20\/saving-the-classical-music-ecosystem\/\">Saving the Classical Music Ecosystem<\/a><\/h3>\n<p>Criticism and classical music adapt\u2014and remain relevant<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"A Language of Time and Space\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/14\/a-language-of-time-and-space\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/1-time-e1559247624202.jpg\" alt=\"A Language of Time and Space\" \/><\/a><\/p>\n<h3><a title=\"A Language of Time and Space\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/14\/a-language-of-time-and-space\/\">A Language of Time and Space<\/a><\/h3>\n<p>Sculptor Won Ju Lim draws on architecture to create futuristic, cinematic worlds<\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container2 cfa-style boxes\">\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"Art at the Heart of BU\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/15\/art-at-the-heart-of-bu\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/5art.jpg\" alt=\"Art at the Heart of BU\" \/><\/a><\/p>\n<h3><a title=\"Art at the Heart of BU\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/15\/art-at-the-heart-of-bu\/\">Art at the Heart of BU<\/a><\/h3>\n<p>Artists work with unexpected canvases throughout campus<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"Rising Star: Court Artist\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/21\/court-artist\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/Molteni_Basketball.jpg\" alt=\"Rising Star: Court Artist\" \/><\/a><\/p>\n<h3><a title=\"Rising Star: Court Artist\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/21\/court-artist\/\">Court Artist<\/a><\/h3>\n<p>Get to know Maria Molteni (\u201906), whose influences defy categorization<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Muse\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/30\/muse\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/6muse-e1559247956673.jpg\" alt=\"Muse\" \/><\/a><\/p>\n<h3><a title=\"Muse\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/30\/muse\/\">Muse<\/a><\/h3>\n<p>The vastness of a prairie view and a roll of blank paper gave cartoonist Nicole Hollander (\u201966) space to sketch her past<\/p>\n<\/div>\n<div class=\"portrait3\" id=\"portrait3-s17\">\n<p><a title=\"Women and Gender Bias in Post-#MeToo Hollywood \" href=\"http:\/\/www.bu.edu\/today\/2018\/women-and-gender-bias-in-post-metoo-hollywood\/\"><img src=\"\/cfa-magazine\/files\/2019\/06\/women-in-hollywood.jpg\" alt=\"Women and Gender Bias in Post-#MeToo Hollywood\" \/><\/a><\/p>\n<h3><a title=\"Alums Take On Gender Bias in Post-#MeToo Hollywood\" href=\"http:\/\/www.bu.edu\/today\/2018\/women-and-gender-bias-in-post-metoo-hollywood\/\">Alums Take On Gender Bias in Post-#MeToo Hollywood<\/a><\/h3>\n<p>Actress and executive producer Kim Raver (&#8217;91) and other CFA alums spoke at BU Envisions the Future<\/p>\n<\/div>\n<div class=\"portrait1\" id=\"portrait1-s17\">\n<p><a title=\"Popup Gallery\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/31\/pop-up-artist\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/trdtx.jpg\" alt=\"Popup Gallery\" \/><\/a><\/p>\n<h3><a title=\"Popup Gallery\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/31\/pop-up-artist\/\">Pop-up Gallery<\/a><\/h3>\n<p>Sarah Stieber (&#8217;10)&#8211;named one of 15 Female Artists You Need to Know&#8211;exhibited her electric, realist paintings in her pop-up gallery<\/p>\n<\/div>\n<div class=\"portrait2\" id=\"portrait2-s17\">\n<p><a title=\"Conversations Between Women\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/30\/conversations-between-women\/\"><img src=\"\/cfa-magazine\/files\/2019\/05\/whatRemindsToBeSeen.jpg\" alt=\"Conversations Between Women\" \/><\/a><\/p>\n<h3><a title=\"Conversations Between Women\" href=\"https:\/\/www.bu.edu\/cfa-magazine\/2019\/05\/30\/conversations-between-women\/\">Conversations Between Women<\/a><\/h3>\n<p>A 2018 exhibition at BU Art Galleries presented work by CFA faculty and their former mentors and students<\/p>\n<\/div>\n<\/div>\n<div class=\"feature_container3 mixedmedia-section cfa-style\">\n<div class=\"department1\">\n<ol>\n<li><a href=\"http:\/\/www.bu.edu\/alumni\/community\/\"><img alt=\"Alumni Community\" src=\"\/cfa-magazine\/files\/2018\/11\/alumni-thumb.jpg\" \/><\/a><br \/>\n<h4><a href=\"http:\/\/www.bu.edu\/alumni\/community\/\">Alumni Community<\/a><\/h4>\n<\/li>\n<li><a href=\"http:\/\/www.bu.edu\/cfa\/alumni\/givingback\/\"><img alt=\"Thank You, Donors\" src=\"\/cfa-magazine\/files\/2018\/11\/donors-thumb.jpg\" \/><\/a><br \/>\n<h4><a href=\"http:\/\/www.bu.edu\/cfa\/alumni\/givingback\/\">Thank You, Donors<\/a><\/h4>\n<\/li>\n<li class=\"third\"><a href=\"https:\/\/www.youtube.com\/watch?v=LUhOQ8StvCs&amp;feature=youtu.be\"><img alt=\"Tour CFA\" src=\"\/cfa-magazine\/files\/2018\/11\/CFA-news-thumb.jpg\" \/><\/a><br \/>\n<h4><a href=\"https:\/\/www.youtube.com\/watch?v=LUhOQ8StvCs&amp;feature=youtu.be\">Tour CFA<\/a><\/h4>\n<\/li>\n<\/ol>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Woodard (\u201974, Hon.\u201904) talks with The Lion King producer John Bartnicki (BUTI\u201902, CFA\u201907) about reimagining a Disney classic Read More Mapping an Opera How composer Nico Muhly (BUTI\u201996,\u201997) gets from a blank page to the Met The Real Thing Russell Hornsby (\u201996) brings complexity and grace to a new kind of role in The Hate [&hellip;]<\/p>\n","protected":false},"author":5235,"featured_media":0,"parent":101,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"homepage-archives.php","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/7282"}],"collection":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/users\/5235"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/comments?post=7282"}],"version-history":[{"count":1,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/7282\/revisions"}],"predecessor-version":[{"id":7283,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/7282\/revisions\/7283"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/pages\/101"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/cfa-magazine\/wp-json\/wp\/v2\/media?parent=7282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}